Watching The Wire: Season Two: Episode Four: Hard Cases
“If I Hear the music, I’m gonna dance.”
– Kima
– Kima
Teleplay by Joy Lusco Kecken
Directed by Elodie Keene
Starring:
Dominic West (Officer Jimmy McNulty), Lance Reddick (Lieutenant Cedric Daniels), Sonja Sohn (Sergeant Kima Greggs), Wood Harris (Avon Barksdale), Idris Elba (Stringer Bell), John Doman (Colonel William Rawls), Wendell Pierce (Bunk Moreland), Paul Ben Victor (Spiros "Vondas" Vondopoulos), Clarke Peters (Lester Fremon), Amy Ryan (Beatrice "Beadie" Russell) and Chris Bauer (Frank Sobotka) and J.D Williams (Bodie)
With:
Jim True-Frost as (Detective Roland "Prez" Pryzbylewski), James Ransone (Ziggy Sobotka), Pablo Schreiber (Nick Sobotka), Al Brown (Major Stan Valchek), Delaney Williams (Sergeant Jay Landsman), Luray Cooper (Nat Coxson), Ted Feldman (George "Double G" Glekas), Melanie Nicholls-King (Cheryl), Leo Fitzpatrick (Johnny), Robert Hogan (Louis Sobotka), Michael Kostroff (Maurice Levy), Elisabeth Noone (Joan Sobotka), Kelli R. Brown (Kimmy), Stanley "Scoogie" Boyd (Cherry), Leslie Elliard as (Officer Kevin Reynolds), Charley Scalies (Thomas "Horseface" Pakusa), Jill Redding (Delores), Jeffrey Pratt Gordon (Johnny "Fifty" Spamanato), Antonio Charity (CO Dwight Tilghman), Kristin Proctor (Aimee), Callie Thorne (Elena McNulty) and Michael K. Williams (Omar Little)
The Summary:
The Recap:
Cue the credits.
McNulty is at home, drinking, listening to his phone messages and looking at the photo of the floating Jane Doe. The messages reveal just how out of control his life is, as does his sighing and flopping backwards into bed. He's a driven man with an empty life.
Nicky is awoken by the alarm clock in his basement room, his girlfriend spent the night with him. They talk a little about the plans for the day and then she changes clothes. Nicky makes a grab for one of her breasts “because they were staring right at him” and then heads off. A little something for the gentlemen to balance all the man flesh we’ve had so far this season.
In the cells, Dee heads over to Avon’s cell to talk with him. He’s curious why Avon told him to stop using just before the hot shots hit the prisoners. Avon refuses to admit he had nothing to do with it, but Dee doesn’t believe him – Avon virtually runs the prison from inside his shelf. Dee wants him to stop pulling stuff like this, Avon continues to deny and switches on to talking about getting them out of the prison earlier. Avon knows who brought the goods in – of course he does, as he’s the one who had Tilghman followed and the stuff spiked – and tells Dee he can pass on the name to him and get them out faster. Dee refuses to have anything to do with it and asks to be left alone to do his time.
Ott and Nicky are pleased as they drive around the port terminal, they’ve had a whole six ships arrive with goods, which is good news for them all. Then Zig steps up in front of the cart wearing an Italian leather coat – so much for keeping a low profile on the cash front Zig… He then goes on to boast about how much he spent on the jacket (two grand) so Nicky climbs out of the cart and has words with Zig once Ott drives off. Zig isn’t listening, Nicky then goes on to say that the Greeks want to talk with them (as they pulled off a good job) and tells him to try and keep things on a lower profile.
McNulty is drive around the streets of Baltimore trying to keep an eye out for Omar. He pulls up on a street corner to the cries of “five-oh, five-oh” and the one ‘holding’ drops the drugs onto the floor in the gutter. He climbs out of the car and they turn to assume the position against the wall. McNulty tells them he doesn’t care about the drugs and isn’t here to bust them, but that he does care about the littering so they should “Pick up that shit when I’m gone.” Classic McNulty (have I mentioned how much I like McNulty recently?) He’s looking for Omar and after describing him he asks them if they’ve seen him around. They reply in a somewhat derogatory fashion and depart.
Stringer’s got problems with the new line from Atlanta, it’s more expensive than the old connect and it isn’t as good. He tells them to cut the stuff further, it might already be weak but they need to make their money back somehow. He really needs a new supplier.
Lester and The Bunk (Wouldn’t that make for a great spin-off show?) are in Rawls’s office talking about the case so far and how difficult it’s proving to be. Rawls feels they should have held up the Atlantic Light, had the scene scoured for evidence and interrogated every single crew member until they broke. Freamon attempts to reason with him about it, but Rawls drops the bottom line – the red Jane Does on the board must go black or they’ll end up taking the fall. McNulty continues seeking Omar when he spots no other than Bubbles and Johnny dressed up and boarding a bus. He decides to follow it.
Levy and Avon are talking with the warden about the hot shots (confirmed as heroin), Avon is willing to give them the name in exchange for an early parole hearing with the support of the prison institution in favour of letting him out. Levy and Avon move around on this subject and handle things well, providing themselves with plenty of leverage.
Nicky’s mother is cooking in the kitchen when Nicky returns, she tells him to go fetch his father Leon who’s at the bar virtually gambling. He runs the betting without actually placing money and he’s seven grand up, but he’s never actually bet a penny. They talk a little then head home.
Daniels is at home watching a dog show on the television; his wife Marla comes in and tells him to come upstairs. He hasn’t told her about the new detail yet clearly.
The following day Zig arrives in checking to talk with Johnny but there are none of the chemicals on the Greek’s list in the port. They’re over at Fairfield, Ott’s brother-in-law works there but that’s about it as far as a contact goes. Johnny then asks what the Greeks want with these chemicals, Zig says he doesn’t know. On the way out, Y scoots his chair back and spills coffee across it “accidentally on purpose” and then confronts him.
Daniels talks with Kima about the fresh new detail, Kima isn’t convinced Cheryl will be happy about this and Daniels understands because Marla will also be angry when she finds out. Daniels offers her a spot on the inside, but Kima tells him if she’s in – she’s In and agrees.
In Stringer’s office he hands over a package to one of his men. Bubs is in his flop house with Johnny talking about Omar, Johnny is reluctant to get involved, Bubs is more resigned to getting involved. (Girl Robber) is talking with an older woman in the place about a new stash house when Bubs rolls in and asks Pops about Omar while Kimmy listens. As Bubs leaves, Kimmy watches him.
Valchek receives another letter, this time from New Orleans where the surveillance van has made its next stop (wouldn’t it be amazing if this van made a cameo in Treme?) It goes without saying that Valchek is less than pleased, but he’s all smiles when Daniels walks in. Valchek brings Daniels up to speed on the case he wants made and then asks him to come along and see the offices set aside.
Nicky is out walking with Aimee and his daughter, he’s thinking there’s enough to buy a place and for them to live together. Tilghman is heading to his car when the warden and his men head over towards him. They want to search the vehicle for goods. He refuses, claiming they have no warrant, but as the vehicle is on DOC property it can be subject to a search. Zig is sat at Y’s terminal while Johnny watches.
Bunk, Freamon and Beadie arrive at the docks, triggering a lot of whistling from the stevedores. They’ve been marked out as police and everyone has been warned. Bunk heads over to Horseface, he’s unhelpful and they tell him to come with them to talk about this. Horseface refuses to go with them unless they arrest him, at which point he will lawyer up. Zig is walking out of the checkers when Frank slaps him around the head. He then sees Bunk and Co. talking to Horse. Y gets back to his terminal and is greeted by a pleasant sight; Ziggy has transferred the shot of his wang onto his computer. Needless to say he’s not thrilled about this. I shall spare you the image from the screen this time; you’ve already enjoyed his backside in this recap.
There’s now one of those rare montages which are used in the Wire but only sparingly. In this case it’s a mix of the meals between Kima and Cheryl, and Daniels and Marla. Two different dinners with very much the same scenario playing out, there’s a very clever use of music here with some frenetic classical music being played out. It’s energetic and adds to the level of tension both scenes have. Cheryl and Marla are both exceptionally angry at their respective partners over these developments.
In Stringer’s office the TV is turned on to show a news report about the arrest of Tilghman. Stringer remains as cool and collected as ever, simply remarking that he needs to get back to studying. But afterwards you can see he’s a little pleased.
The Review:
The episode title “Hard Cases” refers to not just the difficulties being faced by Prez, Bunk, Freamon and McNulty in their respective cases, but also too many of the individuals present in the episode. McNulty is of course an original hard case, but likewise Horseface also proves himself to be one as well.
This is also the first episode of the season in which the teleplay wasn't written by David Simon; but Joy's work is more than up to the task and I think if I'm honest the episode is a little better than Hot Shots which preceeded it. There's some good flow to the episode and plenty of nudity for both the genders to enjoy, then again - there has been a lot of nude backs and fronts in this season, something which is somewhat reflected in the title credits. I wouldn't go as far as to call the season 'steamy' but it's certainly not something for the kids (as if the first season was...) On the other hand, much of the nudity in The Wire exists either naturally (as in he/she is naked just because someone would be naked in that situation) or for laughs (mostly where Ziggy is concerned).
As I've mentioned Ziggy, I think it's worth talking a little about him here. He's certainly a lot less annoying for myself on this rewatch, I think the first time I saw the second season of The Wire my attitude towards Ziggy alternated between amusement and annoyance, but now I've come to appreciate just how good James Ransom's performance is as Ziggy (it helped seeing him play a different role in Generation Kill). While the character is little more than a clown a lot of the time he's actually quite tragic as well, a definate example of disillusioned young adulthood in action.
At this point I think it's more than possible to see the wheels in motion, while there isn't that much character conflict in Hard Cases, the plot progresses in a most agreeable fashion. Despite the on screen exposure to Ziggy's manhood I really enjoy this episode - it's solid and exciting build up towards later events.