Guardian Poll - Top Show of the Noughties

Category: By Rev/Views
The Guardian are running a poll to vote for the top show of this decade, the list is pretty decent with many worthy mentions on it:

24
30 Rock
Arrested Development
Band of Brothers
Battlestar Galactica
Big Brother
Black Books
Buffy the Vampire Slayer
Curb Your Enthusiasm
Deadwood
Dexter
Doctor Who
Extras
Family Guy
Firefly
Flight of the Conchords
House
Jam
Life on Mars
Lost
Mad Men
Oz
Peep Show
Planet Earth
QI
Rome
Shameless
Six Feet Under
South Park
Spaced
Spooks
State of Play
The Daily Show with Jon Stewart
The Office
The Shield
The Sopranos
The Thick of It
The West Wing
The Wire
Top Gear

This being The Guardian, the smart money is on The Wire winning, but most of these shows deserve to be on the list (except for Spooks imo).

You can vote for your favourite at http://www.guardian.co.uk/media/poll/2009/jul/28/best-tv-show-noughties

Edit: At this stage the votes are being heavily weighted by Top Gear and QI fans, which has turned the entire thing into a quite brilliant and whimsical farce. But that's what happens when technologically adept fan(atic)s band together and also create 'sock puppet' votes to inflate their favourite show's standing.

In short, the Guardian really didn't think this one through and as such it's become a two horse race between QI and Top Gear, two excellent shows but neither one really deserves the title as 'the best' compared to many of the other shows there. And that's just hilarious.
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Web Show - Emerson Wild:Monster Hunter Preview

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I am completely and unashamedly a supporter of web released shows like the BBC iPlayer, Dr Horrible and The Guild, all of which (I think) show a new form of television, perhaps the future. Right now, who knows? But I approve of it, especially The Guild which was also released on XBox live, thus allowing me to watch the show from the comfort of my living room (which is a fun place) as opposed to the work based environment of my office (which is a place where bills are paid and words are written).

Lately Emerson Wild: Monster Hunter popped up onto my radar via Nuklear Power and most recently a preview video of the piece has been released on YouTube.

Here is the HD version:



I'll be following and updating about this occasionally as I do like the look, the humor and the style I've seen so far. He used the word irregardless, I love that word!

The Website is located at http://www.emersonwild.com/ and twitter is http://twitter.com/EmersonWildMH
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The State of the Collection

Category: By Rev/Views
As I'm in work today and I won't be able to update properly because I'm handling all the business decisions while the manager is away here's a short post sharing my now updated DVD collection.

If you click on the picture you can see the large version, most items are pretty clear there. It's in almost alphabetical order, I've had to make some concessions due to the varied sizes of the sets and put them slightly out of order. If there's anything you can't make out just ask, It's pretty easy to identify sets by rows and columns e.g. Row 6, column 5 is Supernatural 1 to 3.

For comparison here's where it was last time I posted about it. The TV Dragons are still in place though!
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Watching The Wire: Season Two: Episode Nine: Stray Rounds

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"The world is a smaller place now."
-- The Greek


Teleplay by David Simon
Directed by Tim Van Patten


Starring:
Dominic West as Officer Jimmy McNulty, Lance Reddick as Lieutenant Cedric Daniels, Sonja Sohn as Kima Greggs, Deirdre Lovejoy as assistant state's attorney Rhonda Pearlman, Wood Harris as Avon Barksdale, Andre Royo as Bubbles, John Doman as Colonel William Rawls, Frankie Faison as Acting Commissioner Ervin Burrell, Clarke Peters as Cool Lester Smooth Freamon, Amy Ryan as Beadie "Bea/Beadie" Russell and Chris Bauer as Frank Sobotka.

With:
Seth Gilliam as Detective Ellis Carver, Domenick Lombardozzi as Detective Thomas "Herc" Hauk, Jim True-Frost as Detective Roland "Prez" Pryzbylewski, Robert Wisdom as Major Howard "Bunny" Colvin, James Ransone as Ziggy Sobotka, Pablo Schreiber as Nick Sobotka, Tom Mardirosian as Agent Koutris, Michael Potts as Brother Mouzone, Bill Raymond as The Greek, Lev Gorens as Eton Ben-Eleazer, Michael Hyatt as Brianna Barksdale, J.D. Williams as Preston "Boadie" Broadus, Tray Chaney as Malik "Poot" Carr, Robert F. Chew as Proposition Joe, Luray Cooper as Nat Coxson, Kelvin Davis as La La, Chris Ashworth as Sergei "Serge" Malatov, Al Brown as Major Stan Valchek, Doug Olear as Terrance "Fitz" Fitzhugh, Charley Scalies as Thomas "Horseface" Pakusa, Delaney Williams as Sergeant Jay Landsman,Ted Feldman as George "Double G" Glekas, Bus Howard as Vernon "Ott" Mottley, Ed Norris as Ed Norris,Gloria Phillips as bereaved mother, Jay Landsman as Lieutenant Dennis Mello, Brook Yeaton as "White" Mike McArdle, De'Rodd Hearns as Puddin, Richard Burton as Shamrock, Jeffrey Pratt Gordon as Johnny "Fifty" Spamanto, Derren M. Fuentes as Lieutenant Torret, Gil Deeble as Hucklebuck, Gordana Rasovich as Ilona Petrovich, Daniel Ferro as Police Officer, Luke Montgomery III as young boy, Randall Boffman as Bill Anderson and Robert F. Colesberry makes his final appearance as Detective Ray Cole (He passed away in 2004).

The Summary:


Read about yo-yo guns, having the drug blues and a couple of deaths beyond the link...


The Recap:

Boadie surveys the streets of Baltimore as a customer arrives in a car, he wants some 'Bin Laden' and is a little confused when he's told they're selling 'WMD' called so because "it'll destruct yo' ass". But once it's explained that it's the same stuff, different name the guy pays up and drives around to pick up. Inside a nearby house a mother is getting her children ready for school, outside the window she sees Poot and the ground stash of drugs.


A short distance away the rival dealers Boadie and the boys ran off previously are arming up, getting ready to retaliate. Ahead of them a young lad on a bike warns Boadie's crew that they're coming up the alley. And as soon as they round the corner Boadie opens fire. In the house the mother runs upstairs and jumps into the bathtub, telling her son to stay on the floor downstairs. Outside the gun fight continues until broken up by the sound of police sirens. The mother discovers that her son has been caught with a stray bullet and been killed. She screams.


Cue the credits...

The Sobotka Detail are in their office listening to some of the wiretap tapes, it's clear that the warehouse has switched things up and turned legitimate, which indicates that the Detail has been compromised - McNulty surmises (correctly) that it was the second can and the port police stopping it which spooked them. Bunk explains to Bea why they switched the can and she curses herself for thinking of the stop. Lester notes that they're not completely aware of what's going on, because if they did know the full truth they would have left by now instead of waiting the Detail out.



Herc and Carver are watching the warehouse, meanwhile across Baltimore Rawls is at the scene of the shoot out, District Commander Howard 'Bunny' Colvin (Bunny from now on) arrives, but a little late in Rawls's opinion. Bunny was at Washington DC and had to hurry back. They talk about the circumstances of the shooting a little and then Bunny calls it all 'f**cking pointless.' Rawls misinterprets that, assuming Bunny is talking about searching for the shooter, Bunny clarifies that he means the entire situation is pointless, the shoot out, the fighting over turf, the "war on drugs" all of it. Pointless.

Stringer and Boadie are talking about what happened, Stringer isn't too pleased with what happened and Boadie explains. Stringer wants to know who shot the boy and then gets angry because this situation means that the cops are going to be all over them and now they're going to have to time out and lay low. He then offers a little advice to Boadie, telling him that the lad needs to know when to flex on a situation. He then tells Boadie to call Shamrock and get the guns dumped in the harbour.


Boadie cleans the guns in the car, sticks them in a bag and dumps them out of the window over the bridge and into the river. They land on the deck of a boat instead. Oops.

Nearby Nick is talking with Vondras about the situation, Vondras tells him that Frank's right to be cautious and then they move on to talk about drugs. Vondras explains that Nicky's a little small time for them and hands him White Mike's number instead. Nicky remembers White Mike, he went to school with him - Vondras assures Nicky that Mike will be no problem now and then hands him a slip with containers on it, all clean, they are to be disappeared. They are to be taken to Newkirk street in order to test the water and see if they are stopped or not.Nicky leaves and Vondras talks a little about how he's confident that the police are not fully onto them.

In the streets the police are out in full force, breaking heads and arresting everyone, shooting a kid means the police have to provide a display of force. One guy protests "I'm clean", the cop retorts "What are you doing in the Pit then?", the guy replies "Saying no to drugs" and the cop retorts again "Don't just say no to drugs motherf**ker. Say 'No, Thank you.'". I love the dialog in The Wire. I really do.

At Prop Joe's place Stringer is talking with Joe about the situation and the plans. It seems that Stringer is considering cooperating despite Avon's unwillingness to do so. Joe tells him about one Charlie Sollers, a heroin dealer who was massive in his time but did it all without ever being known. The guy sold dope, no reputation or anything, and as such the Police never even got a whiff of him. That's how Joe prefers to do business, and Stringer seems inclined to agree. They strike a deal, Stringer giving up half of his towers to Joe in exchange for a connect to the boat. The question is if Avon will accept it, Stringer thinks he will.

Ziggy is out with Steve, they're looking at a parking lot filled with cars. It seems Steven has an idea, or at least Ziggy has one. A bit later in Dolores's, Ziggy talks with Johnny 50 about his idea. Then he banters a little with the other patrons over Steve's preferred drinking habits before New Charles strides hops back in, he's up on his feet foot again after his accident last episode. He asks about the duck and then the stevedores mull over a new name for New Charles. 'Stump', 'Peg', 'New Peggy' and 'Tilt' are all suggested and New Charles (who receives some money from Dolores) settles on Ziggy's suggestion of Tilt.

McNulty is on a pay phone, calling about the girls, he denies any involvement with the police and refuses to tell her where she lives. She smells a rat as his story is terrible, and she hangs up on him. Kima notes how much he sucked at it.


Outside Dolores's Nicky runs into Ziggy, who takes a pop at him before staggering off with Steve's lead in his hand. Inside the bar is quiet and when Nicky asks what's up with Ziggy Dolores refuses to answer. Nicky notices that poor Steve is dead on the pool table. (Just in case you've forgotten, Steve is the duck, not a man).


The Detail is back talking about the coded conversations they've heard on the wiretap. They come to realise that the warehouse is shipping coke and heroin, and in serious quantities. Kilos, no ounces. Daniels identifies that this means they're on the main stem. Ronnie lets them know that they can set up a wiretap anywhere they need to at this point and Daniels notes that all they need is a new number to listen to. Daniels lays out the plan for the coming days and the team breaks up. Lester hangs back to talk with Greggs and McNulty about their angle on the girls and the prositution. Lester suggests that the further away McNulty sounds, the more believable it is. McNulty demonstrates an awful English accent - nicely sending up himself in a bit of self aware humour.

In the Diner, Vondras is talking with Eton about the chemicals that they have been getting. The Colombians are trying to offer half of what they owe (two hundred thousand instead of four hundred thousand) and Eton wants to know what The Greek will do about this. Vondras responds that The Greek will be smart.

Homicide is full of suspects at the moment. Landsman is less than impressed with this and talks with Cole and his partner about this. Boadie's name is mentioned and Landsman wishes to know why Boadie isn't here and being thorougly interrogated. Cole responds that the have cars waiting at Boadie's grandmothers already.

Ziggy is with Double G at the back of the electronics store, he's outlining his plan. Apparently he's planning to rip cars, he wants about fifteen thousand per car. Double G isn't keen on this because stolen cars are hard to shift. But Ziggy suggests that they consider shipping the cars out to Europe and butters up Double G a little.

In Daniel's office one James Cromwell walks in with Lester. Cromwell of Knightsbridge, Stepney and Mersey. Lester's suggestion has paid off, McNulty has a cover identity which might well work. It's gone as far as getting him a pick up from the shuttle despite his awful English accent. It's just a shame they're not back up on the wire when they tackle this; but as Daniels notes, with a little luck they could be. As they turn to leave Daniels muses about how odd it is that there are no files on Sergei/Boris and asks McNulty to talk with Special Agent Fitz about the database. McNulty admits he made a point of pissing off the guy because of what happened in the Barksdale case. Lester then tells McNulty to also look up George "Double G" at the same time.


Ziggy and Johnny 50 are looking at the cars. Ziggy has a plan of action in mind here.

In the Detail Bea notice a can on the Talco line disappear. They decide not to follow and instead contact Herc and Carver, telling them to see if it arrives and watch what happens. Needless to say Herc and Carver are a little bored.

McNulty meets with Fitzhugh at the FBI offices, the two of them settle old history and then move on. He hands over the pictures of Double G and "Boris" so Fitz looks them up. Fitz finds nothing until he checks deeper and then he gets an Agent Ernest Koutris and phones him. Kourtis answers on the other end, playing down Double G's circumstances, describing him as a small time criminal. After hanging up he then calls a second number, telling the person on the other end that they "need to talk".

At Pyramid Inc. the clean can arrives and is photographed by Herc and Carver. They are told to wait on it.


In the interview room Boadie is being talked to by Cole, they're trying to pull an angle on Boadie and get him to confess. But unlike Dee (if you recall the first season interview between D'Angelo, Bunk and McNulty) Boadie is as cool as a cucumber. At least until the bag containing the guns turns up, he cracks a little at this by reacting to it. But then Cole takes the guns out of the bag and claims to have his prints on one of them, Boadie responds after a moment with "Which one?" Cole hesitates and then points to one of the guns, Boadie's only response is to call for a lawyer.

The Greek is meeting with Vondras, Double G, Eton and others. It seems that someone has leaked that people have been looking into Double G's past (I wonder who leaked that?) and also that the clean cans are not being watched or followed (they are being watched in truth, but Herc and Carver are too well hidden to spot). The Greek decides that a couple more days of this and then they can go back into business. The Greek then starts to talk about the Colombians. He's looking at this in a pragmatic sense, the Columbians are seeking to screw him over on the money, but he has a friend he now owes a favour to, a friend who would be very interested in rounding up these Colombians. Eton's phone rings, it's Sergei. They talk about running another clean can and then bringing the La-Z-Boys back in (the drugs). The entire conversation is monitored by Bea and Bunk. They now have Eton's number and with an affidavit they'll be back on the trail.

Stringer is having the good from his deal with Prop Joe checked, it's raw and pure. So once the police calm down Prop Joe gets three of the towers and the Barksdales are back in business. Things are looking up for Stringer.


At the Detail's office they are putting the pieces together about the Greek's operation when McNulty returns. He hasn't found out much on Double G (Gleakas), and in truth the whole trip may have caused more damage than it helped. But he's not to know about that, not even Fitz is aware there may be a leak involved. But what little information he does have indicates that they move around. McNulty heads off to get ready for his "night out" and Ronnie heads out to get the affidavit.

Double G hands Ziggy the list of cars. It looks like they're in business together.

Stringer is at the funeral home talking to his Lieutenants about the situation. They've all screwed up with these guns and he's not impressed with it all. He tells Boadie to stay behind after dismissing them, Boadie didn't roll an inch in the interview room and displays some intelligence over this. Stringer shakes his hand, they're all good.

Ziggy is in a jewellers, he's trading in Steve's collar for some capital so he can afford the kit needed to start stealing those cars.


Nicky meets with White Mike over the reup. White Mike balks a little at the price, calls Sergei/Boris and then it's all good. He's also a little concerned because an immigrant looking type was dumped near his place dead. But Sergei assures him, if the body had hands and a face it wasn't them. Nicky and Mike conclude the deal.

Prez and Lester were on the wire while this conversation occurred on the phone. Lester gets up and walks past Ronnie, Kima, Bunk and Daniels who are presenting McNulty with his "man's purse". It's a place to hide the mike. McNulty is told the code phrase "spot on" and reminded how things go down. Lester is on the phone by this point, calling about bodies missing heads and hands.

The Greek is sat on the bench with Koutris, after a few moments he hands him a piece of paper and walks away.

Frank, Nat and Horse are celebrating, apparently money has been put aside in the budget and things are looking good for them. Frank asks Nat for another year in office to finish what he started. Nat doesn't agree. But they are interrupted by Agent Koutris walking in and asking for help, he hands a piece of paper to Frank.

"Cromwell" sings "An Enchanted Evening" before being picked up by the shuttle, the rest of the detail pick up and follow.

Koutris is at one of the cans, it's filled with paint pigments but he's been told it contains something else. Everyone watches while the can is scanned. Apparently there's nothing other than the barrels of pigment there. Frank has no idea what's going on (for once), as Koutris walks up to one of the barrels and picks up some pigment crystals.


Stringer meets with Brianna about the new deal with Prop Joe. Stringer needs Bri to break the news to Avon, she's not sure he'll listen to her anymore - she still feels it's Avon who's responsible for Dee's suicide. Of course Stringer knows the truth, it wasn't a suicide and Avon wasn't responsible. But he isn't going to admit to that. Stringer continues to point out how weak the Barksdale's position is and asks her again to try. She agrees.

"Cromwell" is in the brothel when the girls are paraded out in their lingere. He mulls a little over the choices before asking if it would be wrong to have two. Downstairs Daniels and the uniforms are getting ready to move.

Koutris is on the phone, he's annoyed that there is nothing but paint pigments here. But the voice on the other end tells him it is ther. Koutris then scratches some of the pigment and finds that it's white underneath. The blue pigmentation is just a surface screen.

"Cromwell" has made his choice (pretty good choices in fact) and is being led onto the bed by the two women, he's a little hesitant and once they start on him he has trouble remembering the code phrase. Eventually he remembers it and the police move in. Kima knocks on the door and they are actually let inside without any trouble. The cops start handcuffing the madam and the girls while Bunk and Kima head over to the room where "Cromwell" is. In true McNulty style he's balls deep inside a woman by the time they get there.

The news are reporting on Koutris's success, which is a big hit on the Colombian's business. That's what you get if you mess with The Greek.


Valchek watches this report with Burrell, Rawls, Ronnie and Daniels. Ronnie and Daniels are here to tell them how well they're doing and how close they are to getting the top players. They also mention the brothel, Burrell jokes that they should probably flush any client list they find. Rawls wants to know how close they are to the murders, Valchek on the other hands wants to know how Frank fits into this. He wants Sobotka, but Ronnie and Daniels hold firm, they're unwilling to charge Frank at this point. Valchek tries to rain the thing back at Frank, but Burrell pulls rank on him, telling him that the case goes where it goes. Valchek gets short at all of this, he's determined to do something and storms out.

Brianna talks with Stringer about Avon's thoughts on this. Avon isn't willing to budge, but he's sending the best muscle he can find. One Brother Mouzone. Working on retainer. Stringer seems concerned about this.

McNulty is writing up what happened at the brothel. Bunk is highly amused at McNulty's attempts to explain the situation he ended up in. But McNulty admits he can't lie about this despite the number of departmental regulations he broke. Ronnie reads what happened on his screen, her face pretty much sums it up.


Stringer meets with Prop Joe about Brother Mouzone, Joe's concerned about the arrival of Brother. Stringer says he can't move against Mouzone, but Prop Joe isn't willing to even consider it, Brother Mouzone it seems is exceptionally dangerous. Stringer tells him to move his guys into the towers and not worry about it.

Herc and Carver call in another truck, then Prez and Lester hear the phone call to Vondras. It's about the trucks and about the brothel. Prez suggests tapping that phone and Lester admits they might have probable cause now.

Bunny is looking at the streets. It's quiet out there today. He climbs into his car and drives off. Another car arrives, it has New York plates. A well dressed gentleman gets out and walks up to look at the towers. The Brother is here...



The Review:

I think the first thing to aknowledge here is that this is the last appearance of Detective Ray Cole who was played by Robert F. Colesberry, apart from acting he also produced The Wire and worked on many other projects, for more look here here. His presensce is still a part of The Wire's second season though because he directed the season finale. Still, this is the last time the plodding Ray Cole will semi-bungle his way through a case.

The title of the episode 'Stray Rounds' overtly references the bullet which caught the young boy at the start of the episode, wikipedia also mentions it references the rounds of drink which killed Steve the duck, but I'm also of the opinion it's referencing many other people in the show who are being "hit" with things that were not initially aimed at them. Much like the collateral damage reference from earlier in the season.

You have to respect just how much Boadie has grown over this season, he's really learnt from Dee and has become the last man standing from the famous 'chess game' scene in the first season. Wallace was the first to fall if you remember, Dee died a few episodes ago, but the Boadie still abides. It was great to watch him get the better of Cole in that interrogation room, while he gave one thing away (that he recognised the bag) he recovered it so well that he got out of there without a charge on him. I suspect it was Levy who acted as his lawyer - that man has his fingers in all the dirty Baltimore pies.

There are a couple of notable first appearances in this episode as well as Cole's final appearance. Howard 'Bunny' Colvin is one of them, I completely forgot that he was introduced in this season and of course Brother Mouzone is the other one - I knew he made an appearance, but I forgot how late on it was. Both of these guys are worth keeping an eye on, they are fantastic characters. Even if Mouzone is a little out of style for the show at times (his character style is a lot like Omar as you'll come to realise over time).

Overall Stray Rounds is what I'd call a solid episode, it introduces some key elements while also revealing just how entrenched The Greek's organisation is. The Detail have a hard job if they want to even get Vondras, and they don't have the slightest sniff of The Greek himself at this point. It shows you how well organised they are when you realise that Double G and Sergei, who are effectively lieutenants, have almost no criminal record.


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DVDs in Review #78 - Futurama: The Complete Fourth Season

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(Previous seasons can be found here: One, Two & Three)
It's time to close out the Futurama season DVD reviews with the fourth and possibly best season of the show. This four disc set contains the final eighteen episodes of the original run and has the vast bulk of my favourite episodes in it.

The first episode of the season echoes the first episode of the previous season, developing Kif and Amy's burgeoning relationship further in Kif Gets Knocked Up a Notch (BAM!). Naturally it's quite a Kif-centric episode; but also features the rest of the cast, Zapp Brannigan and the "holo-shed" of The Nimbus (BP-1729). In Leela's Homeworld the story builds from a brief Easter egg moment in the second season (I Second That Emotion), which revealed to the sharp eyed viewer two individuals which looked a lot like Leela. In a rather touching and emotional episode Leela herself discovers the truth behind her abandonment and identity of her parents. In Love and Rocket Sigorney Weaver plays "Planet Express Ship" as Bender and her/it embark on a relationship which ends in a truly Bender like style. Less Than Hero has Fry and Leela becoming superheroes after they discover a miracle cream which has the side-effect of giving superpowers to humans. Suffice to say this episode is so good that it's a real question why Matt Groening hasn't created a superhero cartoon. And finally A Taste of Freedom explores what freedom really means and gives us plenty of Zoidberg moments (good Zoidberg moments as opposed to the boring ones in That's Lobstertainment last season).

The second disc starts with Bender Should Not Be Allowed on TV, which is either an excellent parody of the media or a damning statement against the attitudes of the viewers. Perhaps both. Jurassic Bark is another tear-jerker in the style of Luck of the Fryish, this time dealing with Fry's best friend from the past - a dog named Seymour. In Crimes of the Hot the issue of global warming is touched on and given the Futurama treatment and Teenage Mutant Leela's Hurdles allows Leela to explore her relationship with her parents more when the entire crew are accidentally youth-asized. Finally the second disc ends with the return of Nibbler and the Flying Brain-Spawn. As I said while reviewing season three, I don't care much for Nibbler, but I adore this story and the way it finally closes out that Easter egg from the pilot episode.

Disc three begins with great gusto in an unashamed tribute to Star Trek titled Where No Fan Has Gone Before. Almost the entire original cast of Star Trek are brought back together for this show, including Nichelle Nicholes and Leonard Nimoy who both previously appeared on the show. Only Bones and Scotty are absent from this. In The Sting Leela is horrified when a relatively simple (but dangerous) task results in Fry's demise. Fun Trivia: The only Futurama cast member to have never "died" in the show (including the non-canon stories from the Anthologies) is Leela. In Bend Her everyone's favourite bending unit (second favourite if you're a Flexo fan) swaps genders in order to cheat at the Olympics and in Obsoletely Fabulous Bender is re programed to work with the new robot 1-X - with disastrous results.

The final disc contains just four episodes, but I feel these four are amongst the greatest. The Farnsworth Parabox has the Professor accidentally creating a box containing an alternative universe (there used to be just the two, the other lot had cowboy hats). Three Hundred Big Boys is my all time favourite Futurama episode (along with A Head in the Polls) and has Nixon issuing a tax refund to everyone on the planet, it's a wonderful episode with a story for every single Planet Express character and it climaxes in a moment I'd call sublime. Spanish Fry brings back Lrrr and Ndnd when Fry's nose is poached and The Devil's Hands Are Idle Playthings closes out the entire run with the return of Dan Castellaneta as the Robot Devil and an entire Opera show. The episode ends on a sweet moment which was written because they weren't sure they were going to be renewed at the time. They weren't, and for a long time it functioned as the end of the show - and it was a great ending.

The set itself is as sharp and well designed as the previous ones. It again comes in two sizes (old one being thicker) and has a plastic dust cover which contains windows, this time the style is different to the previous "looking at the back image) used. Instead when you take the cover (depicting the three principle cast members) off the box itself has "x-ray" versions of them underneath.

Each and every DVD case has unique artwork (as before) and the menus on the discs are smoother than ever. The "Play All" button is present on all root menus, just like the third season - which I always approve of, I like the Play All option. Basically the standard set in the previous seasons is maintained here, making owning a copy of Futurama Season Four and enjoyable experience for visual, audio and tactile senses, heck all it would have to do is taste and smell nice and all five senses would be delighted at once.

Make no mistake, this is the best season of the show, but if you're a fan of Futurama you'll already know that and I'm just wasting my words. For everyone else; get it, watch it, love it.

Extras:
Disc One:
Commentary
Three Deleted Scenes

Disc Two:
Commentary
Gallery Images
Five Deleted Scenes

Disc Three:
Commentary
Four Deleted Scenes
Animatics

Disc Four:
Audio Commentary
Four Deleted Scenes
Easter Eggs
11 3D Models from Rough Draft
Stills Gallery
Four Trailers
Nine Pencil Test Segments

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DVDs in Review #77: Futurama: The Complete Third Season

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"The big brain am winning again! I am the greetest! Hahahaha! And now, I will leave Earth for no raisin!"

While I enjoy the first two seasons of Futurama greatly, I feel it's the third season where the show really begins to take off and hit it's stride. The second season contains a few of my favourite episodes, but the third season is absolutely rife with them, I'd call it infested with goodness, but then I'd have nowhere to go when describing the fourth season.

The third season not only provides laughs a plenty but also builds on previous story lines and some of the foreshadowing which occurred in the first two seasons. Of particular note is one piece of foreshadowing which actually occurred back in the pilot episode of the show and I'll write about it when we get to the relevant episode. It's touches like this; along with an evolving state of characters, great gags and a genuine feeling of chronology which makes Futurama something rather special in the world of cartoons. Many other cartoons lack that sense of reality, so to speak.

Amazon Women in the Mood is the first episode of the season and a prime example of how the show builds on previous moments, providing growth for unexpected characters - in this case Amy and Kiff, who if you recall, were thrown together back on the Titanic in season one by Amy's parents. It seemed like a throwaway gag at the time, but in this episode it's brought forward and allows us to learn more about the poor, rundown sidekick to Zapp Brannigan (additionally giving us more Zapp at the same time). Parastites Lost has Fry becoming infected with intelligent intestinal worms which actually set about improving their host. We get to experience what Fry would be like if he'd just been born smarter and stronger. Leela falls for this new and improved Fry, but in a genuine feeling moment Fry decides to see if it's him or the what the worms have made him she loves. The answer isn't the one he wanted to hear, but it gives the viewer a fun swashbuckling version of Inner Space to watch.

A Tale of Two Santas brings back everyone's favourite homicidal robotic Santa, this time voiced by John DeMaggio instead of John Goodman, you wouldn't even be able to tell the difference. Luck of the Fryish is an unexpected story which mixes two time lines, telling the story of Philip J. Fry (3000) and Philip J Fry (2000). The end of the episode is one of the most touching moments in the show and it's a joyous surprise to experience. The Birdbot of Ice-Catraz brings things back with just good old fashioned Bender style fun and a horde of murderous penguins to boot - Waak, waak waak! Finally the first disc is closed out with the return of Flexo in Bendless Love, another Bender-centric story with probably my favourite Bender expression. His eyes when Angeline tells him "I'll always care for you too." always does it for me.

The second disc starts with the episode which starts to pay off that brief "easter egg" in the pilot episode. In The Day the Earth Stood Stupid it turns out that Nibbler is not a mindless eating/pooping machine, but a hyper intelligent being stationed to help Fry save the Earth from the Flying Brains. Now I'm rather ambivalent where Nibbler is concerned, but I do love this episode so I'm willing to overlook the more irritating aspects of the character. That's Lobstertainment! is generally considered to be the weakest Futurama episode and I concur on that front, I often skip it when watching this season.

Fortunately the other episodes on this disc more than make up for that snooze-fest The Cyber House Rules gives us a two eyed Leela and Bender as a father - an exceptionally negligent and irresponsible father. Where the Buggalo Roam returns us to Mars and expands further on the Kiff/Amy relationship (plus more Zapp and some pseudo-cowboy action!), Insane in the Mainframe introduces the brilliant Roberto in a storyline which ends up with Fry being incarcerated in an asylum for insane robots and finally The Route of all Evil has Cubert (who I just love) and loads of "Paperboy" homages.

Disc three starts with Bendin' in the Wind, which is nothing short of a non-stop Beck and Bender lovefest, Beck's music is just fantastic (this episode actually introduced me to it, I now have most of his albums). Time Keeps on Slipping continues to build on the Fry/Leela dynamic and also introduces the amazing Harlem Globe Trotters. I Dated A Robot features Lucy Liu along with a return to the Internet (I love the Internet in Futurama, there needs to be more of it). A Leela of Her Own is another one of those episodes I'm not to bothered with, but I put this down to a lack of baseball in the UK, and finally we have A Pharaoh to Remember - "Remember me! Remember me!"

The last disc is probably the best of the four discs, it has Anthology of Interest II - which again has three great non-cannon stories, in this case they are "what if Bender was human", "what if life was more like video games" and "Futurama Wizard of Oz". I could watch Anthology of Interest episodes all day if they'd make more of them. Roswell that Ends Well is a superb episode with some wonderful time travel hi jinks, Godfellas has Bender playing god and then meeting something which might be God. Future Stock is a fun romp and spoof of the more, um, "special" quantities of the 1980s and The 50% Iron Chef rounds out the season nicely with Bender and Elzar in a cook-off.

There's no doubt that this is an amazing season, I'm still unsure if it's the best - I'll probably make the final decision once I go over the fourth season later this week. But for now it's enough to say that it's an improvement over the already excellent second season, which is what you want - in an ideal world each season is better than the ones which came before it.

The cover for this set is probably the best one yet, this time the windows set into the plastic dust cover function as helmets for the cast (though why Bender needs a helmet is a question not worth answering, perhaps it's so he can smoke in space.) and the scene inside references many of the events from the show. Each individual DVD case also has original artwork - by now you know the drill, nothing held back for these sets. Again you can get the sets with standard sized DVD cases (older version) and the thin slimline-DVDs in the newer edition.

Extras:
Disc One:
Gallery Images
Deleted Scenes for all six episodes
Audio Commentary

Disc Two:
5 Deleted Scenes
Commentary

Disc Three:
Commentary
3 Deleted Scenes

Disc Four:
Commentary
Alternate Animatics Commentary for Roswell That Ends Well
How to Draw Characters galleries
Gallery Images
3 Deleted Scenes
Animatics
9 3D Models from Rough Draft sequences (these are great)
International Clip
Three Trailers

Languages: English, French
Subtitles: Danish, Finnish, French, Norwegian, Swedish, English HOH
Rating: 12
Direct Link
 


DVDs in Review # 76: Mad Men: Season One.

Category: , , By Rev/Views
With the third season of AMC's Mad Men set to debut in a few weeks I felt like writing about the previous seasons and their DVD sets. For myself Mad Men is the cultural heir to the crown of 'Top Drama' which has been previously occupied by Six Feet Under, Deadwood, The Sopranos, The Wire and The Shield. Times are pretty lean if you enjoy high quality drama, so I take it where I can get it - fortunately (as I've written previously) Mad Men is a show which embodies quality in every aspect.

Created by Sporanos alumni Matthew Weiner (Who drafted the pilot before starting work on The Sopranos) Mad Men focuses around the offices of Sterling Cooper, an advertising company located on New York's Maddison Avenue in the 1960s. Mad Men itself was a term created by the advertising executives who worked at that time - it pays to advertise yourself if you're in the business of advertising other people's products.

Donald Draper (Jon Hamm) is the principle star and character of the show, is the creative director of the company, an inspired individual who is as brilliant as he his complex. Much of the show revolves around Don's work and home life and as the series progresses we come to learn more about him. Don employs one Peggy Olson (Elisabeth Moss) to work as his new secretary, a quiet and unassuming young woman who shows a real creative flair as time passes.

Also working for the company are the ambitious Pete Campbell (Vincent Kartheiser), a young executive with everything to prove; Roger Sterling (John Slattery) senior partner, Harry Crane (Rich Sommer) media buyer, Salvatore Romano (Bryan Batt) the Italian-American Art Director, Ken Cosgrove (Aaron Staton) and the simply fantastic Joan Holloway (Christina Hendricks) who heads up the secretarial pool and dispenses both discipline and advice to the other women in the office.

At home Don lives with his wife Betty (January Jones), son Robert (Aaron Hart) and daughter Sally (Kiernan Shipka); his wife is beautiful and his children are adorable and devoted, but Don still seems troubled and discontent. So he dallies with other women.

Mad Men is everything it should be and everything you could hope for in a television show, from it's stunning appearance, through the tight writing, enthralling dialog and all the way to the complexity of it's stories this is a show that, without a single doubt, succeeds. It's first season is gripping, interesting and intelligent, showing American history through the window of advertising and creating a world which feels almost historical itself. It's such a well crafted piece you could almost think it was a reenactment of the times rather than a drama.

Now the first season set is pretty much what you'd call 'no frills', apart from a cardboard dust cover (which is just lovely to the touch) and a few on disc extras this set is stripped to the bare basics. But that has helped keep the price down, while I would have appreciated something which managed to evoke the feel of the era - perhaps designed all in cardboard with minimal plastic - I can certainly appreciate the pure simplicity of this set and the low price which came as a result. The UK edition also has a stylish cover and the back really evokes the feel of the 1960s wonderfully. So it's a pretty big success for a three disc set.

If you consider yourself a connoisseur of the best in drama or simply enjoy a well put together show with depth, strong characters and a genuine feel to it you'd do yourself well picking up Mad Men's first season. I feel this is one to recommend to any fan of the drama shows I mentioned in my opening paragraph as it's quite simply the best drama on television at the moment.

Believe what you hear about this one.

Extras:
Advertising the American Dream
Scoring Mad Men
Audio Commentaries with cast and crew

Details:
Aspect Ratio: 16:9
Language: English
Rating: 15
Region: 2
Run Time: 9 hours 42 minutes
Subtitles: English HOH
Direct Link
 


DVDs in Review #75: Futurama: The Complete Second Season

Category: , , , By Rev/Views
First Season review is located here.
"Morbo will now introduce tonight's candidates... PUNY HUMAN NUMBER ONE, PUNY HUMAN NUMBER TWO, and Morbo's good friend, Richard Nixon.
"

The second season of the sci-fi comedy cartoon Futurama first aired in 1999 and contains a total of nineteen episodes. Just like any good television piece, there is a marked improvement in quality between the first and second seasons. The greater quantity of episodes hasn't resulted in a reduction in quality, instead many of the episodes are funnier and more memorable than the first.

The season opens with I Second That Emotion - a jealous Bender has an empathy chip installed in his bonce after he flushes Nibbler down into the sewers. Driven by Leela's emotions he is compelled to go after the critter and joined by Fry and Leela they encounter an entire civilisation underneath New New York, a civilisation plagued by a beast known only as El Chupanibre. It's the first appearance of the sewer mutants and a great episode to open with. In Brannigan, Begin Again - everyone's favourite Captain Kirk knock-off blunders by blowing up the new DOOP headquarters during the ribbon cutting ceremony and is thrown out of his job. Hired by the Professor he proceeds to lead a mutiny against Leela, and then continues to wage his war against the neutral forces of neutral in his own kamikaze style.

The next two episodes remain amongst my favourite, the first of them A Head in the Polls might possibly be my all time favourite episode. It expands on the hilarious Richard Nixon "cameo" from the pilot episode by having him running for the post of Earth's president, aided by the charisma of Bender's butt (and body). It's up to the crew of Planet Express to stop him - do they manage it? Well do the words "NIXON'S BACK!" followed by a rampage towards the White House answer that question? Xmas Story features John Goodman in his one appearance as the awesome Robot Santa (John DeMaggio takes over in later episodes, but I also do a mean Robot Santa impression if anyone needs one) and the first disc is closed out with Why Must I be a Crustacean in Love? The first episode focused mostly around one of my favourite characters, Dr. Zoidberg. Oddly though, this is not one of my favourite episodes - it has good moments, but for the most part it just doesn't click with me.

The second disc contains the awesome The Lesser of Two Evils, which introduces Flexo, Bender's goatee wearing double; the always enjoyable Put Your Head on my Shoulders - Fry on rare form as a complete buffoon here (and less irritating than A Fishfull of Dollars for sure); Raging Bender, A Bicyclops Built For Two (both good episodes, especially the Virtual Internet scenes from Bicyclops) and A Clone of My Own, another episode I adore - mostly because of Cubert, a child genius who promptly points out every single illogical flaw he can find.

The third disc has the somewhat Hermes centric episode How Hermes Requisitioned His Groove Back, another episode with an awesome musical number (the first one was Hell is Other Robots); The Deep South - which is an episode I can take or leave, but also has some brilliant gags - especially the ones involving Zoidberg's house; Bender Gets Made brings us the brilliant robot mafia; Mother's Day expands on everyone's favourite Mom when she decides to have all the robots on the planet conquer Earth for her and The Problem With Popplers (named after that Star Trek episode), which introduces the first of the Freewaterfall family and then promptly kills him off.

The last disc contains Anthology of Interest I, which is rather like the Simpson's Treehouse of Horrors, it contains three standalone stories created by the "What If" machine. They're not cannon, but they are immense fun. In one story Bender is a giant robot (spoofing the Iron Giant and Godzilla at the same time), in the second we see what life would be like if Leela was more decisive (short version, she'd kill a lot of people) and in the last one we find out what would happen if Fry hadn't been frozen and sent to the Future (short version; he spends an eternity playing D&D with Deep Blue, Al "I'm a twelfth level vice-president" Gore, Gary Gygax and Nichelle Nichols (Cursed to an eternity with nerds). While all these episodes are non-canon they are immense fun and it's amazing so much gets packed into each story.

The other three episodes on the final disc are the Starship Troopers homage War Is the H-Word (Daffodil, Daffodil, Daffodil!), The Honking with it's brilliant were-cars and The Cryonic Woman, where Fry is reunited with his ex-girlfriend Michelle (who broke up with him in the pilot episode if you recall that far back).

It's just a great season filled with gags, enjoyable stories and a lot of good future-fashioned fun!

Packaging-wise the set is just pure physical poetry, again you have the slightly transparent plastic outer sheath which combines with original artwork to create a great set of scenes. There's a little bit of an odd moment on the one side (which you can see in the picture above), I'm not sure why Fry is suffocating when he has two air tubes. There are again two versions of this set, the older fat version using normal DVD cases and the newer slim-line version. Once again I (sadly) have the fat versions.

Each of the four DVDs has original art, 30th Century Fox logos and a spine which combines to make a conga line containing Leela, Bender, Zoidberg and Fry. As always Futurama packaging puts other sets to shame with it's extravagance, detail and sheer entertainment value.

The menus on the old versions have slightly rough loops, but it's a vast improvement over the first season and the are animated - there's just a faint fade before the sound loops and no jarring on the animation recycling. There is still no "Play All" button (on my version at least), that doesn't make an appearance until season three.

The commentary remains as excellent as ever, as do all of the sub-menus. You can just feel how much effort and care went into the production of these sets, it's not just a case of slap on some pictures and roll it out.

If you enjoyed the first season, you'll love the second one - and this set is the best way to express that love. Say it with commercialism! It's the only way they'll know you mean it, because remember - love is quantified by the amount of money spent on it.

Extras:
Disc One:
Animatic for "Why Must I be a Crustacean in Love?"
Deleted Scenes for all five episodes
Commentary - Excellent commentary
Easter Egg - Nibbler's Eyeball on I Second That Emotion

Disc Two:
Storyboards for "A Bicyclops Built for Two"
Deleted Scenes for all five episodes
Commentary, James Commentary
Easter Egg - Select the Tiara on The Lesser of Two Evils menu and Gem on A Bicyclops Built for Two

Disc Three:
(I especially like the opening menu animation for this disc)
Deleted Scenes for The Deep South, Bender Gets Made and The Problem with Popplers
Easter Eggs - The floppy disc on "How Hermes..." menu,

Disc Four:
Still Gallery/Concept Art
Alien Alphabet
International Clips
Alien Advertisments
Deleted Scene from The Honking and The Cryonic Woman
Futurama DVD Season 1 Trailer
Easter Egg - Select the remote showing Bender at the bottom of War is the H-Word's menu and Monday Monkey on The Cryonic Woman

All of the Easter Eggs show various members of the Futurama production crew as teenagers. Dork alert!
Direct Link
 


Watching The Wire: Season Two: Episode Eight: - "Duck and Cover"

Category: , , , , , , , By Rev/Views


“How come they don’t fly away?”
-- Ziggy


Teleplay by George P. Pelecanos Directed by Daniel Attias

Starring:
Dominic West as Officer Jimmy McNulty, Lance Reddick as Lieutenant Cedric Daniels, Sonja Sohn as Kima Greggs, Deirdre Lovejoy as assistant state's attorney Rhonda Pearlman, Wood Harris as Avon Barksdale, Andre Royo as Bubbles, John Doman as Colonel William Rawls, Frankie Faison as Acting Commissioner Ervin Burrell, Clarke Peters as Cool Lester Smooth Freamon, Amy Ryan as Beadie "Bea/Beadie" Russell and Chris Bauer as Frank Sobotka.

With:
Seth Gilliam as Detective Ellis Carver, Domenick Lombardozzi as Detective Thomas "Herc" Hauk, Jim True-Frost as Detective Roland "Prez" Pryzbylewski, James Ransone as Ziggy Sobotka, Pablo Schreiber as Nick Sobotka, Robert Hogan as Louis Sobotka, Bill Raymond as The Greek, J.D. Williams as Preston "Boadie" Broadus, Chris Ashworth as Sergei "Serge" Malatov, Ted Feldman as George "Double G" Glekas, Jeffrey Fugitt as Officer Claude Diggins, Lance Irwin as Maui, Charley Scalies as Thomas "Horseface" Pakusa, Kelvin Davis as La La, Bus Howard as Vernon "Ott" Mottley, Richard Pelzman as Little Big Roy, Jeffrey Pratt Gordon as Johnny "Fifty" Spamanto, J. Valenteen Gregg as Chess, De'Rodd Hearns as Puddin, Tray Chaney as Malik "Poot" Carr, Luray Cooper as Nat Coxson, Bill Heneghan as Maryland Port Authority Commander, Kevin Jiggets as Frommers, and Billy Finnigan as Bernand AKA "Fuzzy Dunlop"

The Summary:


Read about a legen… wait for it, and I hope you’re not lactose intolerant because the second half is
da(i)ry drinking binge, the appearance of the wiretap and dockside fighting beyond the link.

The Recap:

(This is a George P. Peclecanos episode, so be ready for all kinds of amazing…)

McNulty, wasted out of his brain, phones Elena and mumbles down the phone at her, he then stumbles over to the bar for last call, putting his hand on a woman to steady himself before asking for another drink. The barman (Gus) is concerned but McNulty promises that he’s getting a cab home.

He isn’t. The drunken Irish f**kwit drives his car off the road and into a bridge support post. He gets out to survey the damage before looking around, replaying the action in his head and then repeating it – sideswiping the car into pillar intentionally.

He then goes to a diner and ends up sitting there barely conscious, he asks for a coffee and the cute waitress asks about his hand, it’s “just a scratch” so McNulty orders some eggs. Later on he takes the waitress home and nails her.

The following morning he wakes up on the sheets, blood staining the sheet where he lays.

Epic.

Cue the credits…

Horse is talking with Ziggy about Maui who’s standing nearby, they’re trying to pump up Ziggy enough to convince him to punch Maui, a man who’s probably fifty percent bigger than Ziggy.

At the Detail’s offices Daniels is formally letting the Detail know that the fourteen murders are officially part of the investigation now. Either they bring in the case or Daniels sinks. Lester then moves on to inform Ronnie that they have a drug connect via White Mike, which means that they should be able to get a wiretap up. Additionally they have links with Prop Joe, Nicky and Sergei “Boris” Molatov. Sergei’s calls also link to disappearing containers and to Nicky. It looks like the case is larger than Frank Sobotka, at long last. Ronnie confirms that they should be able to get a wiretap from all this.

Ziggy watches as Maui gets a frappachino and the dock workers once again bait him into going at Maui. This time Ziggy does, kidney punching Maui before the bigger man handles him, taking him up on a forklift before dumping Ziggy on the top of a container. Ziggy is less than pleased with this situation and rages impotently at the others.

Bunk arrives at the Detail’s office with a box, Herc notes that Bunk’s wearing a Lacrosse t-shirt and comments on it. Bunk is immediately defensive about this, asking why it’s odd that he played Lacrosse, mentioning Jim Brown as evidence. Lester baits him over this, asking if Bunk is really comparing himself to Jim Brown. Bunk blusters but is interrupted/saved by Daniels, for a moment, but then the Lieutenant dog piles on top of Bunk’s appearance – this time making fun of the fact that Bunk normally wears Pinstriped suits and that’s it.

Frank is with Horse who’s talking about Ziggy and the next shipment for the Greek. They discuss boob jobs a little, Horse can’t decide if he likes them or not.

Ronnie pours through the affidavit while Bea marvels at the quantity of paperwork involved in cases like this. While the spelling is awful, it’s all correct and they’re good to take it before a judge.

Ronnie, Lester and Kima meet with the Judge, while Herc and Carver get to perform chores for him. Will the humiliation for these two ever end?

Horseface continues to stare at the porn magazine while Frank calls about his phone, he finds out that his phone has been flagged. He then hangs up and wonders why they haven’t disconnected him. It’s because of the pending wiretap, but he doesn’t know that – yet.

Boadie and Poot are down in the pit, Pud tells them things are seriously slow. It’s hardly surprising business is so slow, they have no decent product to sell. They’re moved on by a rent-a-cop.

Bunk and McNulty are back down the railroad tracks talking and drinking. McNulty’s told Bunk about his epic bender and Bunk isn’t surprised. He moves over between the lines and urinates while they talk about the Detail. McNulty admits how desperate he is for a decent case, how being on the boat is killing him inside. Bunk tells McNulty to talk to Rawls, McNulty asks what the point is – Rawls has no reason to help out McNulty.

Frank is at home with his brother Lous (Nicky’s dad). He’s here to show Lou about a union space for him. Frank’s greased some wheels and gotten Lou a position which pays some money and gives him some authority. But Lou’s not happy taking it, he smells dirt on this position and he’s not comfortable with taking it. Lou prefers to remain clean and on the straight, he disapproves of Frank’s life decisions, but they’re family.

Ziggy catches up with a bird breeder Mr Diz and asks the title quote “Why don’t they fly away?” To which he’s replied “Their wings are clipped.” The man picks up a duck and Ziggy asks how much for it before buying it.

Bunk and Lester talk to Daniels about McNulty, Bunk admits how bad McNulty is, how much of a screw up he is without something to drive him. Without a case to run McNulty just self destructs, but with something to focus on he’s up there with the best of policemen.

Herc and Carver are busy creating the CI they claim has supplied them with the information, unable to use a real person they create a street lad named ‘Fuzzy Dunlop’, who is (as I mentioned last week) one of my favourite throwaway characters in The Wire. The lad is actually Herc’s cousin Bernard, but he’s not getting a penny for this and he wants ten percent, which eventually Herc agrees to.

Nicky hands over Ziggy’s cut in Nicky’s new car, Nicky suggests that Ziggy should get a new car and then they talk a little about Maui before Nicky’s phone rings. It’s one of the Greek’s men, Ziggy’s keen to meet him and go into business for himself. Ziggy doesn’t want Nicky’s handouts (which is how he perceives the money right now).

The wiretap is up and the old team (Lester and Prez) are back on the job, Prez notes that the dock workers aren’t as careful as the Barksdales were, Lester extrapolates that it’s because the dockers and the dealers don’t expect anyone to be wiretapping them.

Daniels is talking with Rawls about McNulty, Rawls isn’t willing to budge on this subject but Daniels is persistent about this, repeating his demand from when he took on the fourteen homicides - “What I need from you I get, no bullshit, no arguments.” Rawls baulks at this and is unwilling to shift, but a final push from Daniels makes the man crack and McNulty is back in the Detail.

Poot and Boadie are stood watching some new dealers who’ve moved in on their corners. They’re not sure where these new guys have come from, but it’s bad news as these guys are serving the Barksdale’s customers.

The phone rings for McNulty, it’s the lifeline he’s been waiting for. Daniels tells him he’s back in and the relief McNulty displays is so palpable he almost sinks to the ground. Daniels hangs up and looks at Criminal Informant #236 aka “Fuzzy Dunlop”. He’s a little incredulous about the name, and even more flabbergasted by the amount ($150). But he’s willing to trust Carver, who’d never pull another stunt would he? Would he? Of course he would!

Outside the office a jubilant Carver walks past Herc while Ronnie, Bunk and Kima talk about the girls and the potential links between prostitution and the docks. Beyond the stereotypical John using their services I mean.

Diggsy says his farewells to McNulty, while the nice weather might bring enjoyable encounters on the high seas McNulty is just thrilled to be back doing ‘proper policework’.

Boadie rolls in to talk with some of the Young ‘Uns. It seems that even the drug business can suffer from recessions and honest to goodness firings because Boadie has to give these two lads ‘the talk’ and leaves them with their “walking papers” – no separation pay.

Ronnie, Kima, Bunk, Daniels, Herc and Carver talk about the pan of action, the assumptions are that the drugs and girls are connected by the same people running them (correct), that the apartment building Kima and Prez scouted out is where the girls are kept (correct). They’re going to need someone to go undercover – Herc volunteers (surely not!) but Daniels feels they need someone with a more subtle touch. Carver volunteers but he’s considered unsuitable because he doesn’t look like he’d need to pay for sex (the implication here is that Herc does), Kima can’t do it due to domestic issues with Cheryl, likewise Bunk and Nadine. So that leaves the newly arrived McNulty, “Takes a whore to catch a whore.” To which there is only one, classic McNulty response…

“What the fuck did I do?”

Ziggy is in Dolores’s bar with his duck on a lead; he’s carrying a cane, wearing eye shielding glasses and he introduces the duck as his attorney “Steven L Miles”. The bar finds this riotous, Ziggy orders a drink for himself and Steven, while the other dock workers comment incredulously on the diamond collar Steven’s wearing. Steven starts drinking from a shot glass.

Outside the apartment where it’s suspected that the call girls are being held Kima and McNulty are waiting, they see the SUV Kima and Prez followed previously – same driver, same place – and follow it.

At the computers in the Detail’s office Bea notes that a suspect container ship is arriving soon, it’s the right company and Horseface is the checker. It looks like they’re a go-go.

The SUV pulls into a parking lot tailed by Kima and McNulty. The passenger in the SUC gets out and climbs into a car. The guy waits in the car, clearly a punter as McNulty explains (showing his experience at lying to his wife in the process) and then pulls out. But Kima’s car cuts the guy off and the two detectives climb out calling “police”, the man (Robert Johnson) looks guilty as sin – McNulty uses this as a handle to try and get in with the girls. Bob gives him the relevant details and the detectives let him go home. They have a way in now.

The Detail watches the computers as one of the cans disappears, Kima’s got eyes on it as Gas & Electric and she can see Sergei as he dials, Sergei’s conversation is short but indicates that the container does indeed have illegal goods in it.

Frank walks out of his office while this is happening, he sees Sergei hook up the can and then notices Kima while he lights his cigarette. He walks over to her while she passes on the information about the canister to Herc and Carver. They take over the follow. Frank himself ends up talking with a couple of port guards about a broken seal on a canister filled with diapers. He begins to walk away from them, but then turns and asks about Bea (who’s down at Fairfield, or at least that’s what she told him). Unfortunately the two cops tell him that Bea isn’t down at Fairfield and that she’s detailed to the city police. Another hint for Frank that something’s up.

Sergei and the truck roll past Herc and Carver while Kima drives off in the opposite direction.

Frank is back in his office talking with Horseface about Bea and the phone thing. Apparently there’s a second delivery for “Boris” due to come. Frank tells Horseface to check the can through clean and lose the second one instead – passing that one on to Sergei instead. He’s planning to set things up and check if the can is being tracked or not.

The Detail see a second can disappear, the truck has already returned to pick this up but they have no eyes there. McNulty offers to get there and Bea sets up a delay for the truck so he’ll have time.

Frank heads out of his office while McNulty heads there at speed.

A MPA officer holds up the truck while McNulty and Frank head towards it. McNulty sets up to follow while Frank notices the MPA holding the truck and can. As Sergei drives past, McNulty takes up the follow.

Frank, back in his office phones out, unfortunately for the Detail they don’t have a tap on this phone so they have no idea what he’s calling about. In the office Frank tells Vondras about the can being wrong and starts to explain. Frank tells Vondras that it’s time he gets to meet The Greek himself.

Double G is working in his shop, he talks with the staff behind the counter before walking out back to the freshly arrived can. The doors are opened and it’s full of plastic rods, Bobbie Dolls and nothing else. GG is annoyed and takes Sergei’s phone, calling Vondras, complaining about the can. Vondras tells GG to lose the can and not worry about it. The Detail have heard Vondras talk for the first time and assume he’s the boss man. Which is sort of true, except we know that The Greek is above Vondras.

Boadie is talking with some more of his crew, the plan is to roll in at 7am with bats and rough house the competition out. Poot is distracted through this by some women, Boadie takes him to case over this.

McNulty calls Daniels about the second can, it doesn’t add up because it went to the store and now it’s being dumped. Daniels tells him that the can is clean and that McNulty might as well go home.

Steven is at Dolores’s bar, entertaining the stevedores while Frank and Nicky talk business. It’s clear Frank’s explained his concerns to Nicky and that he confides in his nephew. Frank asks what’s with the duck and Nicky’s single word sums it up “Ziggy”.

The Detail are thrilled about the results from the clean can, McNulty asks if anyone wants to go for a drink, Lester declines but Bea accepts in exchange for a lift home. They leave, Lester continues to work.

At the bar Bea and McNulty swap stories about their children and exes, the real question here for myself is Bea’s answers – everything she says here about her ex is signalled as being fabricated or lies. Her body language and eye movement indicates it clearly, but that could just be Amy Ryan’s acting here – I’m not sure. McNulty jokes that his ex is dead and then refuses another drink when Gus brings it over. McNulty heads over to make a phone call, dialling the number Robert Johnson gave him. He has a conversation with Eve, while watching Bea at the bar.

Boadie stands on the corner, watching the new dealers who’ve stepped on his turf.

At Bea’s house she gets McNulty a beer before going to see her kids. He roots around a little, noticing a police man shaped cookie jar “Stop! Move away from the cookie jar!”, books, notes and pictures of her kids. He gets a bit of a feel for the situation before coming to a conclusion, he’s going to leave rather than try anything. Bea returns and catches McNulty putting on his jacket “long day” he explains and thanks her for the beer before leaving.

On the corner Boadie and Poot are already on the corner with their boys when the new guys arrive. They face off, Poot shows that he’s packing, but the guy refuses to back down without at least posturing a bit. Poot says that they’re going to come back and Boadies admits that of course they will, that’s the point behind this.

At the diner Frank and Nicky arrive to talk with The Greek, but they’re met by just Vondras. Frank isn’t happy with this and turns to leave. But the old man stands up and reveals himself. Nicky recognises him, he’s seen him in the diner before, but he’s a little stunned that this old man is The Greek. The Greek tells them to both sit down and talks with them. Frank goes on to explain his concerns; about the wiretaps, the phone company, Bea’s absence, the switch on the cans, the MPA stopping the can and even the line into the docking computers. The Greek tells him that it’ll be time to ship some clean cans to the warehouse and look legitimate. Nicky asks if they’ll still get paid the same, The Greek asks who Nicky is and then explains that it’ll have to be cost free. Frank is very aggressive about this, he needs the money for the union and legislation. The Greek agrees to pay them still, because it keeps things running. The Greek then advises that Frank should spend the money on something enjoyable before letting them leave…


The Review:

Hard to think that it’s the eight episode of the season isn’t it? It seems like things have only just begun to get rolling, but we’ve only got four more episodes left until this season is over (and I get to take a break for a couple of weeks before hitting season three – which I want to get out quickly instead of tailing behind Alan Sepinwall’s own excellent Wire posts by two days) – For the record, I read and loved his first season stuff but I’m avoiding reading his second season posts until I’ve finished my own, I don’t want to have his opinions colouring my own.

First of all, I can’t go anywhere without writing about what I feel are the quintessential McNulty scenes in this episode. The binge he heads out on is simultaneously epic, hilarious, awesome, but it’s also pathetic and pitiable at the same time. This is McNulty at the lowest he’s been since the series started – and let’s face it, this is a man who saw no problems in using his kids to front and follow Stringer Bell (another act which was simultaneously brilliant and monumentally stupid at the same time). It seems McNulty can’t ever manage to do something which is simply good, he always screws things up at the same time.

Apart from McNulty finally being let in on the action the other main events of this episode are Frank's sharp realisation that the police are still around and investigating, additional inroads into the prostitution side of things and Ziggy's duck Steven. Frankly I love that duck, it's actually part of the pun in the title - "Duck" and Cover, get it? It references the duck and the cover work that many characters in the show are pulling - not just the police, but also Boadie - who's covering his turf, Frank - who's covering his backside and the Greeks - who have just layers and layers to cover up their operation.

Frank's insistence to meet with The Greek has finally paid off, both he and Nicky have now met with him in person. I know why Frank's so keen to meet with The Greek, it's a pain to constantly talk through middle men, but he has to realise that it also means an extra level of danger for himself and his nephew. They're two people who can id The Greek, there's just a handful of people who can do that, so it's a dangerous place to be if things go wrong. Which they might do if the police get far enough in their investigation.

Ziggy's quote is chosen as the header for this episode mostly for the reply, it's a veiled reference not just to the various clipped birds but also as a descriptive term which covers so many people in the show - people trapped by the circumstances of their life, their institution or their choices - people with 'clipped wings' - and of course The Wire is jam packed with clipped individuals unable to soar, that's one of it's riding themes.

Four episodes left and a lot of ground to cover. Things are going to start moving fast.

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Now that's culture!

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It's a bit of a cop out post, but I really felt like sharing the pile of DVDs which has collected by my television.


Sometimes, the world of television is good.

Very good indeed.

Wire (Episode 8) post up later today, once I find the USB stick with it on.
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2009 Emmy Nominations

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Actually I've come to realise there is something worth muttering about this evening. It'll be short but the Emmy nominations are worth a quick scan. I'm writing this as I look at them, so here we go.

Link to the nominations is here.

Outstanding Animated Program
Hum, nothing really amazing here. Surprised to see American Dad. Would like to see Robot Chicken take it.

Outstanding Art Direction For A Miniseries Or Movie

I genuinely hope Generation Kill takes this, but it would be nice to see Little Dorrit as well (that said, I still want Generation Kill to win).

Outstanding Art Direction For A Multi-Camera Series
Come on How I Met Your Mother!

Outstanding Art Direction For A Single-Camera Series
As much as I adore Mad Men, I'd actually like to see Pushing Daisies take it, but it's probably not deserving - the nomination is enough.

Outstanding Casting For A Comedy Series
This feels like either 30 Rock or The Office's.

Outstanding Casting For A Drama Series
A really tough category, but Mad Men genuinely has the best cast. Damages wasn't as good this year as the last.

Outstanding Casting For A Miniseries, Movie Or A Special & Outstanding Cinematography For A Miniseries Or Movie
Just like a broken record - Generation Kill.

Outstanding Cinematography For Reality Programming
UGH!

Outstanding Cinematography For A Half-Hour Series
I've always been amused that a 20 min show counts as a half hour series stateside. I don't really mind here, but what the heck is According to Jim doing there?

Outstanding Cinematography For A One Hour Series
This should be a two horse race between Breaking Bad and the frankly gorgeously shot Mad Men.

Outstanding Comedy Series
Another hot category.


Outstanding Costumes For A Series
Know what? I really liked the Pushing Daisies and No 1 Ladies Detective Agency costumes.

Outstanding Directing For A Comedy Series
3 more for 30 Rock, looks like they're taking this one (and possibly sweeping everything, was this year's 30 Rock really that good?


Outstanding Directing For A Drama Series
BSG's last few moments dragged, Damages *makes so-so wavy hand motion*, so I guess it's between Boston Legal and Mad Men. I do hope BL takes it.

Outstanding Directing For A Miniseries, Movie Or A Dramatic Special
GK again please Bob!

Outstanding Drama Series
Ok, as Billy over at Geeky Talk pointed out. Not a snifter of The Shield? Seriously, you let the weakest Dexter Season so far in and The Shield doesn't even get a nod? Ridiculous.

Outstanding Guest Actor In A Comedy Series & Outstanding Guest Actor In A Drama Series &
Nice nominations, can't really argue with most of them

Outstanding Guest Actress In A Comedy Series & Outstanding Guest Actress In A Drama Series
I do hope CCH Pounder wins her category, she's fantastic.

Outstanding Lead Actor In A Comedy Series & Outstanding Lead Actor In A Drama Series
Hamm, Hall or Cranston please in drama, Baldwin in comedy.

Outstanding Lead Actress In A Comedy Series & Outstanding Lead Actress In A Drama Series
I will just about always root for Tina Fey, but I approve of most of the nominations in the comedy section. Not bothered about the drama bunch, but Glenn and Moss were both great this year.


Elsewhere (as it's getting late) I'd like to see the Sons of Anarchy theme win, HIMYM take the picture editing for 'Naked Man' which was just brilliantly done and Neil Patrick Harris MUST win best supporting actor in a comedy series.

Overall I think the nominations this year are better than last years, though the number of nominations 30 Rock received raises an eyebrow - then again, the cynic would not that Hollywood loves shows 'about the business' so it's not exactly a surprise. I am also pleased with the number of nominations Mad Men received but frankly incredulous that The Shield didn't get a single one, nadda, snatch. The Wire at least got a single nod last year but The Shield's final season was the best thing on this past TV year by a long margin. Eh, what can you do?

Go HIMYM (and NPH). Go Mad Men. Go Colbert Report. Go Generation Kill and I guess Go 30 Rock (but you don't really need me cheering you on at this point.)
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Another No Content, Content Post concering podcasting

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I'm afraid too little time has once again made a victim out of posting on here. But I am working sorting out some podcasting in the near future, with Aaron from Snark and Fury (hopefully) as two man podcasts have a more natural flow to them in my opinion (I feel the same way about commentary as well, I prefer the group dynamic - though David Simon and Clark Johnson both give very good solo commentary).

Now I imagine that The Wire, The Shield and Torchwood: Children of Earth are on the agenda to talk about initially, but I'm opening the floor up at this point to any suggestions. Any shows you'd want to hear about? Any specific areas (Reviews, general musings, favourite X/Y/Z etc)?

And how do people feel about audio reviews? Is straight audio interesting or would you prefer pictures?

(And who knows, maybe one day I'll even sort out a MST3K style riffing series over the top of some show at some point - if I can figure out a decent way to make it work without getting involved in copyright issues etc.)

So fire away and... um.. Is this thing on?
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DVDs in Review #74: Futurama: Season One

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"Space, it seems to go on and on forever... But then you get to the end and a gorilla starts throwing barrels at ya!"

While I did write a review of the complete Futurama collection a while back I was never really satisfied with it. Futurama is probably the TV show I've watched most of all because it functions both as a show I adore and moving wallpaper - so when I'm not sure what I want to watch while I do something else, it's Futurama which goes on.

I think by now most people should be more than familiar with Futurama, the science fiction/comedy cartoon from Matt Groening (creator of The Simpsons if you've been living in a cave for the past few decades), and it's particularly rough ride through the world of television. It's one of those shows which has always been treated badly by Fox, despite the obvious quality of the show, and as such it's already managed to be cancelled once, return as a series of made for DVD Movies and then get renewed - a story which should sound familiar for fans of Family Guy because it's more or less the same thing repeated there.

Futurama stars Billy West as simple-minded Phillip J. Fry, a pizza delivery boy who at the turn of the century gets accidentally frozen in a cryogenic tube. Awakening at the turn of the third millennium, he discovers that he's now a million thousand years into the future, alive long after all his friends and family have passed on. Also joining him are John DeMaggio as Bender; a foul mouthed, angry kleptomaniac robot, the lovely Katey Segal as Leela - a one eyed woman with a penchant for martial arts and the temperament to use it. Often.

There are two versions of the first season boxed set, the earlier version is larger as it uses traditional DVD cases to house the three discs containing the thirteen episodes which make up the first season. The second version is about half the thickness as it uses the later slim-line DVD cases, if you have that version I'm infinitely jealous of you as I'd love to get it, but can't justify buying something I already own.

The boxed set itself is an exceptionally fun item, the external sleeve is made of plastic and has Fry, Bender and Leela along with a pair of windows which show a bit of the interior art. The box inside has a detailed cityscape scene of New New York which homages the Futurama opening credits, and if that wasn't enough each individual DVD case has original art inside and out. It's an impressive piece of production which really adds to the experience of owning this set.

But wait, there's more! The lavish production standard doesn't end there, once you boot up the first DVD you're treated even further. The root menu is an amusing scene depicting Fry crashing through a sign - and there's an Easter egg here, you can select the flying limousine by pressing across, once clicked it'll show you a cinema poster for 'Planet of the Clams'. The sound loop on the root menus are a little rough, they doesn't loop very well at all and the older version of this set lacks the essential "Play All" button.

Additionally each individual episode has it's own unique menu art and the language/chapter selection menus are fantastic as well. It's surprising how much effort has gone into the Chapter Selection menu in particular as it's not one you'll use too often.

As for the show itself, well I think my feelings are pretty clear by now. I absolutely adore Futurama and pretty much can't get enough of it. That said, the first season is not really my favourite one - in fact it's probably my least favourite by a long margin.

Space Pilot 3000 opens the series exceptionally well, it's got great pacing and it introduces all the main characters in a memorable and enjoyable fashion. Episode Two: The Series Has Landed, slows things down a little and introduces the second string characters of Amy, Hermes and Zoidberg - the episode itself is based mostly on the moon and has some beautiful shots contained in it. I, Roommate is another great episode which is slower paced than the previous two and deals with Bender and Fry's burgeoning friendship - it also introduces 'All My Circuits' one of the shows within the show. Love's Labours Lost in Space is probably the best of the episodes on the first disc, it introduces the spectacular Zapp Brannigan and established that no character in the show was exempt from humiliation, it also brought us Nibbler, a character I'm somewhat ambivalent about - I like the episodes he's involved in but I'm not that fussed with him as a character.

The second disc has the fun Fear of a Bot Planet which gave us the fun of shouting "SILENCE" before every sentence (that's still enjoyable to do even now). Then there's A Fishfull of Dollars, an episode which honestly irritates me no end, there's a certain kind of comedy (generally derived from giving a character everything and then ripping it away from them through their own stupidity) which really annoys me - and this episode uses it in spadefuls. I actually skip it on occasion. Likewise I'm not so keen on My Three Suns, which isn't as annoying but just sort of occupies time and space without really having anything great about it. Fortunately A Big Piece of Garbage and Hell Is Other Robots more than make up for these two weaker episodes and then some.

The Third Disc contains the fun Titanic spoof A Flight to Remember which has pretty much the entire cast involved in several storylines, it's amazing how much is crammed into twenty minutes here. Animal House Mars University is a definite favourite of mine, Gunther the monkey might be an annoying whinge but he's hilarious when he's trying to put on the hat. When Aliens Attack brings us Lrrr and Ndnd and finally Fry & The Slurm Factory spoofs Charlie and The Chocolate Factory, bringing the season to a satisfying close. It's definitely Space Pilot 3000, A Big Piece of Garbage and Hell is Other Robots which are the best three episodes in the season.

I'd also be commiting a crime against culture, television and comedy if I didn't mention the fantastic commentary present on every single episode in the season. It's so good you might well find youself listening to multiple times. I'm yet to find a show which comes close to this level of quality for commentary.

While the later seasons are much better, this freshman collection still swings above it's weight and provides an entire Planet Express ship full of laughs.

Extras:
Apart from the aforementioned Easter eggs and the amazing commentary there are a host of other extras located on each disc.

Disc One:
Animatic from Space Pilot 3000
Space Pilot 3000 Script with notes from David X. Cohen
Space Pilot 3000 Storyboards
Deleted Scenes from: The Series Has Landed, I, Roommate and Love's Labours Lost in Space
Easter Egg - Hidden Cinema Poster for "Planet of the Clams"

Disc Two:
Trailer for Futurama Season One
Deleted Scenes for My Three Suns and Hell Is Other Robots
Easter Egg - Hidden Cinema Poster for "Quizblorg Quizblorg" (Select the Slurm Truck)

Disc Three:
Featurette (Matt Groening talking about the show, details of the animation and 3D scenes)
Deleted Scene for When Aliens Attack
Image Gallery
Easter Egg - Hidden Cinema Poster for "Buff-Bot: The Human Slayer" (Select the Police Car)
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My Top 10 TV Show Themes

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A while back I put up a three parter about my favourite opening sequences (the first part of which can be found here and it will link to parts two and three). Today - inspired by a day spend playing TV Themes on guitar for no reason other than it was raining I'm going to write about my favourite TV Show themes, while there might be some crossover between the two lists it's more about the music rather than the entire combined credits this time.

They're in alphabetical order by show names rather than order of preference:

A-Team - The A-Team Theme



Oh come on, seriously - are you even surprised? It's fun, it's iconic, and it even gets people going nuts when it's played in a club. And while you can't dance to the original version you certainly can dance to the Guy Pratt remix as featured on Spaced - there's a full length version of it here, annoyingly Channel 4 haven't released the excellent video of Mike dancing - which is what I originally wanted to put up here. Gits.

Blackadder II - Closing theme



Surprise! At least I hope this inclusion is a little bit of a surprise - I love the closing theme to Blackadder II, the entire series has great music but it's the closing ditty for each episode in the second series which seals the deal.

Bones - Bones Theme by The Crystal Method



The full version of the song from the most excellent (and difficult to find) Crystal Method is here it's a kind of crappy video but the music quality is good.

Chuck - Short Skirt/Long Jacket by Cake



It's a great little tune which almost sounds purpose made for the series with it's funky spy like guitar riff but in truth it's a boiled down version of Cake's Short Skirt/Long Jacket. This is the theme which inspired the list and it's an excellent choice for the show, fitting pretty much perfectly into place.

The full music video can be seen here. I think I actually prefer the stripped down Chuck Theme.

Friends - I'll Be There For You by The Rembrants



Another one which I'm sure won't the least bit surprising to see on here. It was pretty much the TV show theme for a while. But I don't think The Rembrants produced a single other song of consequence apart from this one, pretty much the definition of a one hit wonder.

Rescue Me - C'mon C'mon by the Von Blondies



Filled with energy and punch the theme seems to echo the life and experiences of Tommy Gavin, it's one I find myself huming for a while during and after watching an episode of the show.

You can catch a live rendition on Letterman here.

Scrubs - Superman by Lazlo Bane



Using the banjo to great effect the full song is a melancholy tribute to the difficulties of life, the shortened version works well as the opener to Scrubs and served it well for eight seasons. It's the extended version used in the video here - they decided to scale back to the short orignal version after a few episodes. Keep it punchy, more time for gags that way.

Sugar Rush - One Way or Another by Blondie



The shortened version of this song is so well edited that it almost feels like a complete entity by itself, I know I often find myself surprised with the length of the original version when playing it on RockBand or listening to it on CD.

That 70s Show - In the Street by Cheap Trick



Say what you like about That 70s Show, the opening theme is pretty awesome.

There's a lowish quality version of the full song/70s show video here.

The Wire - "Way Down in the Hole" By Tom Waits (Steve Earle version).



There are five renditions of the song "Way Down in the Hole" used in The Wire, one for each season. But it is the version from the fifth season performed by Steve Earle (who appears as Waylon in the series) which does it for me. Here's the man performing it live.

Where's Wallace? Where's Wallace? (There he is at 0:55 in the video!)

Honorable mentions go to the themes from Monty Python's Flying Circus, Boston Legal, House (Teardrop - Massive Attack), Top Gear (Jessica - The Allman Brothers) and The 4400 (Amanda Abizaid - A Place in Time) .

Might I just write before I go, these posts might look rather 'filler' but the honest truth is they take longer than written ones. Sigh.
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DVDs in Review #73 - Big Love: The Complete First Season

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"Think having three wives is a dream come true?
Think again."



I've always enjoyed Bill Paxton's work on screen, he's an actor who I've felt has had leading man qualities but never quite broke through as one. In addition to his genuine screen talent he's also the one man who's been killed by a Predator, an Alien and a Terminator - sort of the Science Fiction triumvirate there. So his name along with the fact that Big Love is from HBO was enough to put the show on my radar and when Zavvi/Head dropped the price down to a meager £6.74 for the entire first season I figured that it would be crazy to not pull the trigger and give the show a go - if I didn't enjoy it I wouldn't be much out of pocket.

Big Love is about Bill Henrickson (Bill Paxton) who is a practicing polygamist with three wives and seven children. The family consists of himself, his first wife Barb (Jeanne Tripplehorn), second Nicki (Chloë Sevigny) and his third Margene (Ginnifer Goodwin). The series deals with the trials and pressures of being a polygamist family in America, pressures which come from both inside the family unit and without - especially the fear of being discovered as polygamists. Bill's a successful hardware store owner who has just opened his second building, but the "Prophet" of his ex-commune (and father-in-law) Roman (Harry Dean Stanton) owns a stake in his business and is unwilling to lose his grip on it despite Bill's desire to distance him from the past.

Big Love is a very soapy drama which has a lot in common with Desperate Housewives in it's style, but instead of following the lives of a series of neighbours we instead follow the lives of three families which have the additional perk of being one family as well. The three wives all adore their husband and Bill functions as the head of the family but there is also a hierarchy between the three (based on order of marriage) - Barb is the most competent of the three wives, working and managing the households effectively, Nicki is one of Roman's daughters and has a severe problem with debt and Margene is the youngest at 23 and is still getting to grips with her life. The three families live in neighbouring houses, which is a rather effective and brilliant move on Bill's part - allowing them to remain close without rousing too much suspicion, but of course this is a very expensive way to live.

The other cast members of significance are Don (Joel McKinnon Miller) fellow polygamist, employee and confidant of Bill's, Bill's two eldest children Ben (Douglas Smith) and Sarah (Amanda Seyfried) and Bill's father Frank (Bruce Dern) and mother Lois (Grace Zabriskie). Ben and Sarah both have lives and problems of their own, while Frank and Lois's own problems threaten to engulf Bill's already complicated life at times.

Big Love is a show which has suffered it's fair share of controversy, it's an uncomfortable subject matter for many people, polygamy is something which is unusual and often looked down on by society. But if you're able to get past the strangeness of this fictional family's situation there is a fun and unique drama beating at the heart of it all. In many ways Big Love is a show which challenges your perception on what consists in a 'normal life' and gives you an insight into a way of life you may never have encountered before.

It's an interesting series, something which is an enjoyable show to watch - while it didn't grip me as tightly as some other drama shows I've watched in the past it did evoke the style of Six Feet Under and Desperate Housewives, both of which are highly competent and enjoyable shows in their own right. And Ginnifer Goodwin is just adorable.

Extras:
Two Audio Commentaries with Bill Paxton, Jeanne Tripplehorn, Chloe Sevigny and Ginnifer Goodwin
Big Love: A Balancing Act - the making of the opening title sequence.

Details:
Aspect Ratio: 1.78:1
Rating: 15
Region: 2
Runtime: 613 mins approx
Soundtrack: English, French
Subtitles: English, French, Dutch, Danish, Finnish, German, Greek, Italian, Norwegian, Portuguese, Romanian, Castillian Spanish, Swedish
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Watching The Wire: Season Two - Episode Seven: "Backwash"

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“Don’t worry, kid. You’re still on the clock.”
-- Horseface

Teleplay by Rafael Alvarez
Directed by Thomas J. Wright

Starring:
Dominic West as Officer Jimmy McNulty, Lance Reddick as Lieutenant Cedric Daniels, Sonja Sohn as Kima Greggs, Deirdre Lovejoy as assistant state's attorney Rhonda Pearlman, Wood Harris as Avon Barksdale, Andre Royo as Bubbles, John Doman as Colonel William Rawls, Frankie Faison as Acting Commissioner Ervin Burrell, Clarke Peters as Cool Lester Smooth Freamon, Amy Ryan as Beadie "Bea/Beadie" Russell and Chris Bauer as Frank Sobotka.

With:
Seth Gilliam as Detective Ellis Carver, Domenick Lombardozzi as Detective Thomas "Herc" Hauk, Jim True-Frost as Detective Roland "Prez" Pryzbylewski, James Ransone as Ziggy Sobotka, Pablo Schreiber as Nick Sobotka, Callie Thorne as Elena McNulty, J.D. Williams as Preston "Boadie" Broadus, Hassan Johnson as Roland "Wee-Bey" Brice, Kristin Proctor as Aimee, Michael Hyatt as Brianna Barksdale, Robert F. Chew as Proposition Joe, Maria Broom as Marla Daniels, Lance Irwin as Maui, Delaney Williams as Sergeant Jay Landsman, Shamyl Brown as Donette, Keith Flippen as Bruce DiBiago, Gary "D.Reign" as Frog, Tray Chaney as Malik "Poot" Carr, Luray Cooper as Nat Coxson, Charley Scalies as Thomas "Horseface" Pakusa, Stan Stewart as New Charles, Richard Burton as Shaun "Shamrock" McGinty, Richard Pelzman as Little Big Roy, Kelvin Davis as La La, Chris Ashworth as Sergei "Serge" Molatov, Ted Feldman as George "Double G" Glekas, Jeffrey Pratt Gordon as Johnny "Fifty" Spamanto, Curtis L. McClarin as florist, Jacques Derosena as Leech and Randall Boffman as Bill Anderson

The Summary:


Read about funerals, falling boxes and Pyramids beyond the link...

The Recap:

Bodie is in a flower shop, looking to sort out a wreath for D’Angelo’s funeral, once he explains the nature of the desceased and his relationship the store owner shows him the line he has for people like Bodie. Specifically wreaths which feature guns and the like, after looking at them for a while he settles on a custom shaped wreath like one of the high-rises with 221 on it – a tribute to his former boss. He hands over the cash and leaves.

Cue the credits…

Landsman is less than impressed with Bea and Bunks decision to clone the dock computer and be through. But Bunk mentions he’s working with Daniels, Landsman first attempts to angle Bunk and see if Homicide can dump the fourteen girls onto Daniels, but that isn’t happening without Daniels agreeing – and right now he definitely (and wisely) doesn’t agree. Landsman leaves, so Bea and Bunk work on the next step in their operation, which involves pulling back a little to make the Stevedores believe that they’re not being investigated anymore. Bea asks “How are they going to think that?”

Frog is talking with Nicky about dealing the new stash, he’s angling to scam Nicky the same way he scammed Ziggy before – short changing him and essentially “effing up the package”. Nicky remains calm and tells him to come here, he then goes on to remind Frog that he’s a White Polish American, so he should drop the act and also that Frog owes Ziggy money and Nicky won’t be taking any excuses on that. Frog only gets to sling if he advances, Frog’s keen because the stuff was good and agrees to this deal.

Bell meets with his contact over Mugs’s job on D’Angelo, the guy pushes a little as he suspects that Avon wasn’t involved in the hit. Bell denies everything in his own way and the guy leaves.

Avon is in his cell with Wee-Bey, he’s pretty cut up about Dee’s suicide and angry about it as well. Avon talks a little about how well he feels he treated Dee but Wee is pragmatic about it, saying that Dee almost turned on Avon once and might have done it again. At least they don’t have to worry about that now.

“His name is Head, Dick Head.” Carver quips about Herc who is wearing shades while handling a pistol. They’re in a surveillance shop looking for a bug to use and the store owner shows them one for $1,500, $1,250 with a police discount. They’re offered a 48 hour test run as long as they leave credit card details, Herc immediately pushes Carver to do this – his own cards are (unsurprisingly) maxed out.

Rawls pushes Daniels again about the fourteen homicides, claiming that it would be good for Daniels and the department. He’s honest enough to admit it’s a win-win for Rawls and that he’s trying to spread the damage around as far as statistics go. But Daniels is having nothing to do with that, he’s not willing to budge because he just wants to run a simple case, close it down and get out from under Burrell.

Frank is out on the docks when he sees Bea roll by, back in her patrol car again. Frank is a little surprised to see her out in the black and yellow and asks after Bunk. She tells him that the case is closed and she’s out of it now. This is how they planned to get the Stevedores to settle down, by returning to ‘business as usual’. Bea additionally goes to explain that she’ll be down in Fairfield instead of out on the docks here – this covers her lack of presence on the docks coming up without making Frank suspicious.

Herc and Carver place the bug inside a tennis ball, that tennis ball is soon to become my favourite character in The Wire – seriously. While Lester and Bunk watch the cloned computer tracking cans. Bunk’s already bored by this, but Lester likes to see the system working without any dirt in it, it’ll allow him to spot and understand any “glitches” faster later on. Bea gets what he’s doing.

Frank, Ott and the Stevedores are being shown a presentation about the future of dock working as created by the Dutch. Herc sits listening to the tennis ball bug while Carver snaps the pictures of Frog and White Mike. The pitch about the dock upgrades continues but Frank is more concerned about the jobs and hours. The presenter confirms four thousand people, a number he feels is large – but Ott immediately jumps on this, that’s four thousand people moving three hundred and fifty million tons a year, which is not actually a lot.

Stringer arrives for Dee’s wake; he talks with Donette, sharing a brief moment of subtle intimacy before heading over to talk with Brianna in her bedroom. Naturally, like any parent who’s lost a child, Brianna is devastated.

In Dolores’s Bar Ziggy is pouring over some papers when Nicky arrives, he hasn’t had any days this week and the guys are a little surprised. Nicky nods and walks over to hand Ziggy his money. Ziggy is a little flat about receiving his money, mostly because he’s feeling emancipated over this, like he’s not good enough to look after himself and his money (frankly he’s not). Ziggy’s unhappy that Nicky is better at just about everything than he is. He then passes the papers to Nicky and it turns out that Ziggy’s being sued for paternity from Prissy (the town bike).

Kima is scoping out The Gentleman’s Gold Club with Prez, he walks out of the bar and heads down to sit in the car with her. Prez has noticed that there’s an older woman (40) involved some how, Kima then teases him a little about the strippers in there. He looks suitably mollified.

Daniels and his wife are talking about Daniels’s situation, once again his past is mentioned and she’s keen to have him walk out and pursue a career in law. But he highlights just how things are working and how the situation is to his advantage.

Frank’s talking in his office with one of his union members about the upcoming elections, Frank wants another year in office but it is Ott’s turn and no-one’s budging on this. It’s clear that the Union elections are in essence a formality and the winner is decided in advance. Frank wants another year to finish what he’s started, he’s not after the power of the position, he just wants to see his plan through. He then phones up Bruce to see what progress has been made.

Prez and Kima see the girls leave the Gentleman’s club and notice a lot of muscle for just a few girls.

In Dolores’s Bar Nicky has been thinking about the paternity suit, Ziggy confirms that the papers arrived by the mail and Nicky realises that’s not right – they have to be served by a sheriff. He notices Maui and the pieces fall into place – he then phones the number, Maui’s phone rings the man answering with “Shyster, Shyster and Shyster” and confirming that the entire thing was an elaborate prank – retaliation for Ziggy’s “hung wallpaper”. Ziggy is still oblivious until Nicky pretty much explains it to him, they all sing along with the jukebox which plays “Love Child”.

Prez and Kima follow the SUV containing the girls which pulls into a secure garage at what appears to be a residential block. Lester continues to monitor the cloned computer. Kima and Prez bluff the guard so Prez can see what floor the girls are being kept on. The sixth.

Lester, Bea and Bunk are sat talking about a break in the case, it looks like Horseface is on duty with a suitable ship. They’ll need additional bodies to keep an eye out on the docks and they’re having to keep things away from Daniels’s attention at the moment.

Nicky rolls up in his SUV to talk with Frog, he’s observed by Herc and Carver and recorded by the bug. Unfortunately for them Frog picks up the ball and starts throwing it around, ruining any chance the duo has at catching their conversation. Carver ends up scrambiling after the tennis ball once Frog throws it and after a few close moments it’s run over by a truck.

R.I.P. Fuzzy Dunlop!

Lester runs the team through the plan, they’re going to observe the offloading while tracking the computer.

Nicky arrives and hands over a slip from the Greeks to Frank, concerned Horseface and Frank plan to check the cans, they do not want any more dead girls in the docks. Frank has lost all faith in the Greeks. Frank and Nicky then talk about how little they’ve been working and Frank tells Nicky not to do anything he wouldn’t do. It's close, but I think Nicky is almost doing what he believes Frank would do (Frank on the other hand would disagree).

At one of the Baltimore cemeteries D’Angelo Barksdale is being buried in front of friends, family and fellow bangers. Stringer watches coldly, the cause of all this misery and upset. Boadie and Poot are also present, even Prop Joe has turned up to show his respect. Brianna is devastated. Poot points to the wreath and asks Boadie about it – he’s impressed with it. Each of those present pays their respects before walking away. Shortly Prop Joe talks with Bell, initially to give his condolences but also to offer a proposition. He knows that the Barksdales are hurting on the product front, but have great locations. Stringer tells him to cut to the chase and Prop Joe lays down the level – he’s looking to expand and he’s willing to cut a deal with the Barksdales. Stringer agrees to talk with Avon.

Frank meets with Bruce, he’s not impressed that the dredging isn’t in the budget – he has received the grain pier but he’s not satisfied with that. Frank spins a few stories about his childhood, how hard and difficult things are for the stevedores and how people grow up to do the same as their fathers. Bruce gets angry at this and lets him know how hard his grandfather worked to change things. Frank isn’t going to back down at this, because the presentation about the automated docks has him rattled deeply. He throws a shoebox to Bruce filled with cash, he wants the canal and the pier – people need to be talking and making it happen.

Horse is out on the docks walking up to one of the cans, Bea watches the virtual version move on the cloned computer and sees it disappear. Lester passes on the information to Kima who has an eyeball on it, she also has an eyeball on Sergei/Boris. Bea informs them that if it goes straight through then it’s dirty, which it does. Kima stops following and Prez takes over the follow for a bit until it is Bunk’s turn. Bunk sees the truck travel through a gate and drive towards a warehouse - a part of Pyramid Incorporated.






Avon and Stringer are talking about Dee’s passing, Stringer lets Avon know they did the funeral properly, Avon’s more than a little cut up about what happened – he wishes he could have stopped it, he feels he could have. Stringer assures him that it’s not on Avon – which we know it isn’t Stringer is responsible. Next they talk about the supply issues and Stringer brings up Prop Joe’s offer. Avon isn’t willing to cut a deal with Prop Joe.

Kima rolls up alongside Bunk who’s been keeping an eye on the warehouse, nothing has changed and she takes over viewing.

The Detail bring in the lovely Rhonda Pearlman to talk about potential wiretaps – she’s unable to offer them a wiretap for human smuggling/prostitution. Incredibly the law does not allow people to wiretap those involved in human trafficking.

Nicky meets with Aimee about affording a new place, he claims to be working as a warehouse guy and now they can afford a two bedroom apartment. Things are looking up for the couple and she’s happy with that.

Carver is less than thrilled that the bug is now destroyed as they pull up outside Nicky’s place. Herc informs that he’s one Nicholas Andrew Sobotka but doesn’t make the connection in the surname. Carver on the other hand does realise and gradually makes Herc understand the significance. Herc notes that this means they can use the information from the bug “Fuzzy Dunlop” as a CI and earn some cash. (I like the name and character Fuzzy Dunlop so much that two members of my RockBand are named after it.) Carver is unwilling to do this, but Herc holds the lost money over Carver and tells him that Daniels would “trust him as he’s trustworthy” (Ironically Daniels trusts Carver because he proved to be untrustworthy in the past).

Bunk and Cool Lester Smooth are drinking in the bar, Bunk is trying to convince Lester to talk with Daniels and roll everything together.

Kima is still watching the gate when she sees a car pull up, sat in the back of it is Prop Joe. This means the detail have the drug connection they require for a wiretap if they play it right.

In Dolore’s Ziggy is complaining about Maui, the people he’s with talk him up a bit, trying to convince him to lay into the much larger Maui. They’re interrupted by a man down, New Charles has been injured. A box has landed on his leg, crushing it. They lift the box and move New Charles, his leg is a mess but the Ambulance has arrived. Frank lies and tells him that the leg looks OK – but it’s not, it’s doomed.

Lester talks with Daniels about the Detail; it’s time to be stepped up in Freamon’s opinion. While the start of it was a bit of a joke assignment and a tool to get him out of evidence control it’s looking like a serious and genuine case. Lester advices Daniels to take the murders onboard at this thing has legs – there’s a risk, Daniels might have to eat up those open murders but Lester asks him if he can live with himself over that.

Ott and Frank arrive at New Charles’s home to help his wife, Frank hands her a package containing money before leaving. Outside Ott talks about how New Charles got his name and confirms that the leg is a goner. Then he asks about the money, Frank remains silent and walks away.

In Rawls’s office Daniels agrees to eat the murders, as long as he gets exactly what he wants when he wants it. Rawls looks pleased with himself.



McNulty and Elena are sat together in the garden watching their two boys play in a tent. McNulty is still keen to get involved with her, but she’s unwilling, she doesn’t trust him anymore. Her boys call her over to help with a spider and she joins them in the fun while McNulty watches and broods.

Daniels is at home explaining the latest developments to Marla, he admits he loves the job and professes how much she means to him. She responds by asking where the ambitious man she married went…



The Review:

As always “Backwash” is an episode title with multiple meanings; it refers the dialog from D'Angelo Barksdale in the previous episode "All Prologue", but it also refers to "a condition, usually undesirable, that continues long after the event which caused it", the slang for human spit which goes back into a drink when being consumed (usually in a bottle) and it has vague references towards tides and water flow.

Frank's still deep in the dirt, but he's unaware just how deep because he doesn't realise that the Detail are still investigating him and they've uncovered a link between him and Proposition Joe - who's a drug Kingpin (even if it's not proven because Prop Joe is careful). He's also unaware that Nicky is suppling drugs and both of them are unaware that Herc and Carver are on the trail.

This episode is one of the first which really differentiates between Herc and Carver, originally they filled the role of comedy clowns in many scenes - a little bit dodgy, mostly harmless, often idiotic. While they still do provide their fair share of laughs you can see a gradual deepening between the two - Carver is learning, evolving and adapting, he's showing intelligence and sophisitcation as a police officer, Herc continues to be a half baked clown willing to bend the laws while also posturing as a great police officer in his own mind (Some people have refered to him as a 'lame' Vic Mackey, and the resemblence is there - more physically than personality-wise though, Vic is a far more dangerous animal than Herc).

I have to say that one of the things I most appreciate about The Wire is actually the slow nature of the case and the show. It just feels more natural to watch than an episode of Bones, CSI or even Homicide - who normally bang out their case and solve it within the space of forty odd minutes (Homicide to be fair sometimes paces a lot slower and runs some stories for multiple episodes). It's nice to see a case pan out over many hours with gradual progress and occasional setbacks. I do wish more shows worked like this, but I guess most viewers need quick gratification these days as that's what they're conditioned to expect. I can understand that, sometimes it's good to enjoy a light fast show. But I do prefer the style used here in The Wire - it's deep and tough to get into and if you miss an episode you can end up unable to catch up, which is why it's an ideal DVD show.

Trivia (Credit to Wikipedia here for the initial information) - the photo on the dartboard in Frank's office is Robert Irsay who took the Baltimore Colts to Indianapolis in 1984. As you can see Frank is still bitter about that and most likely feels betrayed. It's also a statement about how the good things are being gradually leeched away from Baltimore one at a time, a sentiment Frank certainly feels is true.

This is also the first episode after a starring credited character has been killed off, yeah Larry Gillard Jr.'s name is now gone the credits. Respect to the show for keeping him on the credits despite knowing that he was going to die. I know the first time I watched this season I wasn't expecting it to happen, which made his funeral more poignant and moving.

Very little McNulty in this episode but that's not really surprising as his 'story' (seeking the name of the dead floating girl) has run it's course. I do appreciate the way he's been somewhat sidelined in the middle part of this season, it keeps the show about the City of Baltimore rather than being "The McNulty Show". As much as I adore Jimmy McNulty I do appreciate he can often dominate the storylines a little too much.

Is the company Pyramid Inc a reference to the Illuminati? Probably not, but I wouldn't be surprised if someone like The Greek was involved in such an organisation.

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Torchwood: Children of Earth -- Day Five

Category: , , , , By Rev/Views


Day Five is not available on the BBC iPlayer yet but when it does it will here, after the BBC HD version has airred.

So beware of spoilers coming up... You have been warned.

...

It's all over now and I'm pretty sure people are going to be bandying words like bleak, sad, moving and depressing for quite a while. Myself I'm quite pleased with it, I do enjoy a good downer and Torchwood Day Five delivered that in spades.

Putting the pieces together it turns out that the 456 are effectively a race of addicted crack users, except their crack is the chemical composition of human children. No, the 456 aren't here because they need our children to survive or reproduce, they're not here because they're warmongering killers, they're here because they are effectively bullying drug addicts muscling in on the one place where they can get their fix from, but they're not willing to pay the bill. It's almost like an intergalactic version of The Corner in scope, almost.

Captain Jack's actions in this series have been very dark indeed, by the end of it he finally realises what a monster he's become. In someways it's quite ironic, the man he most admires - The Doctor - would never have sacrificed one child to save the rest, that kind of compromise is unthinkable. But Jack? Not content with effectively (if unintentionally) murdering his boyfriend last episode he now offers up his grandson as a sacrifice. It's one heck of a dark message, I do hope this means we shan't be seeing Captain Jack on Doctor Who again, I'm not sure a child killer is the right kind of person to make an appearance at all.

Anyhow, enough pondering on that. Was it any good? The answer is yes, yes it was. The fourth and fifth episodes have managed to make up for the second and third, though the story as a whole feels like it would have been better paced as a three parter. It did feel a little stretched thin in the middle, but by the end the pay off was almost worth it all. I'd certainly have few complaints if this had been a three parter.

I think the entire thing as a whole hangs together at around a seven out of ten, which may sound a little harsh - but the thing to remember is Torchwood previously was lucky if it achieved a five in my estimation. So there has been dramatic improvement, but I would quite happily award another point for the bleak ending, except Rusty once again pulls the final answer to solve all of this out of the ether. I'm tired of his "last minute Deus Ex Machina" finales, utterly sick of them all the way to the marrow of my bones, so I confiscated that point back and leave things at a seven.

There were silly moments, there are quite a few logical loopholes if you look to hard at things, but if there is one thing Rusty can do, it's write emotional scenes well - and that's what he did here, he finally played to his strengths at the end and delivered an ending which I'm sure will leave quite a lot of viewers used to more upbeat and light entertainment devastated. Me I was able to weather it as I've seen far more disturbing and upsetting moments on other drama shows, but I was still impressed.

So in a rather rambling way I guess I'm saying Torchwood: Children of Earth was pretty good, it was a huge improvement over the previous seasons and showed a lot of promise. I know and accept that I tend to hold drama up to an impossible standard at times, I especially don't cut Sci-fi any slack (mostly because Sci-fi seems to think it can cut corners in characterisation and plot because it has whizzy gizmos) but this was a decent enough offering from BBC Wales.

The Short Lowdown on the entire thing:
++
Good emotional stakes
Exceptional acting from the support characters
Some good performances from the main cast as well
Bleak ending
Great comedy moments earlier on, mostly from Ianto's family

--
A bit of a lame reasoning behind the alien's actions
Weak "defeating" of the 456
Massive logical mistakes in the plot, big enough to drive a truck through at times
Story was a little stretched thin over five hours and suffered from poor pacing at times

For an alternative take check out Dan's Media Digest or Snark and Fury.


Side Note: I was utterly thrown by some of the extras in this final episode. I suffer a lot when watching Torchwood (and Doctor Who) because I'm intimately familiar with the locations they film in and around Cardiff. So their attempts to pretend bits of Cardiff are London just don't work for me and I do get a little confused. But I was even more confused this time because several of the extras are people I know, as such I spent a lot of time going "Was that _____? It was!" and losing track of the plot occasionally. (If you're interested I have had a chance to be an extra in the Sarah Jane Adventures, but I'm exceptionally camera shy.)
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Torchwood: Children of Earth - Day Four

Category: , , , By Rev/Views

"What are you suggesting? That a cull of ten percent will do us good?"

Day Four can be watched on the BBC iPlayer here. Expect spoilers here.

Better, much, much better. While I found Day Two to be fun filler and Day Three to be boring filler Day Four managed to hit the notes I was hoping for and paced itself very well. It's just a shame things had to be stretched out so much before reaching this.

Before I move on I'm going to have to shake a fist at the BBC as they spoilered Clem's death in this episode a while back - by removing him from the credit list for Day Five. So there was absolutely no surprises at his passing in this episode. On the other hand at least they didn't signal Ianto's death as well, so it wasn't a total wash out. But still, slightly annoying.

So Day Four was pretty much what Torchwood should be; energetic, tense, with action, politics, romance and loss. Also; finally, the Torchwood team stopped running about and pulled together a good plan to try and take charge. Only unforeseen circumstances turned it into a tragedy - unforeseen circumstances and Captain Jack's hubris really. So it was good to see the team actually acting instead of reacting as they normally do. A team created to handle the extra-normal should be more pro-active in my opinion, so it's good they finally settled down to do it.

At this point now the entire run really hinges on what's going to happen tomorrow, right now everything is so wonderfully bleak and desperate. That's where it should be at the end of the penultimate episode, the heroes should be at their lowest point, everything should look lost and impossible to solve. Which it did at the end of the episode with that wonderful image of the dead shrouded in red sheets with the occasional white one amongst them. Like human blood vessels, which is the price being demanded by the 456.

So yes, this was a good and enjoyable episode of Torchwood which hit the right notes, it's pretty much wiped the slate clean from the annoyances of the previous two Days and set things up well for one of the most exceptional endings to a UK series in recent times. Bravo Torchwood, all is forgiven - but I do hope RTD will avoid his Deus Ex Machina style of ending things for once.

For those of you still feeling a little wrung out about the loss of Ianto Jones at this point - here's a picture of him. But also, don't worry too much - it's Sci-Fi. People are hard to kill in Sci-Fi, remember Owen? His death didn't stick the first time. (Not that you should get your hopes up too much).


For some alternative takes on the episode check out Dan's Media Digest, Snark and Fury and Rullsenberg Rules.

(Does anyone else find themselves wondering what the heck the Doctor is up to letting things like this happen on Earth? It's not like him to neglect his favourite home from home this badly!)


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Torchwood: Children of Earth - Day Three

Category: , , , By Rev/Views

Torchwood: Children of Earth - Day Three can be watched on the BBC iPlayer here.

You hear that sound? That almost inhuman cry of rage and frustration echoing out across the land followed by a tearing sound and two soft wet plops? That was me ripping out my eyes and ear drums during that episode of Torchwood. I know I wrote that almost nothing happened yesterday, but at least it was exciting nothing - this was genuinely nothing AND boring to boot.

Seriously, I can't remember the last time I've been so annoyed while watching a TV show as the last few moments of Day Three. Sat there having to slap my face in order to remain conscious while waiting for the dull monosyllabic fart breathing alien 456 s-l-o-w-l-y trot out it's rather ludicrous demand*.

*[Which for the record is a ten percent tithe of the world's children. Because why make sensible demands the human race is going to consider when you can be a cartoony super-villian style monster? (They could be making this daft request just as an excuse to start a war mind you). Someone get that alien a moustache to twiddle and a white cat to stroke.]


OK, initial rant aside. What was good in this episode? The stealing montage was kind of amusing, likewise the dressing up scene was also fun and Rhys again got some great and very human lines. Lois and Clem continue to be interesting characters (even if Lois is a rubbish liar) and the show continues to trot out amusing lines regarding Ianto's sexual orientation. Also the show cleverly kept the alien 456 out of sight, concealing it's appearance enough to make it look threatening and mysterious. What I did see of it reminded me of The Great Race of Yith.


If I'm honest I'm not sure why it reminded me of them, I guess just because it looks like strange things on the ends of tendrils, still being compared to a Lovecraftian monster is a GOOD thing, as all the cool monsters come from the Cthulhu Mythos. Just ask any Shoggoth.

But there were so many things wrong with this episode that the good was buried under a pile of mundanely and dross. I was consistently wound up by all the scenes involving the 456, which were slow paced and suffered from absolutely terrible continuity. If you have an alien which is busy spewing up on the inside of your tank at random moments it's pretty jarring to have the tank magically clean before each spew. I lost count of the number of times that green junk splashed up against the inside of a completely clean tank. Who's in charge of continuity and realism in the Torchwood development team? They need to be fired, immediately.

Likewise whoever thought the slow nature of the conversation between Frobisher and the smog tank would build suspense needs to be shown the door as well - it wasn't tense, it was frustrating and annoying. I was so un-gripped by it that I had no problem repeatedly pausing the scene to do other things, that's not the sign of gripping TV. In contrast during an episode of The Shield I watched earlier today I needed to pee about ten minutes into the story and refused to go to the loo until the episode was over - and I was watching that show on DVD and had seen it before at least four times.

I'd like to write more, but really I don't have much else to say except I pretty much hated this episode passionately. I'm going to catch the final two episodes, I still want to give Torchwood a chance to turn things around because I want to believe in the show. But it's not looking good if their going to keep milking these overly laboured and frankly boring moments.

All you need to know about this episode can be boiled down into a few points. In 1965 Jack gave 12 children to the 456 who promised that was all they wanted. Clem was supposed to be one of them, but ran away and went mad. It turns out the 456 lied, now they want 10% of all the world's children. That's it.

Gripping TV this was not. Please, please let Episodes 4 and 5 turn this around. Don't let me down BBC Wales.

For an alternative take on the episode check out Snark and Fury and Dan's Media Digest.

(For the record I'm tired and I might revise my opinion in the morning. But this episode of Torchwood actually gave me a huge headache, I can't remember the last time a TV show caused me physical pain.)
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What if all TV Shows were Twittered?

By Rev/Views
I use Twitter on occasion, mostly to keep a track of things which are happening in the world of television by following certain feeds and also to report updates and so on.

But a while back I wondered what would happen if I tried to sum up various TV Shows in 140 characters or less. I decided to avoid putting the results onto Twitter to avoid spoilering things for people. So for your enjoyment they're here instead. Be aware, every single one of these will spoiler the shows mentioned in one way or another.

So without further adieu I present TV Shows in 140 characters or less - twitter style.

Six Feet Under:
Family of funeral directors brought back together when father dies, they carry on for a while then all of them die as well.

Seinfeld:
Four friends have a contest to see who can go without masturbating longest. George cheats, but doesn't admit it for four years.

How I Met Your Mother:
A story about how I met everyone up to and including your mother, told over many years. There's also a goat.

Friends:
Ross and Rachel spend ten years dancing around each other before getting together. Joey gets a spin-off and fails.

Battlestar Galactica:
Humans flee from murderous robots they created and find primitive Earth. God may have been involved.

Boston Legal:
Denny Crane and Alan Shore work together for five years before getting married. Denny never loses a case.

Dead Like Me:
Mandy Patinkin (Rube) dispenses sage advice to the freshly dead George before mysteriously disappearing. People die.

Futurama:
Delivery boy is cryogenically frozen, awakens in Year 3000, world not taken over by talking apes. Talking robots are a feature though.

The Wire:
It's too deep and complicated to explain here. Go watch it.

Harvey Birdman: Attorney at Law:
Retired superhero becomes laywer, forced to win every case twice and is then killed by Stephen Colbert.

The 4400:
4400 people are abducted and returned with special powers, everything gets cancelled before it's wrapped up.

The Shield:
Cop kills another cop and gets a job working for the feds instead of going to jail. His co-workers aren't so lucky.

Curb Your Enthusiasm:
Larry David proceeds to offend everyone he meets, repeatedly.

Knightmare:
Children explore a virtual reality dungeon and get killed. Virtually.

The Simpsons:
The Simpsons do everything first in the world of television. "Simpsons did it."

The Dead Zone:
Johnny Smith gets knocked on head, gains psychometry but his TV show gets cancelled before he can save the world from Greg Stillson.

Frasier:
Ex-bar patron gets his own radio show, spends ten years in Seattle before leaving for Chicago - still single.

That 70s Show:
Nerdy guy gets the hot red head, then loses her, then gets her, then loses her, then gets her again. 70s style.

Gavin and Stacey:
Couple meet on the Internet, get married. British public thinks it's all lush and lovely!

Fawlty Towers:
Hotel owner almost gives himself a stress induced heartattack while insulting his wife, staff and guests. Don't mention the war!

Black Books:
Disgruntled shop owner hires confused hippy type and spends his time abusing him.

Spaced:
Two people move in together and pretend to be a couple for two years. They possibly end up becoming one.

24
Jack Bauer repeatedly saves the world from increasingly ludicrious threats, for his next trick he'll punch the Earth out of it's orbit.

Heroes:
Who cares any more? Seriously? Stick with saving the cheerleader.

Deadliest Warrior:
Crazy match ups between historical warriors occur. No Pirates vs Ninjas vs Robots vs Zombies though.

Feel some of these aren't good enough? Want to give it a go yourself? Your favourite show is missing? Then give it a try in the comments section - or perhaps even on Twitter.

This also works well for books and movies - movies are a lot easier as they're shorter than TV shows.
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Shield Marathon: Season Two: Disc One

By Rev/Views

A little off the pace at the moment with this Shield marathon, mostly because I didn't figure Torchwood into the equation when I worked out the timing of watching all this. We'll have to see how it goes, but the Marathon might take longer than the twelve days I had planned. Maybe I'll scale it back to a disc a day and run it over a longer period. Depends on how I'm feeling.

As always there's a timeline of watching each episode (this time spread over two days) followed by a collection of random thoughts.

Beyond the link are the episodes - "The Quick Fix", "Dead Soldiers", "Parteners" and "Carte Blanche"...

18:54 – Unfortunately a visit from a guest set me back several hours, adding onto that the problem that I’m having guests around tomorrow and Thursday I’ll be away from the TV all afternoon and evening I’m left unsure if I can manage this marathon before it’s time to go back to work or not. Currently I have eight days and I need to average around three discs a day to do it. With this in mind I’ve figured out I can watch two or three episodes before Torchwood starts and maybe the remainder before bed.

18:57 – The Quick Fix

18:57 – These men are being given tires to wear, hmm. Now they’re getting liquid poured on them. Maybe it's some kind of hazing ritual.

18:58 – And now they’re on fire. That’s a pretty unpleasant way to go.

18:58 – It’s Mark Rolston he’s a P.I. looking into Corrine. Apparently she’s at this motel.

18:59 – Trust Vic to go off half cocked. Wrong room Vic!

18:59 – Ah, the PI had bad intel - Corrine wasn't ever there.

19:00 – Shane, Lem and Tio – Taking Care of Business!

19:00 – Hang on, Shane’s in charge while Vic’s gone. Doesn’t Vic recall Shane’s poor decisions last season?

19:01 – Sure enough, they’ve been on the road for less than a minute and they’re pulled over.

19:02 – Ah Shane, you just can’t bluff a cop as well as Vic. Looks like Aceveda’s could get called in.

19:02 – Vic arrives, he’s all smiles and smooth words.

19:03 – Oh dear Aceveda’s arrived.

19:03 – What the heck? He’s assuming responsibility. Vic looks like he’s swallowed a kitten.

19:04 – Vic’s in trouble with teacher.

19:05 – Turns out it’s all on the level, Vic really was being sloppy with the paperwork.

19:06 – “Ay dios mios I’m Burning!” – Vic showing his usual concern over gangers being burnt.

19:06 – Aceveda’s mellowed out somewhat towards Vic, but he’s keeping a close eye on them.

19:07 – That’s blood. Looks like there’s something wrong with the coke, that guy’s puking up his stomach

19:08 – That’s just a cruel method of interrogation.

19:09 – Armadio’s mentioned, I’m sure he’s someone important.

19:10 – Gee Vic, where are you going to find fifty grand?

19:11 – The retirement fund’s cleaned out. It’s been invested. In COKE!

19:12 – Why are you surprised at what Shane’s been pulling Victor? His record last season was basically bad judgement after bad judgement.

19:13 – Kristen Bell! Is this what Veronica Mars did on her holidays? Get tattooed by Armadio?

19:14 – I guess you’re not that broken up about Corrine if you’re staying over Danny’s occasionally.

19:15 – I’m lost, which thing are they talking about? A thing or a thing?

19:16 – Looks like Armadio and his brother are all over Vic. The drug shipment was tainted back in Mexico.

19:17 – How are you going to raise twenty five grand Vic? Assault Mexico

19:18 – That’s a good way to treat a civilian auditor.

19:19 – I guess the other name for this episode would be “Vic’s Day off” or “What Vic Did on his Holidays”

19:20 – Mexican Policeman, his almost as bald as Vic is.

19:20 – What’s the odds Lem and Shane get mugged?

19:21 – 100%

19:21 – Seems Dutch-Boy hasn’t lost any of his moves where women are concerned.

19:22 – The little girl brought Dutch’s book back. Now he’s trying to interview a little girl. She’s a minor Dutch, does Claudette have to explain it to you?

19:23 – Is Vic going to try and take these guys down without guns? I believe he is.

19:24 – Success! Only in The Shield.

19:25 – Time for another tire necklace. Or will he talk first?

19:27 – It’s Armadio! Scarred on the outside, nasty on the inside. Armadio!

19:28 – I don’t think he’s going to crack like most people you get in that room guys.

19:28 – You really don’t want to get the little girl involved guys. Definitely try for another way.

19:29 – “I have a bad feeling about this” – Really Ronnie?

19:30 – Bullet holes in the trunk, four hundred thousand in cash and Vic still plans to fit this guy in trunk as well? He’s brave, you’ve got to give him that much.

19:31 – Oh shut up civilian auditor woman.

19:32 – On the road, that’s where I want to be…

19:33 – “In the field? Is that code for he [Mackey] goes where ever he wants?” – Why yes, yes it is.

19:35 – Go Julien, chatting up the single mom.

19:37 – It looks like the Strike Team is scuppered. Wait, no, once again Vic bluffs his way past.

19:38 – And now he charms the civilian auditor as well. Silver tongued devil.

19:39 – Armadio knows about the little girl. Quick, move fast.

19:40 – Papa Vic’s confiscating everyone’s keys. Naughty Strike Team.

19:41 – I tell you what, with that little dove on her cheek it’s clear that The Shield isn’t afraid of terrible moments and subjects. Poor mite.

19:42 – How do you feel now Dutch?

19:42 – Looks like Vic at least cleaned up his home after the end of the last season. Well cleaned it a little.
19:43 – David and Vic, reunited verses the civilian auditor, the old team back together again.

19:45 – Enough time for one more before Torchwood.

19:45 – Dead Soldiers

19:45 – I wonder if these Dead Soldiers are the same kinds as the ones mentioned by Bubbles in The Wire’s first season – used cocaine vials.

19:46 – The Strike Team, gatecrashers and party poopers extraordinaire.

19:47 – Looks like someone set fire to comic book guy’s store (Tio’s crib)

19:48 – Poor dead piggy

19:49 – “This is gangland, my domain” – Vic

19:50 – Another Vic and Claudette team up episode.

19:51 – Armadio’s using the polariod of his brother in the cage as a bookmark.

19:54 – Tio keeps a ledger of his transactions? It’s going to be bad if the safe holding it turns up in Claudette’s hands.

19:56 – Who’s the city official shot? It’s a traffic warden. Looks like Aceveda’s been running interference on Lanie.

19:57 – I think I warned you not to let Claudette get her hands on that safe.

19:58 – Nice car, being a PI must pay very well.

19:58 – Terrorists, mixing chemicals, dirty bombs? What could it be?

19:59 – I think that’s the first time 9/11 was directly referenced on The Shield (there was the speech from the woman last season but that was more subtle).

20:00 – So that’s what the smell is. It’s pickled fish. How pleasant.

20:01 – Lem’s attempt to be sensitive with Vic falls on deaf ears.

20:02 – You’ve to do better than that to pull a fast one over on Claudette.

20:04 – Claudette’s on your trail Vic, sniff sniff! She’s like a blood hound.

20:06 – Someone tell Armadio to keep his clothes on.

20:07 – You’d better hope Tio doesn’t crack Vic. Claudette’s pretty good.

20:08 – Seems like Lem knows a little psychology.

20:10 – Tio’s one cool customer.

20:11 – Dutch walks in, Vic and David walk out. Carry on like that guys and he’s going to think he smells or something.

20:12 – Tio’s ID’d a bald guy, the firebug now has hair. Oops.

20:13 – Second disconnection of the Interrogation room camera. Claudette’s done it this time.

20:14 – Just as well Aceveda’s able to run interference for Vic at the moment isn’t it?

20:15 – Ladies and gentlemen, Tio has left the building.

20:18 – Dutch has caught his guy because he thought as it was a government test it would be unreliable.

20:19 – That’s one angry Claudette, I think this is the moment where she begins to turn against Vic.

20:20 – You should have put down the gun when you were told dude. It’s too late to put it down because you’ve been shot dead.

20:22 – Bit of a moral to this story, people hardly care that an Arab has been shot dead, terrible.

20:23 – Lanie’s bulimic! That’s attractive.

20:23 – Dutch again messes up where a woman’s concerned. But as he says “I’ve got a girlfriend.”

20:24 – You don’t go throwing Vic into bins man. That’s just not cricket.

20:25 – R.I.P. Tio, looks like it’s a bad gig being Vic’s dealer. Kern better be careful.

20:26 – Now that’s throwing the book at him. Oh, nasty.

20:27 – The famous face burning scene. I know Armadio’s a complete bastard but still, it’s harsh to watch.

20:28 – Time for a break to watch Torchwood (which is on in half an hour) and then You Have Been Watching.

23:44 – Having survived Torchwood and enjoyed YHBW I figure I can get in one more episode of The Shield before bed, maybe two if I’m not too tired. But staying up after midnight is unusual for me.

23:45 – Partners

23:45 - We get to relive that wonderful face burning again. Man that always makes me wince. It’s almost as definitive a moment for Vic as the pilot episode was.

23:46 – Why hasn’t Michael Chiklis been given a starring role in an action thriller movie yet? I’d love to watch him brutalise his way through a field of people in the style of The Shooter or Death Wish.

23:47 – You’re right to pull that face Vic, blood doesn’t wash out easily, I know.

23:47 – “That’s an arm.”

23:48 – Man the subtitles suck on this season’s set.

23:49 – But the Dutch subtitles are far nicer laid out, shame I can’t read them.

23:50 – Dutch and the case of the one armed woman.

23:51 – Aceveda owns the Strike Team for the day, Vic’s handed them over.

23:52 – I remember this episode, in a show filled with disturbing cases this one is right up there near the top.

23:52 – When Corrine opens her mouth, half the time white noise just seems to come out. I think I’ve began to filter out her whining.

23:54 – It’s her from Two and A Half Men, the cute obsessive one. What’s her name again?

23:55 – Oh man, I never feel good seeing that scene with the poor girl in the bathroom.

23:55 – Carl Weathers will cheer me up. Maybe he’ll share a few cooking recipes or tips on how to save money.

23:56 – Huge moment this, it’s the closest Vic ever comes to vocalising his regret over Terry Crowley. Chiklis is so good at scenes like that one.

23:57 - Melanie Lynskey! That's the one.

23:58 – Vic’s been lying? Surely not, you must be mistaken Claudette.

23:59 – Yup, this fire tire case is definitely where Claudette first begins to smell a rat about Vic.

00:00 – See Joe Vic? That’s the ghost of a potential future floating around you there.

00:02 – Once again Julien fails to back up Danny. Just like Claudette he’s ‘word of the law’ police.

00:03 – That couple really do make me sick. Poor girl in the trunk of their car.

00:03 – No Dutch, pop the trunk! Please!

00:04 – I wonder if Joe Clarke is named as a tribute to Clark Johnson.

00:05 – Sometimes I can’t help think Shane only opens his mouth to change foot.

00:06 – Trust your instincts Dutch, you’ve got the guy there.

00:07 – Only Shane could come up with analogy involving grits.

00:08 – You’re not going to get her to crack. She’s stone cold guys.

00:10 – You should listen to Claudette here Dutch, it is a surface diagnosis.

00:11 – Told you she wouldn’t crack Dutch. But now you think she did.

00:13 – Sometimes the camera work in The Shield just makes it look like a real life documentary. This is one of those times.

00:14 – Listen to Joe Vic, he’s a potential future for sure.

00:15 – Looks like Fleetwood is shipping more than electronics, that’s a fully automatic.

00:16 – Vic’s been shot! He is human after all.

00:17 – She really knows how to play you Dutch.

00:19 – A kitchen knife is called in, it becomes a bloody machete in the call.

00:20 – You did NOT let Bob and Marcy go Dutch did you? You’ll regret that.

00:22 – That’s a interesting interrogation technique Shane.

00:24 – I told you not to let them go Dutch. But you didn’t listen because you’re on the other side of that television screen aren’t you?

00:25 – The moral of the story for Vic – “Don’t turn into Joe.”

00:26 – The moral of the story for Dutch – “Don’t let pretty women manipulate you.”

00:27 – Considering what happens later, some of the conversations in The Shield take on a real twist of dark irony.

00:28 – Don’t beat yourself up too much Dutch, no-one’s perfect.

00:29 – If I stay up it’ll be gone one before I get to bed. So I’ll watch the last episode of this disc tomorrow morning, probably only going to manage two discs tomorrow at best, as each disc takes around three hours to watch.

9:36 – Carte Blanche

9:36 – I completely forgot Vic received a medal for being shot in the previous episode.

9:37 – Toys for guns!

9:38 – Shane’s missing badge comes to back to haunt them. Someone’s using it to kill people.

9:40 – Do you think Vic can pretend to be a dirty cop successfully? I’m not so sure…

9:42 – Looks like Danny’s shooting is turning sour and Aceveda’s being hit with the splash as well.

9:43 – It’s amazing how fast Claudette turned against Vic, she was very ‘live and let live‘ in the first season.

9:45 – Looks like these stolen diamonds all head towards the Armenians.

9:46 – And there’s the first sniff of the Armenian Money train.

9:47 – “Well, inside I’m a sad clown.” – Vic expressing his sorrow over being “forced” to play a dirty cop.

9:49 – This law-suit against Danny is getting out of hand already.

9:50 – Likewise Vic’s undercover work is getting out of hand as well.

9:51 – You should get Tavon onto the team Vic; he’d suit you guys to the ground. Wait, you haven’t met him yet. Shame.

9:52 – Lanie’s behind the race thing for the Strike Team, nothing like political correctness in this world.

9:53 – That’s a thin tightrope Vic’s walking here.

9:55 – I’m sure Manny appeared in the first season.

9:56 – Bob and Marcy really have Dutch’s abilities off kilter.

9:57 – “I thought you said he blew his face off. What did he do? Miss?”

9:57 – “Go to the car and get my shotgun.”

9:58 – Soccer coach for a load of single moms, bet he gets quite a bit of action. Danny’s digging him that’s for sure. He’s bound to be bad; she has lousy taste in men.

10:00 – Did you really expect Vic to stop if he had a whiff of some more David?

10:02 – Dutch continues to dig in the wrong patch; his fu is well off the mark.

10:04 – 9210 Escovida – the home of the money train.

10:05 – Uh-oh now the Armenian guy with Vic knows that the suicide didn’t happen.

10:07 – Close one there Shane.

10:08 – I knew it Danny, that guy is whacked.

10:09 – Yup, that’s the money train.

10:10 – Julien’s a straight flier, if he says something didn’t happen, it didn’t happen.

10:11 – That money is the entire West Coast money train.

10:12 – Looks like Vic has a plan, maybe involving the retirement fund.

10:13 – Claudette got ya Manny. She got ya good.

10:17 – Being shot hasn’t changed anything Vic, Corrine still wants you out.

10:18 – Nice place Vic. Swanky.

End of Disc.

Thoughts:

• I wondered why Season Two was just one of two seasons in The Shield to receive an 18 rating in the UK. But this disc has already cleared that question up. Partners is one of the most disturbing episodes in the show alongside Cherrypoppers, but Armadio's actions in the pilot episode and the burning of his face are right up there as well. The Shield really follows the rule "less is more" with regards to the violence and horror in the show. We get to see bits, quick flashes and suggestions without seeing too much. It's highly effective (just like in Alien).

• The cops are eith screwing up a lot (Dutch fails with Marcy and get's the poor girl "tatooed" by Armadio), or getting punished for their actions (Vic being shot, Danny and the lawsuit). I thought the first season was hard, but the second season has been to some seriously dark places and it's just the first disc.

• First whiff of the money train, if Vic had called it in to Aceveda at this point things would have turned out very differently in the end.

• Still very little Ronnie at this stage. No wonder he was considered a red shirt, he's lucky if he's in the background, let alone if he gets a line. But Lem's not getting too much screen time either, which is a shame because I really like Lem.

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Torchwood: Children of Earth - Day Two

Category: , , , By Rev/Views

"We're looking for Ianto Jones!"
"You're not going to find him in my bed. I'm a married man!"

Torchwood: Children of Earth Day Two is available on the BBC iPlayer here. No complaints about any spoilers which follow then.

I was half tempted to subtitle this episode review "Nothing Happens" instead of Day Two, annoyingly after a great (amazing by Torchwood standards) opening episode Day two appeared to be little more than exposition, more bum cloud mystery fogging up the cool stuff and I shit you not - a ride in the back of a potato truck. If you'd told me yesterday that Gwen and Rhys were going to spend scenes in the back of an articulated lorry delivering King Edward potatos from Cardiff to London I wouldn't have believed you. For a start, Cardiff doesn't deliver potatos to London! They should have snuck onto a coach filled with rugby fans or soccer hooligans, that I could have bought. But also it just sounds too low tech and frankly stupid for Torchwood - is this why the Torchwood Mystery Machine was stolen by chavs? Just to set up a potato run? And no comparisons between Rhys and a sack of potatos, Rhys is brilliant.

Now I will officially and figuratively eat my hat if classic Doctor Who villains turn up in that poison fog box which was set up at the end. It better had be something pretty monumental turning up in that cloud of gas before the end of the next episode or I'm going to print out a picture of the Torchwood team find something breakable to throw and hurl them at each other on fire*.

It wasn't that the episode was bad, it was just - well nothing really happened. I'm used to slow paced shows like The Wire or Six Feet Under, but they bouy up their slow pacing with deep characterisation and meaningful conversations. Torchwood instead used a few cheap laughs, lots of establishing shots and some vague and mysterious conversations to pad things out.

Maybe I'm being overly harsh because Torchwood is being directly compared to The Shield in my TV world right now and there's pretty much no show which comes off well when placed next to The Shield (Apart from The Wire) - but I can't help but feel the show would do a lot better if they learnt a little about pacing. I find myself watching four scenes in The Shield and thinking "Has it only been three minutes?" I found myself watching the whole of that episode and thinking "Is that it? Nothing has happened!" Which is kind of incredible when you think about the amount of (low) octane action and gun play stuffed into the episode. There was lots of (unconvincing) gunfire (seriously please teach Eve how to fire an gun TV style someone - and use less plastic looking weapons at the same time, a big shiny hand cannon would do), plenty of running about and another appearance of 'the gizmo' but beyond all of that shine there was little substance.

Once again Torchwood themselves are left to look a foolish and stupid - a lot. They spend much of the episode running about headless and surviving thanks to dumb luck; so it's up to the non-members of the team to get things done. Ianto's family, Rhys and Lois in this case shoulder a lot of the burden called 'having a plan or a good idea'.

While you might like to think "At least they got Captain Jack back" I'm hesitant to call their breakout plan a good one because it seems Ianto formed his plan of "I'll just drive a digger, steal concrete Jack and then drop him off a cliff" independently from Gwen and Rhys's 'Operation Body snatcher' - (Ok, I'll admit it, that was amusing). I can't see how the two plans were linked at all, even Gwen shouting "What kept you" at Ianto doesn't cover up her surprise at the concrete room, which Ianto already knew about.

It seems the main weapon of Torchwood is stupidty and dumb luck, I mean the two main weapons of Torchwood are... You can see where I'm going with that one can't you?

On the whole I didn't hate the episode, but honestly I didn't really like it either. It sort of just occupied space and time. Filling in an hour of my day with a semi-exciting mix of humdrum. Considering how much the first episode had improved this second one is a bit of a let down. Hopefully the third episode will bring the aliens in, spice things up and provide us with at least a little explanation of what's happening. It's all very well running around blowing up things, but occasionally it's nice to know the WHY and a bit more of the who (not Who).

Must try harder Torchwood.

Random Thoughts:

Clem McDonald wandering about the streets made me think of Father Ted. I believe it's the cardigan they've stuck him in which makes me think of Father Jack. Shame Father Ted isn't on the TV anymore to spoof it properly.

The 456 sound like they could be a gang from The Shield, if they arrive wearing bandannas and packing Mac 9's we'll know they are.

Jack's role in this episode was pretty funny by all accounts. First of all he's scattered across the ground like the Iron Giant, then he reassembles himself like Doctor Manhattan by 'inflating' himself inside the body bag and then he gets sealed in concrete and dropped off a cliff before striding off naked. For the record I don't care how much you might like John Barrowman, his arse is not his best feature - it's very flat in shape.

I was not impressed with Gwen shooting the cement truck and having it burst into flame. That was unnecessary and unrealistic. Just dumping the truck in the way and stealing the keys would do the job. The flames were a little too much.

For those keeping count so far we've had:
Four Captain Jack snuffs
Three naked man bums
Several thousand potatos

*What's on fire you ask? The picture, the breakable object and myself I think should suffice.

For an alternative take check out Snark and Fury and Dan's Media Digest. Others to be added here when they're written up.

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The Shield Marathon: Part One: Discs Three and Four

Category: , , , , , By Rev/Views


This closes out the first part of my Shield marathon with the final two discs of Season One. There's a lengthy timeline which covers all five episodes and some thoughts on the season as a whole right afterwards. If you want something akin to a more traditional review just 'skip to the end'.

Beyond the link are the episodes "Throwaway", "Dragonchasers", "Carnivores", "Two Days of Blood" and "Circles"...

10:30 – Delayed by my bonsai trees (which are looking very unhappy with the change in weather), weather, making a cup of tea and sorting out what shopping I’ll need later today viewing starts as 10:25. Later than planned, tomorrow I’ll have to start early as friends are coming round in the evening. Must try harder!

10:31 – “Throwaway”

10:31 – This time I quite appreciate the “Previously on The Shield” section, it’s brought me right back up to speed. But it would be nice to have a “Play all without previous sections” the way Supernatural does.

10:32 – Aggressive music, something bad must be happening.

10:33 – Ah it’s a truck robbery.

10:33 – Is that Ronnie’s first dialog? I can’t recall him speaking before now – probably did, I just missed it.

10:34 – Corrine still hasn’t turned into a shrew, but she’s taking steps there.

10:35 – Wang tattoo, blimey – that’s dedication.

10:36 – The team works well without Shane here.

10:36 – Spoke to soon, Lem shot him! He was only holding a carton of cigarettes.

10:37 – Planting a gun on the suspect Vic? Not the first time I’m sure, and it’s definitely not the last.

10:38 – “You shot the wrong guy?”

10:39 – The Shield really does have characters who speak volumes with just a look.

10:40 – An old man chained up in the back yard? I’d call it unbelievable except I’m sure worse things have happened in real life.

10:41 – It’s the son, looks like he’s in trouble.

10:42 – It’s Shepherd Book, wait – no it’s Claudette’s father. Book has more hair.

10:43 – Sob story – “I’m broke so I keep my pa outside. Blame the system.” Hmm, yeah – I’m not buying that book.

10:44 – Lem’s willing to accept that Chako might be a good guy, Vic’s not convinced, fundamental difference between the two men right there. Lem sees the good in people, Vic sees the bad.

10:45 – Claudette looks worried that Dutch and her father might be friends.

10:46 – I reckon Lem’s going to protect the sister.

10:46 – Yup, there you go. He’s been making eyes at her all episode.

10:47 – I wonder if the writers of the show could only manage dialog for three characters in a scene. Cause Ronnie’s talking a lot now Shane’s away in Vegas.

10:47 – So the plan is to make the gun disappear from evidence? Hmm…

10:48 – “We’ve hired a babysitter we don’t trust with the kids?” Look out Vic, Corrine’s starting to slide into nagging territory.

10:48 – Vic’s buddying up with Julien a little.

10:49 – No matter how hard I try, I can’t help but like Lem.

10:50 – Don’t diss Lem’s haircut lass, he’s got a great do.

10:51 – Looks like Lem’s off on a loose cannon over the “H” cut into the girl.

10:52 – He’s really got a temper when women are being abused. You don’t want to press Lem’s buttons.

10:53 – How’s Lem protecting the sister when he’s here in the Barn?

10:53 – Hah, Claudette’s barred Dutch from contact with her father.

10:54 – Ack! Danny failed the Sergeant’s exam by three points.

10:54 – Broken toilets.

10:55 – Lem’s admitted he shot Chako!

10:56 – Nice bike Lem, nice bike

10:58 – Back out of there Dutch before Claudette kills you for sticking your nose in her family business.

10:59 – She’s a pretty one Dutch, but I’m sure she’s a bit crazy, or maybe just very lonely.

11:00 Typical, now Dutch is with a hot woman Danny expresses a bit of interest in his life.

11:02 – Vic’s really laying on the ‘pals’ thing thick with Julien, Julien’s pretty on edge about it. Not surprising really.

11:03 – Lem might have a nice bike, but he’s got a rubbish helmet.

11:04 – This guy is having is “ring” tattooed? “Wash your hands first.”

11:05 – Ah, so they’re going to hit the gun truck, steal the evidence and set up Hector in the process. Smooth moves.

11:05 – Vic looks funny with a bandana over his face and sunglasses.

11:06 – Nice bit of extrapolation there Vic. Now Hector’s in the frame.

11:07 – Is Claudette going to interrogate her daughter’s fiancé. I think she is.

11:09 – I never get tired of these fast chases through decrepit houses.

11:10 – Aceveda’s going to play marriage counsellor for Julien and Danny now.

11:11 – And Corrine starts her slide into harpy land. Whinge, whinge, whinge.

11:12 – “Why do your kids hate you so much?” “I was a bastard.”

11:13 – Seems Claudette learnt a lesson there.

11:13 – Told you Lem was going to get a little from her, but even now he tries to admit the truth of the whole mess to her. It’s all cool though, he made it right.

11:14 – Time to make another cup of cha.

11:18 – The bottom of the fridge is clean and I have a fresh cup of tea, time to carry on watching.

11:19 – Dragonchasers

11:19 – Return of the “face down hooker serial killer” in the previously section, which means he’ll be in the episode hooray!

11:20 – More semi-nakedness, this time Vic’s getting a lapdance.

11:21 – Ah, it’s a sting. The rest of the guys are listening on a wire.
11:21 – What the heck, is that guy masturbating in an alleyway – he is!

11:22 – It was a sting, but she wasn’t the target. Vic just got himself a little something extra from the stripper. Ladies love a little Mackey.

11:23 – Hah Ronnie used his own name, and his pick up technique sucks. I guess the moustache is just for show.

11:23 – Some women just shouldn’t have kids. Connie is one of them.

11:25 – “God’s still here, we just sublet.” Aceveda on the fact that the Barn used to be a church.

11:26 – Dutch’s Serial-Killer-Senses are tingling.

11:27 – Looks like Shane’s caught himself a winner. Apparently he’s packing nine inches too.

11:28 – Ronnie’s upset about being pulled out of the strip club because of his poor chat up technique.

11:28 – Shane’s caught himself a winner. Shame he had to get hit in the head to do it.

11:29 – Julien, what have you done to Danny? She’s been bitten and covered in blood from a HIV positive transsexual.

11:30 – “You brought a prostitute’s child home?” – This time Corrine is quite right to complain.

11:31 – The masturbator fits the profile, Dutch’s serial killer-fu is on full tilt!

11:32 – It’s Ronnie who’s drawn the short straw and has to look after Connie. She’s already slapped him and thrown up.

11:33 – I wonder if Vic looks after Connie because it allows him to play the gallant knight to the rescue? It panders to his ego, that’s probably the reason.

11:34 – The stripper who attempted to rob Shane’s putting the moves on him. I’m sure Shane will ‘rise’ to the occasion.

11:34 – Oh sorry, she’s not a stripper she’s a “dancer”.

11:36 – Careful Dutch, this guy’s dangerous.

11:38 – Looks like this reporter is looking to sniff around the Strike Team.

11:39 – Shane’s convinced the guy is the ringleader, Lem’s convinced the girl is. Money on the girl being the one behind it

11:40 – “Blanket party” – now that’s a chilling term.

11:40 – Looks like the masturbator has Dutch’s ticket and plans to wind him up.

11:41 – More Corrine whining.

11:42 – Amazingly Vic’s talking about the past, but it’s about Connie and Brian the baby. Or it could just be lies to placate Corrine.

11:45 – Looks like someone’s going down for a ride under a blanket.

11:46 – LOL, go Shane. Better switch the CCTV fast Vic, that’s not the police/public relations you want to advertise.

11:46 – Looks like Dutch is getting ripped into in that interview room.

11:47 – An uneasy alliance between Vic and Aceveda. Won’t be the last of these.

11:47 – Hah, Shane. Looks like Tulips played you too.

11:48 – And now she’s putting the screws into you Shane, that’s why you should always use a rubber when having inappropriate sex in an interrogation room.

11:49 – Don’t rob Ronnie Connie.

11:49 – And now the fun starts, Shane and Lem are spectating the footage of the masturbator ripping into Dutch. Let the crowd gather!

11:50 – Alleged rape? Looks like Aceveda has a past too!

11:51 – She’s a butt nose! She quite literally has a butt shaped nose, I’m never sure if they’re cute or not.

11:52 – Can Dutch turn the tables on the masturbator yet?

11:53 – Dutch’s handwriting is bad, better than mine though.

11:54 – Dutch gets his moment, and everyone is watching.

11:55 – Stunned silence in the observation room as the guy admits to seventeen bodies in the house, plus more.

11:56 – Oh bravo Dutch, you deserve that applause. You earned it.

11:57 – How tall is Chiklis by the way? He seems to be shorter than everyone else; you just never notice it because he has such a dominating presence as Vic.

11:58 – Aceveda’s painful confession about an ex to his wife – still hard to watch but he plays it well.

11:59 – Look, Connie gets through detox and immediately hops back off the wagon with Ronnie’s money. Mother of the year material there.

12:01 – It might look bad that Connie is walking away from her son, but it’s actually the best thing she can do for the lad.

12:02 – So that’s a blanket party. There doesn’t seem to be much in the way of a party. Ouch.

12:02 – Dutch the conquering hero heads into his car and breaks down.

12:03 – Best episode of the first season in my opinion. Time for two more then I’ll need to head to the shops.

12:04 – Carnivores

12:05 – Rondell takes a little gunfire, screws Vic’s meet dealing with drugs.

12:06 – Looks like Rondell (and by extension Kern and Vic) have beef with the Nation of Islam.

12:07 – Nails through the feet, wow that looks really painful.

12:08 – He just killed himself; fortunately Julien wasn’t hit in the process.

12:09 – Chiklis’s birthmark on the back of his head bugs me at times.

12:10 – Careful when tangling with religion Vic, careful.

12:11 – Shane looks like he’s going to cry in the background there. Or he’s using the “Smell the fart” technique of acting.

12:12 – Aggressive music again, shit’s going down! This time it’s the Strike Team tossing bodies.

12:14 – That’s T-Bone’s name on the wall there. Is his death being investigated?

12:16 – Ah it’s Aceveda’s ex, mentioned in the previous episode.

12:17 – She’s still somewhat hung up on him, (singing) Craaaaaazieeeeeeeee.

12:18 – The translator’s cute.

12:19 – Matt’s been bumped out of the autistic school because of the newspaper reports on Vic’s “alleged” crimes.

12:20 – More nudity! Side boob.

12:21 – Looks like you’re on the Nation of Islam’s radar Vic, and now they’re talking to Aceveda about this.

12:22 – That’s a lot of dart boards on the wall.

12:23 – Looks like you’ve got an old fashioned sit-in on your hands Aceveda!

12:23 – Thomas is back in the Barn. Stay clear of him Julien, he’s trouble.

12:25 – The interplay between Aceveda and Vic has become a lot less forced now.

12:25 – I suspect Rondell’s time is numbered now.

12:26 – I like that officer, she’s feisty! Then again, Dutch deserved that snark.

12:28 – Don’t throw the drag queen blanket party in Julien’s face Danny. He’s just trying to do the right thing. He’s been a little, mislaid.

12:29 – Sheesh Rondell, don’t go shooting at Vic. He’s got a temper.

12:30 – First time the CCTV camera in the interrogation room is disconnected!

12:31 – Looks like Rondell’s time is numbered; Vic’s got a new dealer.

12:34 – Time to kowtow to the crazy woman David!

12:35 – Vic explains to the head of admissions about police priorities and suggests maybe he can find the ring.

12:36 – Looks like Ronnie’s just lost a $50 bet.

12:37 – Another home invasion. I guess keeping your money in your mattress has risks as well as a lack of interest.

12:39 – Another great chase sequence.

12:40 – Julien faces down a loaded gun unarmed, looks like he almost wanted to get shot. Surely not.

12:41 – Everyone’s impressed with Julien, apart from Danny. She’s not impressed with his attempt at possible suicide. But she knows why he did it.

12:41 – It’s hard watching just how much Julien’s religion and his sexual orientation tear him apart. Cognitive dissonance.

12:42 – Kern and Vic talk, seems Tio’s in and Rondell’s out.

12:43 – And the mattress robbers are caught. Who nails their grandfather’s feet to the floor?

12:44 – And Vic brings back the ring, looks like Matt’s place on the program is assured and Ronnie’s down fifty bucks.

12:46 – And now we find out why the crazy ex hates Aceveda so much. She blames him for what happened to her fifteen years ago, she blames him for the actions of others.

12:48 – Corrine’s quite attractive when she’s not shrilling at Vic. She should smile more.

12:48 – R.I.P. Rondell. Shame, I quite liked him.

12:49 – Hungry, so it’s time for a trip down to the shops before watching the final two episodes of the first season.

13:27 – Now I’ve restocked the kitchen it’s time to watch the last two episodes of the first season.

13:28 – Two Days of Blood.

13:28 – Terry makes a reappearance in the “Previously on The Shield.”

13:29 – Cockfighting, an exceptionally phallic sport if ever there was one.

13:30 – Ah the cockfighting was a cover for a gun deal. Lem’s getting all melancholy over the Roosters.

13:31 – Sounds like there’s a big fish coming to town for the Two Days of Blood. Vic’s got a sniff of him now.

13:32 – Oh man that was a brutal hit and run, the guy was dragged for about thirty yards.

13:32 – Shane’s still defensive about Tulips.

13:32 – Gilroy’s back. What on Earth does he want now? I thought he was done with Vic.

13:33 – Ah, he’s the one who hit the guy in the previous scene.

13:34 – Trust Dutch to know what the record for dragging a body in a hit and run is.

13:36 – Vic’s “helping” Dutch on the hit and run. Somehow I doubt Dutch is going to manage solving this one.

13:37 – You making up gang rituals now Vic? A toss and shoot?

13:38 – This is one seriously brutal pair of murders. Killed with a meat tenderiser and then stuffed into the garbage disposal? OUCH!

13:39 – Oh boy, this is turning into a race thing because of the slow response time from the police.

13:40 – And Gilroy’s already changes his story. Watch yourself Vic, he’s looking skittish.

13:41 – You might be trying to run interference Vic, but Dutch is on the trail and you’ve got no control over him.

13:42 – The man loves his cock. Rooster cock that is.

13:43 – I can buy Shane as a chicken breeder. He’s got the look and the attitude for it.

13:44 – “I don’t wanna shoot anybody today, but that’s up to you.”

13:46 – You should keep quiet Jesus. Vic’s a good friend to have.

13:47 – BANG! Oh come on Vic, didn’t you expect Gilroy to pull a stunt like that?

13:47 – Gilroy’s claiming he’s OK shooting this guy because Vic killed Crowely? No Gilroy, two wrongs. Don’t make a right.

13:48 – No Gilroy, you’re far from good. You don’t go firing guns around near Vic without warning, it makes him edgy.

13:49 – A yard sale selling goods back to the people they stole them from. That’s classic.

13:49 – Dookie!

13:50 – The door’s open Shane. Don’t leave the chicken there.

13:50 – “Oh, your cock’s out!”

13:51 – Dutch smells a rat. Just as Gilroy arrives. The plot thickens.

13:52 – Stock footage of a cock fight!

13:53 – And Shane’s all caught up with the cock fighting, he’s forgotten about the job in hand.

13:54 – And those two poor women got tenderised and ground up for statistics?

13:54 – Aceveda’s taking the fall for this one; Gilroy’s turning into a real pain in the arse.

13:55 – Watch out Vic, that’s one of Jesus’s friends. He can ID you.

13:56 – Vic turns the screw on Julien, distracts Dutch and now Vic puts the pressure on the guy who could ID him.

13:58 – That’s a fast confession, I guess being naked makes you more willing to share.

13:59 – Another piece of the puzzle falls into place for Vic. Looks like Gilroy’s been taking advantage of his powers to buy up real estate cheap.

14:00 – Yes Julien, with the power of the Church you can be sexually reorientated. Believe!

14:00 – Not once does the guy mention that he loves his wife. Sometimes the loudest words are the ones not spoken.

14:01 – More obviously stock footage as Shane’s cock is killed. He’s really cut up about it.

14:02 – Viking burial for Frank!

14:02 – Sexy Rooster polaroids entice the guy in, Shane goes for him and screws the pooch.

14:03 – Lem to the rescue!

14:04 – Shane’s screwed the plan for the money. Lem’s not pleased, who can blame him. Money and women make Shane stupid.

14:04 – Vic confronts Gilroy.

14:04 – Gilroy offers to cut Vic in, Vic’s interested. Or is he?

14:05 – Was the bounty hunter Escobar from Nip/Tuck?

14:05 – “You mess with me again and I’m gonna kick your redneck ass.” – Lem making his displeasure clear with Shane.

14:06 – More Dookie. But this time someone’s willing to point him out, she even carved her name on the back and there’s her picture frame with her picture in it. I think Dookie’s taking a trip downtown.

14:07 – “Ain’t no love in the hood for Dookie?”

14:07 – Someone leaked the 911 tapes, that’s going to kick off a few problems.

14:08 – Gilroy’s at Vic’s house. Bad Gilroy, you’ve crossed a HUGE line here. You don’t touch Vic’s family, EVER.

14:09 – That’s one way to break up a demonstration and there’s nothing like gunfire to kick off a riot.

14:10 – Shane’s right this time, Gilroy’s way over that line.

14:12 – Burning police cars, thrown bottles, riot police. Now that’s the way to end an episode!

14:13 – Time for the final episode of the season.

14:13 – Circles.

14:15 – Looks like the riot’s still going on.

14:15 – Pull back or turn them loose? Aceveda sends them in. I’m sure it’ll work out all sunshine and rainbows.

14:16 – Seems I was wrong, it’s worked out as tear gas, flames and casualties.

14:17 – If only you’d admitted the truth to Corrine there Vic.

14:18 – Dead police and Julien plus Danny are under handgun fire. Pretty accurate fire considering the range, but The Shield is ‘Hollywood rules’ for action – so it’s all good.

14:20 – That’s the ticket Vic, use Dutch’s skills. Don’t try and mislead him.

14:21 – Aww, Julien and Danny are finally bonding.

14:22 – Two more dead cops, the red shirts are really falling now. Watch yourself out there Ronnie!

14:23 – Shane and Vic flush out a witness with a little headology.

14:23 – Wow, Vic just jumped straight through that fence to arrest him.

14:24 – Does Vic always carry around a little cocaine on him just in case he needs to plant evidence on someone? He should stay away from sniffer dogs then.

14:25 – Gilroy’s back in the Barn. Look at the balls on him.

14:26 – Gilroy’s blackmailing Vic into line. That’s not going to end well.

14:27 – Time for another uneasy alliance between Vic and Aceveda. “Help me take down a dirty cop.” Ah, irony.

14:28 – That’s a nice deal Aceveda’s being offered. He’ll come up smelling like roses and it’s almost all legitimate.

14:30 – Vic’s already at the end of his tether with Corrine, he sounds almost desperate on the phone there.

14:31 – Hey, it’s Tio.

14:32 – Now Gilroy’s trying to land Vic in the frame for his actions, don’t listen to him David!

14:32 – Don’t go shooting out the stained glass windows in the Barn people.

14:34 – Doesn’t Vic and Co get tired of kicking down stained doors in dirty hovels?

14:35 – “I still got one vein working” – The man’s a human pincushion.

14:36 – She called them out for her arthritis medicine? The nerve!

14:37 – That guy is as ragged as the cast members of The Corner.

14:38 – You don’t hold a cop badge and expect to be treated sweetly.

14:38 – Now that’s GOT to hurt.

14:39 – “You look fine to me.” - You shoot cops and all bets are off sonny.

14:40 – “Screw your mother in the ass Tio” – “Already did twice this morning, bitch.” - Can you feel the love.

14:41 – David’s found Gilroy’s woman.

14:44 – Looks like she’s willing to sell Gilroy up the river, but Vic’s in the frame for cleaning it up. How’s David going to wiggle out of this?

14:45 – Look out Vic, Gilroy planted the gun at your home. Time to fess up.

14:46 – David’s made his choice. Looks like Vic’s in the clear for the moment. But now it’s a recreation of the opening episode, except instead of Terry, it’s Aceveda who’s the outsider with the Strike Team. Uh-oh!

14:48 – He’s got one of them, but look out behind you Vic!

14:48 – Phew, Aceveda saved him.

14:49 – You’ve lost your job David! But at least you did the right thing.

14:50 – Surprise Gilroy! Vic found the gun and is waiting for you.

14:51 – Gilroy’s an inch away from making the “we’re alike, you and I” speech.

14:52 – Shane’s a bit keen to shoot Gilroy.

14:53 – Looking fine there Danny.

14:54 – And Gilroy arrives in cuffs. Into the cage you go mister.

14:55 – Coldplay over the closing scenes. Now that is a cliché!

14:56 – Sorry Vic, she’s run off with the kids!

14:56 – Dutch and Claudette are already back into the rotation.

14:56 – Look what it all cost you Vic. Would you like a T-Shirt with “Was it worth it?” printed on it?

14:56 – Aceveda comes up trumps, Vic’s in the dumps. I guess there’s a moral to this season.

14:57 – After allowing himself a moment to feel, Vic puts on the mask again, picks up his gun and heads out of his home.

End of season.

Thoughts:


I think the most important issue to deal with here is understanding the 'original sin' - the shooting of Terry Crowely. Now while it's indicated that Vic and the Strike Team are dirty before the beginning of this show - they more or less explode onto the screens fully formed and we judge them on the basis of the pilot episode. This is one of the reasons why I'm of the opinion the show would have been better served if the events of the pilot episode were pulled back half a dozen episodes. Because Vic's judged on the shooting of Terry, that's his original sin - that's the huge thing we see him do; and it's done so fast, so coldly that everything afterwards is coloured by it.

The thing is, it's clear from his later actions that the shooting of Terry is the exception to the rule, it's the time he crossed the line. While he's not shown any real remorse, or at least expressed it on camera, it is clear from his actions with Gilroy at the end of the season that he can't shoot another cop in cold blood - Terry was enough for him, he did it on impulse and now there's no going back. But he doesn't intend to repeat his mistake.

And that's it, the shooting of Terry was an impulsive crime of passion, he didn't set up the situation. It just fell into place and he took advantage of it. But placed in a similar situation later on he's completely unable to pull the trigger on Gilroy - a man who's genuinely more threatening to Vic's way of life than Terry ever was.

Shane on the other hand is already a worry, he starts acting out when they're 'babysitting' Tripp and by the end of this season he's willing to shoot Gilroy for Vic. While Vic went over the line and isn't willing to go there again, Shane was involved also - while he didn't pull the trigger he's so close to Vic he still feels like he did. But Shane's reaction is different, as far as Shane's concerned it's all about the path of least resistance. They shot a cop once, why not repeat it.

That's the main point I really wanted to get across as far as Vic is concerned, it's very easy to see everything he does stained with his actions from the pilot episode (actions which took place to make the pilot episode a big shock) but you do need to realise that shooting other police is not Vic's normal response. When he thinks about it for even a moment longer than the impulse he can't do it.

For the record, it's Dragonchasers which remains my favourite episode of the first season. That's the episode where I stopped considering Dutch and Claudette as a distraction from the Strike Team and began to appreciate the duo as characters and storylines in their own right. It's such an amazing earnt moment for Dutch, he's the one who identified the killings as being the work of a serial killer, and it's his instinct which brought the guy in over something which was only loosely related. It takes an incredible mind to be able to spot the connections between someone jerking off in an alley and the ramifications behind that.

He absolutely deserved the applause from everyone when he stepped out of that interview room. But it was also a massive humiliation for him to endure that abuse from the man in order to buy time. Abuse which he shrugged off as being false/water off a ducks back - but clearly hit home hard as the end of the episode shows him breaking down in the car.

While the first season of The Shield is an amazing one, it's really just the beginning of the journey. There's another seventy six episodes left to go. So I'm going to press on later today with the first disc of season two. I'm realyl looking forward to it.

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Torchwood: Children of Earth: Part One

Category: , , , By Rev/Views


"Have you gone bender?"

Torchwood: Children of Earth - Episode One is available to watch on the BBC iPlayer for the next 11 days.

Secretly I was hoping that the new Torchwood would be as rubbish as the previous two seasons were, but I was also wondering if the few sparks of brilliance shown on the odd occasion could result in something a little bit closer to the excellence of Doctor Who and further away from some of the more... dubious... moments the show gave us before. Torchwood previously felt like an adolescent manic depressive - alternating between ravaging horny nonsense, half formed and ridiculous fantasies and occasionally deep and clever moments. So you could say I'm suffering a little from cognitive dissonance over Torchwood - on one hand I want it to be rubbish so I can rip into it, on the other I genuinely want it to be good because it's got real potential and has a good idea at it's core.

Be warned, light spoilers follow...

It's too early to say exactly where Torchwood: Children of Earth stands on the scale, but if the improvement shown here is at least sustained and maybe even shows some growth then it could be a rather entertaining story, it's already better than 90% of things which have come before it. Personally I'm all for the five episode ongoing storyline, it's something which Doctor Who itself suffers a lack of these days - I recall the years where you used to spend all week in suspense waiting to find out if the Doctor would escape the latest "end of episode jeopardy" he was in. You always knew he would, but there was that little bit of doubt there from week to week. Sometimes it's good to have a little space to stew about what you've just seen.

Now we're only stuck waiting a day for the next part of this story, so it's not too bad on that front and the show does have the makings of an interesting storyline. The mystery is being laid thick at this point - there's clearly something BIG going on, but exactly what isn't entirely clear. A bunch of children were kidnapped by a 4400 style white light back in the day but one escaped and he's now in a mental asylum with magic powers of smell (I thought he was pretty good, and with that ability Torchwood should snap him up - prediction, he dies). Now all the children of the Earth are reciting "We are coming" at set intervals, occasionally getting themselves run down by passing cars and one would assume even drowning or falling off things. See? Torchwood is edgy, they're not afraid of killing off children - as long as it's not done on screen.

The main thing which holds me back at this point is the name on the script, yes it's Rusty (Russell T. Davies) who's notorious for writing himself into a corner with huge sweeping moments until he realises he has no way out of this except for the old "magic button". I can't help but predict it's going to be something similar this time. Also the episode went to the old standby of killing Jack off - yes, we get it, he can't die, blah blah blah. Oh there's a bomb in him? Well it's the first episode so he'll survive that obviously (Spoilered by the "next episode" bit for anyone with at least 30% of their brain working). The only neat part of "Jack can't die" was the introduction of his daughter who (supposedly) looks older than he does - that was a great idea, giving him family adds something to the character and provides some emotional grounding for Jack. Same with Ianto's family, though they're just as comedic as he is (which isn't a bad thing really).

Good things, Ianto having to watch the Bumble-mobile wander past with some chav's arse hanging out of it was just humiliation for him and comedy for us (loved the brick tossing). He's really rubbish at his job isn't he? Likewise the line "Have you gone bender?" just cracked me up, there's nothing like the Welsh accent for asking things like that and making them sound hilarious. But that's Torchwood for you, might as well paint Ianto's face up white, give him big shoes, a red nose, a wig and call him Mr Jolly. That's his role - he's either doing nothing useful or making a fool out of himself. Honk honk!

No surprise, but it's Rhys who provides the biggest insight in the episode - it's a rather inspired thought of "The chants are being timed at times in the UK where there are lots of children gathered together." Seriously Torchwood, Rhys has more intelligence than the rest of you put together. Hurry up and hand him a giant pile of cash to get him to sign up, he's much better than the rest of the team - both as a character and as an individual.

Rupesh Patanjali was barely worth mentioning, an interesting character with potential thrown away by the needs of the script and story. Shame really, because a three person Torchwood team is pretty dull, there's not much hope of crazy office romances getting in the way of "serious" sci-fi action with this group at the moment. Fortunately London lass will join the team (prediction!) There was also woman in black who shot Jack and stuffed the bomb in him - putting the Jack death count at three by the end of the episode, two shootings and one tummy upset.

Short Version: Shows a lot of promise and I'll certainly be returning to watch the remaining four episodes. Just don't let us down with the ending Rusty!

Oh and Gwen's pregnant. Yay?

For alternative takes on this episode check out Snark and Fury, Dan's Media Digest or The Medium is not Enough.

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The Shield Marathon: Part One: Disc Two

By Rev/Views

I'm unsure if I'm going to manage the entire season in a single day, I conseratively estimated myself at managing around seventy five percent of a season in a day. I'm at episode eight out of thirteen for the first season, which is just under ten percent of the entire show. Wow, it doesn't really feel like that long a show when you look at it like that, ten percent of it done already in a single day.

So the second part, which is episodes five to eight goes up now, the third part - which will contain discs three and four might be up later tonight, but is more likely to make an appearance tomorrow. What with the first part of Torchwood "Children of the Earth" airing it'll probably be better to save some words for that experience.

Beyond the link are the episodes "Blowback", "Gringo with a Grudge", "Pay in Pain" and "Cupid & Psycho"...

14:36 – Having uploaded disc one, taken a short walk outside, washed up the dishes and sorted out the recycling it’s time to settle down for the second disc of the first season. Current progress is four out of eighty nine episodes, not bad – I might be able to manage approximately a season a day.

14:38 – “Blowback”

14:38 – I have absolutely no recollection of this episode from the title.

14:39 – Previously on The Shield – stuff happened.

14:40 – Cats, lots of cats. Is this a cat woman’s home? No it’s not.

14:41 – “Is there anything you’re not allergic to?”

14:41 – “The Armenians speak Armenian” who’d have thought an illegal wiretap would suffer from language barriers.

14:43 – The Strike Team’s plan to grow their retirement fund is a little curtailed by Aceveda’s plans to ensure they have proper back up.

14:44 – “I’m here to report a hit and run, I was struck by a beautiful black man…” I told you Julien, that man is trouble.

14:45 – Study date Dutch. How very high school of you.

14:46 – You shouldn’t have snorted his cocaine man.

14:46 – See? I told you. Now you’re dead instead of being arrested.

14:48 – Hey guys, Julien’s snooping on you. He’s seen everything!

14:50 – Shane’s stopped off for a quicky with Amy before delivering the bricks. Well that’s not going to go wrong is it?

14:51 – See? The car’s gone. Well done Shane, bravo!

14:53 – Time for Shane to admit to what’s happened. Vic looks pleased.

14:55 – Nice moustache Ronnie!

14:56 – Dutch and Claudette interview “Jesus”.

14:58 – Don’t put Jesus in the cage Danny. He’s doesn’t play well with others.

14:59 – Nothing like a bit of light bedroom abuse before lunch.

15:01 – Once again Vic plays Danny for an assist in covering up, she’s a pretty easy mark and willing to believe him.

15:04 – Autism, I told you. The poor lad is autistic.

15:06 – Aceveda’s out for the Navigator himself, Shane knows how to dig holes. They’d better find Dina fast.

15:07 – I love that Lem’s pissed at Shane because Amy isn’t hot enough to get into that kind of trouble over.

15:08 – Damn it, there’s something wrong with my disc, it’s hanging up and skipping. But it turns out that Margos has a thing about Danny’s feet.

15:09 – While this is watchable, it looks like I’m going to have to pick up a new season one disc sometime. How frustrating. Last time I loan out any of my DVDs to anyone.

15:11 – Removed the disc, cleaned it gently – hoping this solves the problem. Otherwise I’m going to have to order something I already own again.

15:12 – Problem seems fixed, touch wood *knock knock*. Margos is busy killing others in the cage. Told you he was a dangerous animal.

15:13 – It’s Dina, one of my favourite bit part characters in The Shield.

15:14 – Once again Julien does the right thing by the law. But not by his partner Danny. But there’s no drugs in the car. Hard cheese, Aceveda.

15:16 – Oh Danny, don’t go breaking the law for Vic, that’s evidence.

15:18 – That knife to the throat looks really painful.

15:19 – Clean up time! Flush those drugs Vic.

15:21 – See? Vic’s a good guy, see how he kisses his son good night.

15:22 – Sorry Dutch, your study date ends in disappointment.

15:23 – How is it I’ve watched The Shield about half a dozen times or so and I can’t recall the name of this guy Julien’s involved with?

15:24 – Woah, that’s a man kiss.

15:25 – Margos escaped. Look out, there’s a deranged foot fetishist on the loose.

15:26 – Dutch (on seeing Vic and Danny kiss) “Oh you’ve got to be shitting me.” Sorry Dutch, it’s Vic once again humiliating you.

15:27 – Cherrypoppers

Unlike the previous episode I do recall this episode in reasonable detail, mostly as it’s dealing with a pretty disturbing subject.

15:28 – More Ding Dong’s in the “previously section”

15:29 – Another facedown hooker, you’ve got to trust Dutch’s serial killer-mojo. Although don’t you need six murders to qualify as a genuine serial killer?

15:30 – Not just one, but two Nazi references from two characters in less than ten seconds. I call Goodwin’s Law on the whole episode!

15:33 – Jim Ride, FBI. “I’m just here to help.”

15:34 – I do love the way Lem automatically gets all hands on and messes about with people’s stuff when Vic pushes them for information; Rondell’s vinyl previously and now the food.

15:36 – It’s great the way this storyline was gradually introduced in the previous episodes.

15:37 – That’ a great reward for information, enjoy your time in prison.

15:38 – Oh man, does this guy seriously think they can dust someone’s change for fingerprints when they didn’t even touch. Sometimes the civilians in this show are so dumb it’s almost unbelievable.

15:39 – Now both lots of W.C.’s in the Barn are bust. I wonder if the blocked up drains are a metaphor for something.

15:40 – Wow Vic looks uncomfortable there; I can’t blame him considering what he just had to watch, but still. It’s rare his poise is thrown off.

15:42 – And now we encounter the ‘Cherrypopper’ films. Ugh.

15:43 – Fortunately the mood is lightened by a backfiring toilet. The Barn is flooded.

15:46 – Poor Lem has to wade his way through the Cherrypopper tapes.

15:48 – The duality of Vic is a pretty amazing thing really. He’s a cold blooded monster one moment and a warm, caring family man the next. It’s rare you see such a complex character on the screen.

15:50 – Boy Vic has a lot of sources willing to pass information along to him.

15:52 – Oh boy it really is true that the most disturbing things are the ones you don’t actually get to see. The bright happy tune along with the noises from that cherrypopper tape was just horrible.

15:55 – The Barn has a gym? I can’t recall ever seeing it before now, maybe it was where Vic was lifting weights earlier.

15:56 – Return of the Ding Dongs. Jay Karnes saying "Ding Dong" never gets old. Just like Vic with "Cinco de Mayo".

15:58 – Wait for it, wait for the twist.

15:59 – There it is! Steve isn’t involved in these girls; it’s a practical joke on the part of Tom!

16:00 – Angry Dutch is actually quite a scary sight.

16:01 – Connie, what have you done now you crazy crack addled woman? You’ve shot an insurance salesman! Why on earth does Vic tolerate this woman?

16:03 – Go on Vic, hit her. Atta-boy!

16:05 – It seems Dutch is a little strung out over Sally and also Danny’s involvement with Vic. Can’t blame him.

16:07 – That was quite a Wire like moment, I almost expected the end credit music from The Wire to play then.

16:09 – I notice the Strike Team club house didn’t get flooded when the toilets went up.

16:17 – Dutch’s rather good speech/apology to Danny about his acting up disrupted by man from Sky wanting to offer a free box and doo-dads. I inherently mistrust anything offered for free and automatically refuse any cold calling visits to my home as I feel they’re an invasion of my personal space. Took time to politely get him to leave, eventually I explained I was in the middle of a Shield marathon and it was more interesting than this conversation. But with words more polite than those ones.

16:21 – Time to take a quick break before watching the next two episodes back to back.

16:45 – Went for a cycle and then did a quick bit of gardening before getting back for the third and fourth episodes on this disc.

16:46 – Pay in Pain

16:47 – I wonder if the show had a policy of ensuring no-one with an A or B surname was hired as part of the cast in order to be able to keep Michael Chiklis as the front billing on the alphabetical cast list.

16:48 – That was a lot of people shot dead, not the kind of gun practice you expect at a range.

16:51 – Is it normal for a civilian to march into a police station and speech at them?

16:52 – So this guy is an ex-banger turned cop? See that line? It’s stretched a little thin there.

16:53 – Oh it’s Gillroy not Gillmore. Duh!

16:54 – Wet Willie? Seriously? Where do gangsters get these names from?

16:56 – Way to go Shane, getting mental retardation mixed up with autism. Then again, I imagine a lot of people wouldn’t understand the difference back in 2002.

16:57 – Taking Care of Business, Go My Own Way. Is Julien just planning to use song’s for dialog this time.

16:58 – Urinating on a suspect? Seriously Shane, COME ON!

16:59 – Um, what happened to the woman at the start of the episode? Did she just come in to deliver her speech and leave? It seems everyone is ignoring it now. Perhaps I should check the internet to see what the story was behind that scene.

17:01 – Nice leopard print furniture.

17:02 – “Gringo with a grudge”

17:05 – When I pass away I’m going to make sure my significant other is completely aware that I will not send any messages from beyond the veil. This woman has convinced me mediums are parasites.

17:06 – And Shane’s already in Vic’s shit books.

17:08 – It’s Dina again! She’s brilliant.

17:11 – I’m finding it difficult to take the hunt for George seriously, it’s hardly the name of a person who’d go on a killing spree.

17:12 – Ah they’re a racist family, question answered.

17:15 – The amount of testosterone flooding around in the Captains office right now, it’s surprising that Vic hasn’t regrown his hair, or everyone else ends up bald.

17:17 – Oh Dutch, Dutch, Dutch. Don’t listen to this medium’s cold reading techniques.

17:18 – Did Vic just put a gun to that guy’s head in the interrogation room?

17:20 – D’oh, the Toros are out shooting innocent people because of the killings.

17:21 – Vic’s convinced a fellow cop not to shoot a banger who clearly deserves it?

17:24 – Danny, who drinks tea with the teabag still in?

17:25 – You should let Shane take the fall for the entire thing Vic, Shane’s nothing but trouble!

17:26 – No Dutch, keep away from the medium. She’s a fraud!

17:27 – No Vic, give up on him. He’s a screw-up!

17:29 – Thomas! That’s Julien’s guy’s name, I think Vic was the first one to utter it. And now he’s arresting him in front of Julien. Blackmail? Naah, can’t be.

17:34 – Short break for food and a stretch of the legs.

17:36 – Cupid & Psycho

17:39 – Claudette and Vic plus Shane and Dutch partnered up. Oh this should be good.

17:41 – What’s that in the boot? Mmm well done.

17:42 – He’s still alive!

17:43 – Put your shirt on son.

17:44 – Oh Vic, bravo, always twisting the situation to suit your purposes.

17:45 – Someone’s cooking meth in the city. Quick see where Bryan Cranston is!

17:46 – Aceveda’s getting a “coming out party” way-hay!

17:48 – Web Page Designers turned meth lab makers. A fairy tale story.

17:49 – Shane, telling Dutch how it is.

17:50 – Hey look it’s Fran and her two fellas, she’s with Hooper this time. She’s the town bike!

17:51 – Looks like bad meth is out on the market.

17:52 – I wonder if Vic’s father really was a bricklayer or he’s just being flippant.

17:55 – Talk about cutting it fine Vic, but Julien didn’t call your bluff.

17:56 – Aceveda, I think you just broke your door’s window.

17:57 – LOL “HOE”

17:58 – When Shane’s not screwing up he’s pretty funny.

18:01 – A sheep? What the heck kind of hazing ceremony. Sheesh.

18:03 – Time to find Manny Sandoval and his meth!

18:05 – No Dutch, don’t walk away. You’ve missed your shot there.

18:06 – And Corrine starts the slide down into becoming a shrill harpy.

18:08 – And now Fran’s switched partners again, she’s back with Lamar now. Sheesh.

18:09 – Shane pulls a Vic for the confession. Win!

18:12 – Go on Dutch, make a move. Do it.

18:13 – “A friend of mine’s having a crisis” isn’t that exactly the excuse Danny used to Dutch previously?

18:14 – Yes Manny, you don’t want to be on Vic’s radar. No Sir!

18:15 – I forget how short Michael Chiklis is at times until he’s standing near someone like Julien.

18:16 – Wisdom from Vic? Yes indeed Julien, he has a little.

18:17 – Bravo Dutch-Boy. She’s pretty hot. Now just shut up and kiss her.

18:18 – Oh no, Gillroy’s breaking up with Vic.

18:19 – Oh dear Dutch, she’s a complete nutjob! Typical.

18:20 – Montague!

18:20 – Oh no, Fran’s dead. That was some bad advice there Danny.

End Disc Two.

Thoughts:

• Well first of all I must admit I recalled incorrectly, my favourite episode of this season is not on disc two, it must be on disc three then (definately not on disc four as that just has the single episode on it). That's something to look forward to.

• There's been plenty of great moments I recall in these episodes, and plenty more which I didn't. It's always a nice surprise to watch the show again and experience things all over.

• I can't recall if there was an explaination given for why the man in "Gringo with a Grudge" went on his killing spree. I don't think there was, which is pretty cool really - sometimes things happen and you never find out why.

• I really like the combination of ongoing stories mixed with one off events. Currently we have the long haul "Strike Team is corrupt story running", plus the "Face down serial killer" and the one off stories along with the personal ones of many cast members. There's so much going on, but at this point the only characters who are really fleshed out are Vic, Aceveda, Dutch, Julien, Claudette and Shane to a certain extent. Ronnie's just a red shirt and Lem's just a nice guy with a shotgun. Danny has some characteristics, but she's still growing as a character.

• It's interesting that even as early as the eight episode the show is happy to break up the existing partnerships and shake things up. Switching around Vic, Shane, Dutch and Claudette's pairings was very cool and also rather unusual to watch considering events further down the line.

• Boy the show is energetic, I've been Watching the Wire and Big Love quite a lot so I'm used to a slower pace show at the moment. But The Shield just thunders along at break-neck speed, there's almost no "wasted" footage.

• I know it's just a show, but man is the episode "Cherrypoppers" hard to watch.

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The Shield Marathon - Day One: Disc One

Category: , , By Rev/Views

Today began the first part of my marathon watching of The Shield, being undertaken while on holiday from work. I'll be keeping most of this behind a spoiler cut in order to avoid giving too much away to anyone who's not yet watched the show but is considering doing so.

Apologies if this is a little raw and random, I'm just writing lines as they occur to me while watching.

For everyone else; behind this cut is a timeline of thoughts while watching the first disc of the first season...



10:00 - Having spent the early morning sorting out various jobs which needed doing around the house 10am becomes the start time.

Collecting all the DVD sets together and putting in the first disc I prepare to start watching The Shield. But realisation hits that I don't have a cup of tea ready, so everything is put on halt while that's sorted out.

10:10 - Disturbed by the mail watching begins at 10:10, ten minutes later than planned. Episodes will be watched without commentary.

10:11 – Pilot Episode

10: 11 - I forgot David Acevada was the first character to appear in this show.

10:12 – Hey look, it’s Reed Diamond/Terry Crowley.

10:13 – Naked ass and brutality. Nice mix.

10:14 – Naked dead woman, I don’t recall this much nudity last time I watched it. Claudette and Dutch turn up, followed quickly by Danny and then Julien.

10:15 – First sighting of the Barn. Vic’s quite small compared to later on. Toilet’s broken in the Barn.

10:17 – I think we’ve established two things about Vic, one he isn’t afraid of bending the rules and two he’s obsessed with toilets.

10:18 – Dutch is already interested in Danny, wow that’s a long running infatuation – I can’t recall a time he wasn’t into her.

10:19 – Dutch attempts to chat up Danny, poorly. Then Vic and Shane roll in and roast him.

10:20 – Vic looks really fresh and enthusiastic here, and quite young too.

10:21 – Funky music and we find out Aceveda wants Terry to look into Vic. Don’t do it Terry!

10:23 – “I just want a dirty cop off the street.” Heh, David. You’re terrible at lying.

10:24 – I completely forgot that Reed and Clark were not the only ex-Homicide cast members who appeared in The Shield. It’s Max Perlice (Brodie) in a short cameo.

10:26 – Aw, Vic’s concerned about the druggies kids. He’s a good guy!

10:26 – CCTV footage, Clark Johnson’s signature style. First appearance of the old interview room camera.

10:28 – They’ve wrapped that murder up pretty quickly, oh wait – the guy sold his daughter. It’s not over yet.

10:29 – Good cop, bad cop!

10:30 – The Ding Dong incident, just the first of many times Vic bullies Dutch. I think they wrote it so they could just repeatedly say Ding Dong.

10:32 – Chickens!

10:33 – Hey, it’s the fat girl argument between Lemar and Martel

10:36 – Oh and he helps out needy single mother/prostitute. Vic really is a good guy! And rather concerned about soup.

10:39 – Claudette’s very liberal about Vic at this point. She’s actually justifying Vic’s actions here. Admittedly we haven’t seen anything too bad from Vic – he’s mostly been roughing up hoods and being concerned about families.

10:40 – It’s Martel.

10:41 – And now we establish that Julien’s religious.

10:42 – Pool Party! Hey look, it’s my T-Shirt! Vic, can I have it back now?



10:44 – “Remember, the team comes first. We take care of each other.” – Really?

10:46 – Time for Vic to do his thing with the Doctor. Knife, Whiskey, Phonebook and Lighter. I wonder if he’s planning to make something nice like a paper cup?

10:47 – “Good cop and bad cop have left for the day, I’m a different kind of cop.”

10:47 – So Cassidy is eight at the start of this.

10:51 – Dutch tries the moves on Danny, but he’s cockblocked by a blind date and dop-poop in his draw.

10:52 – “Nobody leaves without providing a stool sample.”

10:53 – Did Acevada put the poop in the draw?

10:54 – Wow I forgot how fast paced this show was.

10:55 – Don’t stand there Terry! Too late.

I’m still of the opinion that while the pilot episode is a powerful one, Vic shooting Terry would have been more potent if it had happened about halfway through the first season. The show could have spent time setting itself up as an investigation into corrupt cops before switching up into a show about the aforementioned corrupt cops. But it should be noted that the pilot episode is still one of the most energetic and striking of pilot episodes all time in my opinion. Casting ex-Homicide veteran Reed Diamond and billing him as one of the starring cast was a fantastic move, but in hindsight (and if you didn’t really know who Reed was) the shooting is signaled somewhat by Vic and Terry's words earlier in the episode.

Terry: "Without Trust, you're dead"
Vic: "Right"

Quick break to lift weights and a second cup of tea brewed then back into the fray.

11:10 – “Our Gang”

11:12 – I often forget that Terry didn’t die immediately; he’s in hospital at the start of the episode. Sometimes a bullet to the face isn’t fatal.

11:13 – Poor Lem, beating himself up over this.

11:13 – Maybe I spoke to soon, Terry’s dead and now Lem’s bust his hand up punching a car window.

11:14 – Vic: “I’m responsible”.

11:14 – Ah he’s claiming he’s responsible because he was in charge of the operation, not because he gave Terry a little lead to the face.

11:16 – There’s Gillmore!

11:17 – Julien, how dare you stay at home when Terry had been shot.

11:19 – Dutch is more willing to assume Vic’s incompetent than a murderer. Then again, it’s a bit of a stretch to assume any cop would kill a fellow officer at this point.

11:21 – Well at least Acevada is convinced Vic’s responsible for Terry’s death, though he’s assuming Vic set Terry up to get shot at this point.

11:22 – Oh that’s just unfortunate, who’d have Terry and Two-Time buried at the same time. But I guess it’s at least not at the same cemetery.

11:23 – It is Terry’s brother!

11:25 – Looks like Julien’s taken Danny’s words about hitting the streets hard a little too far.

11:26 – First signs of autism.

11:28 – Vic’s got away with it, looks like he’s in the clear. Surely it won’t ever come back to bite him in the arse now.

11:30 – Deary me, it looks like the vendor was shot over protection money, he only wanted his son to be able to go to Stanford.

11:32 – Another flashback, I forgot how flashback heavy the early episodes are. But these bits show just how good Reed Diamond is with these guys.

11:34 – It really is Claudette’s birthday today.

11:34 – More cop rules for Julien from Danny.

11:36 – It seems immigrants are a problem stealing jobs everywhere, even in the criminal world. How dare they!

11:38 – And now Aceveda identifies the weak link in the Strike Team chain – it’s Shane. That’s a surprise.

11:39 – Walton Goggins is small compared to later on in the show. Really small.

11:40 – The one eyed painter makes his first appearance.

11:41 – Gang initiation! Also known as “Beat on the new kid”.

11:45 – “The Last Shot”. It seems Aceveda and Dutch now know or at least suspect Vic’s involvement in the shooting.

11:47 – This kid’s got a Walton Goggins’s sized overbite!

11:48 – And Claudette still doesn’t want to get involved with Vic’s dirt at this moment.

11:50 – “Captain Ass-Invader”

11:52 – Turns out that B&B stands for Beer and Blow. But Julien’s a little reluctant to go, is he shy?

11:55 – Second episode over, man time flies when you’re watching The Shield.

Quick break now to put lunch on and have a few thoughts about the second episode, it lacks the same punch as the first one. But then again it’s hard to deliver the same impact as that opener without cheapening the entire episode. The main thing here is Aceveda’s suspicions are now on Vic in full and Vic seems rather calm about the loss of Terry. I did enjoy the stand alone story with the young ganger, but at this point Dutch and Claudette feel like a distraction rather than part of the mythos.

12:06 – “The Spread”

12:07 – Another previously on The Shield? Man they really don’t want people to forget what happened in the Pilot episode at this point.

12:08 – Naughty, Vic’s just shot his second cop. This time it’s Julien.

12:09 – No matter how hard I try, I can’t help but like Lem.

12:11 – It’s Derek Tripp!

12:13 – What a brilliant two level conversation on the phone there. Corrine is a lot less shrill and annoying at this point.

12:14 – “Damn I gotta call my bookie…”

12:16 – Shane’s up for betting now Tripp is delayed, Vic’s just doing for the win.

12:18 – Dutch’s first hints of his serial killer-fu is here.

12:19 – The Abbey? What’s this about Julien, surely he doesn’t have a secret to hide.

12:20 – Quick dish up of lunch and back to the show.

12:24 – Naked guy on a coach

12:25 – “It’s not mayonnaise.” That’s not what I think it is, is it? “Keep away from my children!” It is! It’s a fridge full of semen.

12:26 – Tripp’s missing. “Huh, weird.”

12:26 – Lem’s belly button!

12:28 – And Dutch flies off the handle with his serial killer vibe.

12:29 – It’s amazing how fast things return to normal after Terry’s death, but I guess life goes on.

12:30 – Holy Cow Tripp’s woman is HOT!

12:32 – Stay away from that prisoner Julien, he’s bad news!

12:33 – That’s it Danny, rattle their cage.

12:34 – The Jar Spunker is a pretty twisted customer, apparently it’s ball size which determines how suitable a man is. Well in crazy town it is anyway.

12:35 – More nakedness, this time it’s Tripp and his woman. Side boob ahoy!

12:36 – A crackhead with a baby, Vic’s trying to claim he’s a doctor.

12:36 – Nope, that didn’t work. Man and baby in the pool (skanky pool), swim Vic swim.

12:37 – Hey, he saved the baby and the man both. See? He’s a nice guy.

12:38 – Ah, the penny’s dropped. Tripp’s realized he’s stuck here and going to miss the match.

12:39 – No Shane, don’t attack Tripp!

12:40 – I wonder who’s coffee Vic used to put out that cigar. Dutch’s?

12:40 – Man that guy has good gay-dar if he’s right about Julien.

12:41 – Claudette wants to be alone with the Jar-Spunker. Romance?

12:42 – There’s a doormat on that bush!

12:44 – That’s not drugs under that couch.

12:44 – Shane, Shane, Shane. Put your gun away, don’t hurt Tripp.

12:45 – Ah, Shane’s acting out over Terry’s death, it’s good that someone feels guilty apart from poor innocent Lem.

12:48 – A little disturbing flirting and then we find out Jar-Spunker is a serial rapist, not really an improvement. But Claudette gives him what for.

12:49 – Man Catherine Dent is a great looking woman. You can see why Dutch is interested in Danny.

12:51 – No Julien, I told you to stay away from him. That man is trouble!

12:53 – Yup looks like there’s something wrong with poor young Matt.

12:55 – “Dawg Days”

12:55 – Another reminder, just incase you couldn’t remember what happened to Terry, I mean it was a rather forgettable incident.

12:56 – More naked women. Does anyone in LA remain clothed?

12:57 – Lem and Danny at Kern’s party – security. Oh dear there’s a gatecrasher in a doorag.
12:58 – Gunfire. Duck guys!

13:00 – I wonder if Kern Little is related to Omar Little.

13:04 – They didn’t use the full “Lemonhead” nickname too often; not surprising really ‘Lem’ is a much better name for him.

13:06 – Lucky Dutch, he’s once again working as an errand boy, this time for Aceveda.

13:07 – “Don’t you make me break a sweat trying to catch you!”

13:09 – It’s all fun an games until a shot gangster loses control and runs over a young boy while crashing.

13:13 – Time for T-Bone and Kern to talk man-to-man in the interview room.

13:16 – Run Edwardo, run!

13:18 – Political moves from Aceveda, but it’s all to nawt unless he can pull Vic out from under his rock.

13:20 – The case of the stolen corpse? Someone call Holmes.

13:21 – Vic makes puppy dog eye, Danny melts.

13:21 – Therman (the missing corpse) used to bully Julien, small world!

13:23 – Case of the Stolen Corpse solved – he did it to try and get the life insurance money – money which was already spent on the funeral. Guess we don't need Holmes after all, cancel the time machine.

13:25 – Bad Rondell, you don’t sent people to threaten Danny. We love Danny! I knew Aceveda mentioning that a cop could ID Rondell was a mistake.

13:26 – “The biggest chance you could have taken was to piss me off, and that’s what you did.”

13:27 – Dutch’s Spanish sucks!

13:28 – “Raped in a truck sneaking into the country, how is that possible?” Someone needs to explain to Dutch how male on male intercourse works.

13:29 – Dead dog! Bad T-Bone.

13:33 – Welcome to the Thunder-cargo-container T-Bone!

13:34 – Two men enter!

13:35 – Rondell learns the lesson, never go after a cop when Vic’s around – that’s his job.

13:37 – Sounds like a bad phone call there Vic.

13:38 – Mat bit Megan in the face?

13:39 – One man leaves.

13:40 – Bald heads glinting in the sun. Kern’s the last man standing from the Thunder-Can.

End of Disc one.

Thoughts:

• It's amazing how fast The Shield returns to normality after the big shock of Terry's shooting; it's not unrealistic, but it is unusual pacing for a TV show.

• Everyone looks so small in this, I forgot just how much the Strike Team bulks up over the passing seasons. Walton Goggins (Shane) in particular really beefs out later on.

• You can really feel Clark Johnson's presense behind the camera, there's quite a few stylistic decisions which can cause comparison with The Wire - still amazing to think that he opened and closed both of those two shows and appeared in them both (as well as Homicide).

• I'm going to have to go for a walk before hitting disc two, sitting still this long is difficult for me. I normally pace around a lot.

• Time flies when watching this show, every episode is so crammed to the gills with fast pacy scenes it's always a case of 'is it over already?'

• Apart from the pilot episode, disc one is pretty tame. I believe my favourite season one moment is on disc two.

• More later today!

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Watching The Wire: Season Two: Episode Six: "All Prologue"

Category: , , , , , , , By Rev/Views


“It don’t matter that some fool say he different…” – D’Angelo

Teleplay by David Simon Directed by Steve Shill


Starring:
Dominic West as Officer Jimmy McNulty, Lance Reddick as Lieutenant Cedric Daniels, Sonja Sohn as Kima Greggs, Deirdre Lovejoy as assistant state's attorney Rhonda Pearlman, Wood Harris as Avon Barksdale, Larry Gilliard, Jr. as D'Angelo Barksdale, Andre Royo as Bubbles, John Doman as Colonel William Rawls, Frankie Faison as Acting Commissioner Ervin Burrell, Clarke Peters as Cool Lester Smooth Freamon, Amy Ryan as Beadie "Bea/Beadie" Russell and Chris Bauer as Frank Sobotka.

With:
Seth Gilliam as Detective Ellis Carver, Domenick Lombardozzi as Detective Thomas "Herc" Hauk, Jim True-Frost as Detective Roland "Prez" Pryzbylewski, James Ransone as Ziggy Sobotka, Pablo Schreiber as Nick Sobotka, Melanie Nicholls-King as Cheryl, 7. Callie Thorne as Elena McNulty, Michael K. Williams as Omar Little, Michael Hyatt as Brianna Barksdale, Michael Kostroff as Maurice Levy, Susan Rome as ASA Ilene Nathan, Robert F. Chew as Proposition Joe, Wendy Grantham as Shardene Innes, Lev Gorens as Eton Ben-Eleazer, Charley Scalies as Thomas "Horseface" Pakusa, Fredro Starr as Marquis "Bird" Hilton, Chris Ashworth as Sergei "Serge" Malatov, Luray Cooper as Nat Coxson, Erik Todd Dellums as ME Randall Frazier, Jeffrey Fugitt as Officer Claude Diggins, Richard Price as book group leader, Peter Gerety as Judge Phelan, Harold L. Able, Sr. as Moonshot, J. Valenteen Gregg as Chess, Doug Lory as Little Big Roy, Bus Howard as Vernon "Ott" Mottley, Jeffrey Pratt Gordon as Johnny "Fifty" Spamanato, Dakota Anderson as Mugs, Jacques Derosena as Prisoner in Library and Toni Hunter as Stripper

The Summary:


Read about belts, drugs and expensive cigar lighters beyond the link...

The Recap:

Omar is sat dressed in a red and black track suit waiting to take the stand, he’s with a single guard who’s struggling to answer a question on the crossword, the clue is “Greek god of war” and the guard asks Omar if it’s Mars. Omar doesn’t even hesitate with the answer, which is of course Ares (Mars being the Roman god of war). The guard looks a little surprised as the word fits; Omar goes on to explain just how much he loved the myths in middle school. The door opens and a second guard calls “You’re up”, Omar pulls out a white patterned silk tie and puts it on. The guard nods and tries to contain his amusement.

In the trial room Omar is called to the stand, he waves to Stringer and his boys and waggles his tie at the DA while walking past. If you recall she wanted him to dress smart last week, but McNulty left Omar to make his own choice about the outfit. And Omar being Omar he’s plumped for mocking authority in his own fashion. The DA does not look amused, but she pushes ahead with questioning him. Omar is very frank and honest about this, much to Judge Phelan’s discomfort – he admits that he robs drug dealers for a living. Taking it a day at a time…

Cue the credits…

The Sobotka Detail are sitting in the office talking about Sobotka and the Union, it’s clear that both Frank and the Stevedore’s Union are financially strapped. The number of due paying members of the Union has dwindled over the years and the Union is seriously hurting. But the real question is in the money which has been paid to various PACs and Democratic organisations over recent times, something in the region of seventy thousand dollars over the last eight months and it was all kept off record. So far DNRs haven’t revealed anything; the Union doesn’t operate the same way that the Barksdales did before, but given what we know about them that’s not surprising – because it’s just a small number of people who are actually involved in the Greek’s trafficking. It’s natural for The Detail to assume the Union would operate in the same manner as the Barksdales; but it was an incorrect assumption.

Hand-to-Hands have also failed to illuminate anything, there’s plenty of pick ups from various white boys, but little to indicate a serious port connection. Beadie suggests that maybe it’s the checkers who are involved – they monitor what comes in and out of the port, so they might either be bringing things in or ignoring them. They certainly managed to avoid having the can of the dead girls on their computer records. Daniels tells Prez and Kima to start looking at girls, something Kima is happy to crack wise about. Lester will stick with the paper trail, Herc and Carver will continue with hand-to-hands, Beadie and Bunk will be running the port database. The meeting breaks up and Herc asks Beadie out for a cup of coffee – she gestures with the one in her hand and Herc gets the point. Carver leaps on this, mocking Herc’s delivery – Herc rapidly attempts to reassert his machismo while Carver looks at him incredulously.

Omar’s examination in Bird’s trial continues as McNulty walks in, taking a seat behind Stringer as he does so (if you recall he sat behind Stringer back in D’Angelo’s trial at the start of the series, he likes to sit near Stringer in order to remind him that he knows who Stringer is and what business he’s in. It’s also because Stringer bested McNulty in the previous season, the Detail wasn’t able to bring in Stringer and McNulty admitted that he started this entire thing just because he wanted to prove he could catch them and he was smarter than they were. You can think of Stringer as McNulty’s white whale if you like).

Omar indicates that he saw Bird kill William Gant and had spent time with him in lock up previously. Levy objects and walks up to talk with Phelan, during this break Stringer turns around to talk with McNulty, rumour has it that Omar wasn’t anywhere near the Gant shooting. But McNulty isn’t worried; they’re not out on the street right now they’re in a court of law. He sits back, quietly confident.

Omar’s comment about where he had previously encountered Bird is ordered to be disregarded. After Omar confirms that he’d have no problem identifying Bird he then goes on to accurately identify Bird’s gun. Omar’s testimony at this point upsets Bird to the point where he has an outburst, standing up and yelling while trying to get at Omar. At this point Stringer stands up and leaves, McNulty is amused.

At the Diner Vondras is meeting with Nicky, he introduces Nicky to Eton, a man from Israel. Nicky is willing to sort out the chemicals for them, but only if Vondras can sort out Ziggy’s problems with Cheese. Vondras offers to have Cheese killed, Nicky doesn’t want that, he just wants to square the amount owed – nothing more. He doesn’t want to have to pay extra or less, and he doesn’t want to stir up violence in case of retaliations later down the line. He asks Vondras to talk with Cheese and make it all right.

At the trial Levy has started his cross-examination of Omar, Levy works to discredit Omar as a witness; first trying to suggest that Omar gave his testimony to avoid being arrested and then attempting to discredit him because of Omar’s criminal record. Omar’s response is personable and amusing, making members of the jury laugh as well as clearly tickling Judge Phelan’s funny bone. Levy uses this record to lay out how much of a criminal Omar is and asking why anyone should believe him. Levy suggests that Omar would shoot someone like Gant himself, but Omar disagrees – he’s never drawn a gun on a citizen. Levy, sensing weakness strikes – calling Omar an amoral parasite thriving off the drug trade, but Omar doesn’t even blink before calling Levy out as being exactly the same thing. And he is, Levy is probably the worst “villain” in The Wire, he’s deeply involved in the Barksdale’s organisation and effectively a lieutenant, we’ve seen this last season when he berated D’Angelo for writing the ‘forgiveness’ letter when pressured by Bunk and McNulty. Levy is no ordinary criminal defence lawyer, he is completely corrupt on his own terms, but he’s positioned himself so deeply that it’s almost impossible to bring the law to bear on him. Levy is clearly uncomfortable with this comparison but can’t refute it.

Elena is working in her estate agency attempting to close a deal with two prospective clients while McNulty waits. He’s positioned behind the couple near the window, next to a shop dummy dressed as an estate agent. While she talks with the couple he undresses and fondles the dummy, making it difficult for her to keep a straight face and concentrate. The customers walk out past an innocent looking McNulty and a half naked shop dummy – completely unaware of what occurred behind them. Elena redresses the dummy while McNulty asks her for a date, a single date which can end however she wishes. McNulty wants another shot; she agrees to give him one. He leaves, beaming.

Stringer meets with a mysterious man, handing him a large amount of cash and telling the guy that he needs to do this without any assistance. Now the question is, what on Earth would Stringer do which he couldn’t depend on his own men. He’s promised that nothing will come back onto Stringer and a few hints about what’s ahead are dropped.

Kima meets with Shardene, who’s looking content and happy in her relationship with Lester. They talk a little about the Russian girls.

In trial is close to wrapping up, they recess for a short while before closing arguments just after Bunk’s testimony. McNulty heads up to talk with the DA about Omar’s turn on the stand. Levy’s angry closing of his briefcase speaks volumes on this.

Out on the streets in the evening a nervous Nicky watches Boris/Sergei “negotiate” with Cheese over Ziggy’s situation, negotiation involving sub-machine guns being waved in a threatening manner. The net result is this – Ziggy will get paid compensation for the burnt car instead of having to pay Cheese the fifty four hundred Cheese demanded. It turns out that the Greek’s work with Cheese’s boss. I wonder who that could be.

Kima is at home with Cheryl; she’s exceptionally upset, not just with Kima’s return to police work on the streets, but also with the fact that Kima is going to a club which will be filled with naked and semi-naked women. The end result is that Cheryl is going to be going with Kima to the club.

At the Union, Frank and his guys are talking about the results they’re beginning to see from their donations. The worry is that the Grain Peer ends up becoming condos, so everyone in the Union needs to work together and get on the horn about this. After the meeting breaks up Ott heads up to let Frank know he doesn’t believe Frank’s claim that the money has been coming from the National Office and donations. He warns Frank to watch his ass.

Bunk, Freamon and Bea show Daniels the computer and show him how the Atlantic Light was unloaded via the computer. As can be seen the can wasn’t entered by the checker and as far as the computer is concerned it disappeared for four hours. While Frank covered himself on this no-one believes his story for this particular can. Now they need to check the other cans and see if there are any similar patterns.

Prez, Kima and Cheryl are at the strip club, Prez is rather uncomfortable being here with two women. But they head out back to talk to Shardene’s friend who’s willing to tell them everything about the Russian girls. A madam is mentioned and the girl pretty much spills everything about them. The girls were treated terribly while they were there, the Russian crew was kept separate from the normal girls and held on a tight leesh.

D’Angelo is in his cell admiring the pictures of his family, he closes the door and opens up a few packages of drugs, flushing them down the toilet – intending to get clean.

Lester and Bea start the long haul of checking other ships on the computer while Kima tells Cheryl the circumstances of this case and what happened to the girls. Hoping to get Cheryl to understand why Kima’s so driven about this. Cheryl walks away.

In the trial room; Levy attempts to angle for an appeal bond to allow for Bird to be released on grounds of ‘participating in the appeal investigation’ Phelan isn’t willing to get involved with this, which isn’t surprising because if you recall Bird is one of Phelan’s personal interest cases – his arrest was directly a result of Phelan’s demanding the Detail in season one. Phelan bangs his gavel after a speech which shows just how much he enjoys this and closes events before sentencing. Bird has been found guilty and will most likely face life without parole.

Outside Bunk, the DA, McNulty and Omar celebrate, she hands Omar a “Get out of Jail Free” Card and then Bird passes by, ranting at Omar. Omar doesn’t even sweat it, telling Bird to “Think on Brandon” – Omar’s got his justice for what happened to his boyfriend in the first season. McNulty asks Omar if he really saw Bird pull the trigger and Omar asks him if he’s really asking. McNulty walks away in silence.

In the prison library Dee is taking part in a book study group – They’re talking about The Great Gatsby and Dee shows the same level of intelligence he displayed before. He’s appreciating the message the book has, how the past matters to everyone, you are what you are. The past is what it is, and eventually things caught up to him. Dee’s grown a lot since we first saw him.

Lester and Bunk are sitting watching the DNRs. McNulty is sat on the boat when Diggsy arrives, it’s time to head out on the water, but McNulty has one last thing to do before commiting himself to the water for retirement.

Finally Nicky meets Cheese’s boss, the man to whom Sergei and The Greeks supply their drugs. It’s none other than Proposition Joe, he’s keen to talk business, but Sergei reminds them that they’re here to settle Ziggy’s car. Prop Joe explains that he understands Nicky’s situation, but business is business and he can’t let people screw up a package and walk out without paying. Nicky assures him that he has every intention of paying the 2,700 – but also he wants the money for the car. Prop Joe isn’t happy about this and Cheese will be even more upset when he has to pay. Nicky accepts the money and thanks Joe, Joe makes it clear to Nicky that apart from Sergei’s influence they would be dead.

At the morgue McNulty pays his last respects to the floating Jane Doe, he did what he could but she’s now going to the autopsy table as a Jane Doe.

Brianna meets with Dee about Avon’s deal, its Dee’s chance to get out. But he’s unwilling to leave early because he knows that the hot shots were from Avon. He doesn’t want to get out early on the backs of other people’s lives. He tells her he’s willing to carry this; that it’s his burden to carry and he needs to live it his way. He wants to be left alone, no Stringer, no Avon and no Donette. Another inmate watches this entire exchange and leaves at the same time as he does.

Bunk, Freamon and Bea have made their way as far as 2002 on the computer records when Bunk cracks and leaves.

At Delores’s bar Sobotka arrives and banters with Ott and Horse. Nicky arrives and sits next to Nicky while the guys joke around. Nicky hands Ziggy the money and lets him know that there’s 2,400 for Princess. Ziggy immediately flashes his cash, buys the bar a round and lights up his cigarette with a bill. Damn Ziggy.

Lester and Bea have finally spotted a pattern, it’s late but they’ve noticed that Horseface is the checker involved in the missing cans.

Bunk and McNulty are down at the railroad tracks talking about the bodies and their situation. Bunk pulls out his gun and asks McNulty “where’s the love.” He’s stuck with fourteen bodies and unless he clears them he’s in the shit-box with Rawls. McNulty on the other hand is done, Bird’s gone down and he couldn’t find an ID on the floater. He tears up the photo and throws it away before telling Bunk that he’s going to give it another try with Elena. The pair head home.

Ziggy walks out of the bar and is confronted by Frank, he wants to know what’s going on with Ziggy and tells him to come on a walk. Frank talks about how well things seem to be working out, and then asks what the heck Ziggy was pulling lighting up a $100 bill in front of people struggling for money. Frank goes on to muse a little about where he went wrong with Ziggy. How he should have sent him to college, but Ziggy interrupts him and tells him about how great childhood was and everything he recalls about it all.

Bea passes on the information they’ve found out about the cans, there’s a definite pattern with one shipping line “Talco” and the same checker Thomas “Horseface” Pakusa. The case has its first break here, but he’s already been grand juried and didn’t even blink. Bunk struggles with his hangover throughout this, while Lester explains just how good the operation is and how it seems Sobotka is involved. Bunk suggests folding the cases together but Daniels isn’t having any of that. The next step is to clone the computer and watch in real time. Bunk continues to dry retch as they leave him.

In County Avon and Dee pass each other in the corridor, Avon calls after Dee – who turns and looks at him silently for a while before leaving.

McNulty and Elena are on their date; Elena is still bitter about McNulty’s past indiscretions and drinking. McNulty tells her how he’s basically retired, working the boats. He’s looking to push how much he’s changed on her and how much he wants another chance. Elena offers him a quick roll in the sack and we’re treated to a bit of nekkid Callie Thorne.



Nicky, Ziggy and Johnny 50 arrive with the chemicals for Vondras, they offered either cash or more than that in heroin. Ziggy’s keen to do this, but Nicky isn’t sure. Eventually he settles on half in cash, half in dope and Vondra agrees. Ziggy talks about turning the package around and Nicky tells him to stay out of it; Nicky will handle it all instead. The trio leave.

McNulty is sat downstairs in Elena’s feeling pleased, he’s convinced the fling means they’re back together. But they’re not and Elena makes him understand this.

At the prison library Dee is being watched by the same inmate who followed him around before. He pushes some books out to a back room before being followed in there. Mugs then closes the door and engages Dee in some small talk before strangling him with a belt. He then sets Dee up next to the door and makes it look like a suicide. He then locks the door and walks away, leaving Dee dead behind the door…







The Review:

In case you weren’t sure, All Prologue’s title makes it quite clear that everything we’ve seen up until this point was just the build up. This episode delivers major punches, the start of the episode being far more jovial than the end of it with Omar's star turn as a states witness. But those humourous moments are just the prologue to the loss of a major cast member.

Omar’s talking about the Greek mythology is another subtle example of how The Wire is structured after the Greek tragedy; it’s the closest the show has come to admitting outright that this is the way it’s designed, with the cyclic nature of storytelling and history that brings.

The main thing to talk about here is Dee, poor Dee - there's almost no indication of what's coming for him here. We see him move on with his life and settle himself down for the long haul in prison. He flushes the drugs and attends book club, showing the same intelligence and insight we've seen from him previously. But then there's Stringer's mysterious meeting and Mugs watching Dee, small hints at what's coming.

And when it does come, it's not a pleasant or triumphant moment. Dee is killed in a harsh and messy manner, strangulation is not a pleasant way to die (not that there really is such a thing) and The Wire doesn't shy away from one moment of it. We're forced to watch Dee's desperate struggles as he breathes his last and then, afterwards we're forced to watch Mugs set it up to look like a suicide before leaving. It's just brutal.

Dee suffers the same fate as Gatsby did in The Great Gatsby, unable to escape from the life he was in and ultimately murdered.

Elsewhere in the episode there's some progress, much of it is dominated by the Bird/Gant trial. Which ends in a favourable result for the prosecution - thanks of course to an amazing turn on the stand from Omar. Especially the moment where he called Levy out for exactly what he is, both Omar and Levy benefit from the drug trade in their own manner. It's a damning inditment of the man and one he completely deserves to receive. Especially as it's clear Levy doesn't consider himself a criminal because technically he doesn't break the law.

The Detail makes their first serious progress thanks to Lester and Bea, they've found their first link in the chain with Horseface. While he's a difficult nut to crack it is progress which is always good.

As I said last time, All Prologue is one of my favourite episodes of the season. In part because it's unrelenting in it's snatching of D'Angelo's life right before us, in part because of the progress of the case - it starts here, and in part because of Omar's performance at the trial. It mixes investigation, comedy and drama all into one wonderful whole.

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Forced Viewing - Week Three

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The attempt to expose myself to a variety of light or trashy entertainment continues at a rather slow pace, mostly because I'm limited to trying this out on Fridays and Saturday evenings - fortunately an abnormal amount of trash collects on those two days here in the UK so I can normally catch a few programs.

First up this week was Totally Saturday, a light entertainment/game show in the style of the 1990s and presented by Graham Norton. I must confess I do enjoy watching Graham Norton on TV, but he can get a little shrill when he's doing his chat show. On the other hand he's completely in his element on Totally Saturday and very well suited to the strange and humiliating events the public are forced to go through.

This week people threw ma tresses out of windows in an attempt to win new furniture by weighing it on giant scales, a man had to identify the celebrity in his shed (which had been 'stolen' and moved into the studio), another man was dressed as a hamster and made to run for 40 seconds in a giant wheel for a meager £565 - I guess we know the price of his pride now and the old 'spell words out of letters you're wearing' game was played. The girl band Saturday were also present, but the most attractive woman was a member of the team who won a trip to Kenya - I think her name was Kath (maybe). Perhaps I'm getting maturer now that I'm more interested in members of the public over preening songbirds. One would hope so.

I decided to watch the new series of Total Wipeout - but I have little to say about that except it's gotten old fast and I quickly grew tired of it. I also gave Make My Body Younger on BBC3 a whirl, expecting some horror involving plastic surgery, make up tips (or "paint on lies" as I prefer to call make up), new clothing and rude comments about the poor member of the public who's inflicting the show on themselves. Instead I discovered a moderately intelligent show extolling the virtues of diet, exercise and confidence.

The episode I watched included a Welshman named Chris who was imaginatively nicknamed "Welshie", I imagine his eventual fate will be a terrible demise on Omega 3 at the hands of Trek fan Melllvar. But before then we at least got to see him learn the horrors he was inflicting on his body in a variety of manners and see if he's able to turn his life around. Like any stereotypical Welshman Chris's problems were his weight and the ridiculous amount of alcohol he consumed each month - around 800 units. That's ten times the recommended consumption level. Or to put it another way, that's around 400 pints a month or approximately 13 pints a day. Amazingly despite this abuse he'd only gained four stone over two years - but his body was pushing 40 years old, pretty tragic for a 24 year old.

But after being shown the error of his ways and helped along in a variety of methods Chris actually managed to turn his life around in a short period and went from looking sweaty, overweight and constantly tired into a far brighter and more energetic individual. So on the whole I was impressed with Make My Body Younger - it's a show with far better intentions than the simply awful Embarrassing Illnesses. But then again it's not hard to be better than that particular piece of cruelty.

I caught a bit of Michael McIntyre's Comedy Roadshow this week which is sort of the spiritual successor to Live at the Apollo, it's a far more energetically paced show with four acts (and Michael) so each of them has a brief time on stage to wow you. That's a pretty good thing because it means they can trot out the very best of their material for you to laugh at. Also if you don't click with one of the acts it's no problem because there are three others (and Michael) to try out. I enjoyed two out of the four acts (and Michael) - Neil's act was superb (best of the night) and Kerry Goldiman was pretty good also.

I look forward to watching reruns of it on Dave. But until then you can catch it on the BBC iPlayer here.

I've also come to realise one thing which I can't afford to miss out on during 'Shield Week' Torchwood will be airring and I must watch and rip into it as much as possible. So I shall be taking a "break" each day to watch the latest episode of Torchwood and write about it here. I guess that makes it Shield/Torchwood Week - I shall dub it "Shield me from Torchwood" then or possibly something else which is actually witty...

I'm sure Aaron over at Snark and Fury will be also ripping into the episodes with his usual glee and wit. He's already been listening to the audio plays and writing about them on twitter. I'm sure that Rob and Dan will also have something to write about Torchwood this coming week. Sadly I suspect Alien Rohypnol wielding Radioactive Zombie Hulk Owen will not be making an appearance as I didn't forward the script to the BBC.
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No Content, Content - Next Week's plan

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I've been struggling somewhat to figure out what to write over the past few days; family, work, the heatwave and a general lack of inspiration have contributed. I did mean to write about Big Love, but I'm still a disc away from seeing the entire first season and I don't think it's right to review a single season DVD set you haven't watched all the way through. So I've decided to settle on this instead, which is a semi-apologetic yes I've been lax updating since Tuesday and semi-here's the plan for the next few days.

Depending on what TV I catch later this evening and tomorrow I'll hopefully have a Forced Viewing up, but my vitriol has been somewhat blunted since I got sidetracked into watching Knightmare again (after writing about it on Tuesday). I've quite literally been sat on the edge of the sofa shouting various things at the TV - including but not limited to answers to riddles, commands to the dungeoneer and general cries of how foolish they've been - generally when they decide to take a weapon from a clue room instead of something random like a stick; in Knightmare weapons are always useless - which is a good thing both for the positive message and because it means the team can't try and muscle their way past problems.

The show is just so tense and the way it staggers each group's quests over several episodes and you can never be sure how long a group will survive. So one group falls halfway through the episode and the next one is up - so I just HAVE to see how they do... Next thing you know I realise it's Friday and I haven't updated... Ooops.

Anyway, Sunday will be the sixth episode of the recap/review thing which is Watching The Wire. The episode is "All Prologue" and is one of my favourite ones in the season, so it should be pretty good to read. But it's next week which will be a little unusual, I've taken a sabbatical from work and the intent for the first part of it is pretty simple. I'm going to sit down and marathon watch The Shield from start to finish, blogging about each day as I do so. I'll pretty much watch it constantly; just taking breaks for exercise, food and so forth - writing about it as I do so. Then at the end of each day I'm going to post what's there up here. It's pretty much going to be a random collection/timeline of events during the entire week, call it a psychological experiment if you like.

We're talking about seven seasons totalling eighty nine episodes which works out at around 58 hours. I imagine I'll be able to watch most of a season in a day, but we'll see. The big question I have is if I watch it with the commentary on or not; I've never listened to all of the commentary on The Shield because I just love watching the show, I'm not tired of seeing it and I guess I'm a little concerned the commentary might break the "reality" of the experience for me. It probably won't, but also I'll miss out on the stories - so I think most likely I'll watch the show 'neat' and save the commentary for another time.

The only break I will take is if this viewing overruns and I'm still watching by next Sunday - because I have no desire to miss writing the seventh part of Watching The Wire 2 I'll take a break from The Shield to get that up.

And that's the plan for the next week or so. Hopefully I'll have proper content for you tomorrow!
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