Dominic West as Det. James "Jimmy" McNulty, Jim True-Frost as Det. Roland "Prez" Pryzbylewski, Wendell Pierce as Det. William "Bunk" Moreland, Clarke Peters as Det. Lester Freamon, Sonja Sohn as Det. Shakima "Kima" Greggs, Lance Reddick as Lt. Cedric Daniels, Corey Parker Robinson as Det. Leander Sydnor, Frankie Faison as Police Comm. Ervin H. Burrell, Domenick Lombardozzi as Det. Thomas R. "Herc" Hauk, Andre Royo as Bubbles, J.D. Williams as Preston "Bodie" Broadus, Deirdre Lovejoy as Asst. States Attorney Rhonda Pearlman, John Doman as Deputy Ops. William A. Rawls, Wood Harris as Avon Barksdale, Idris Elba as Russell "Stringer" Bell, Aidan Gillen as Councilman Thomas "Tommy" Carcetti, and Robert Wisdom as Major Howard "Bunny" Colvin

Chad L. Coleman as Dennis "Cutty" Wise, Jamie Hector as Marlo Stanfield, Al Brown as Major Stanislaus Valchek, Clifford "Method Man" Smith as Melvin "Cheese" Wagstaff, Melanie Nichols-King as Cheryl, Richard Burton as Shaun "Shamrock" McGinty, Tray Chaney as Malik "Poot" Carr, Anwan Glover as Slim Charles, Kelli R. Brown as Kimmy, Edwina Findley as Tosha Mitchell, Ernest Waddell as Dante, Brandon Fobbs as Fruit, De'Rodd Hearns as Puddin, Addison Switzer as Country, Shamyl Brown as Donette, Erik Todd Dellums as Randall Frazier, Joilet F. Harris as Officer Caroline Massey, Jay Landsman as Lieutenant Dennis Mello, Richard DeAngelis as Colonel Raymond Foerster, Ed Norris as Detective Ed Norris, Rick Otto as Officer Kenneth Dozerman, Melvin Williams as The Deacon, R. Emery Bright as Community Relations Sergeant, Justin Burley as Justin, Benjamin Busch as Anthony Colicchio, Norris Davis as Vinson, Nakia Dillard as Lambert, Barnett Lloyd as Major Marvin Taylor, Rashad Orange as Sherrod, Melvin T Russell as Jamal, Ryan Sands as Truck, Brian Anthony Wilson as Detective Vernon Holley, Jonathan D. Wray as Tank and Rashad Orange as Sherrod.

A couple of young hoods are talking on the street outside a stash house, they’re talking about Edgar Allan Poe’s house when a nurse rolls up with an apparently old gentleman in a wheelchair. The nurse asks them to help the man up the stairs and after they frisk him they do so. Inside it takes a moment before the gangers realise that they’ve been punked by Omar and his posse. One of the lads tells him “All due respect, but this right here… It’s a Barksdale joint, man.” Omar’s only response is “Do tell.”

Cue the credits…

In the Baltimore city morgue an officer is giving a talk to a group of young lads when McNulty arrives intending to talk to the mortician Dr. Randall Frazier (remember him from the previous seasons?) He wants to talk about D’Angelo’s suicide – have the case looked into and ensured that it was a suicide and not murder.

At county Stringer and Avon are talking about the situation on the street, forming a plan of action now the towers are down and gone. Avon wants to push forward and ensure that the Barksdale name rings out, but Stringer wants to do it without dropping to many bodies, because, as he points out, its bodies which got Avon locked up in the first place. Drug dealing tends to be ignored by the police apart from the occasional bust, but homicide gets their attention. Add to this a general loss of muscle with little fresh replacements and they have every reason to be a little cautious. They then move on and talk about Avon’s parole hearing, it’s looking good for the man – he’ll probably be out soon thanks to his hotshots and Levy’s silvered tongue.

Across the city the same story replays over and over, Stringer’s boys move into the corners not with muscle but with product. Good product at low prices, it gets the attention of the other dealers. But Bodie isn’t having it as easy, he’s been asked to talk to Marlo, but Marlo’s boys aren’t willing to let him know where their boss is.

Major Valchek is meeting with Carcetti, Valchek sees the direction that Carcetti is taking things and he’s looking for an angle to play for himself.

Bodie;s still trying to figure out where Marlo is, but he believes he has it nailed.

In a warehouse a ring is set out and a scoreboard put up.

Bodie sets up on the street and waits.

Cheese arrives at the warehouse, it’s a dog-fighting competition and he bets heavily on his own pooch ‘Dawg’.

Herc and Carver are sat in the car talking their usual trash. This time Carver is asking Herc what woman he’d like to have as his sexual slaves (he goes with the Olsen twins) and what guy he’d do once, one time, in order to have them. Herc is a little reticent to reply to this, he’s convinced that it’s a trap. Carver pushes him and Herc clarifies that he wouldn’t be catching, he’d be pitching.

The dog fighting is about to reach full swing, the corner men step out and the two dogs fight. Cheese’s brown Dawg and a vicious white brute. After a short fight Dawg is badly injured and Cheese is out twenty five thousand. Cheese picks up Dawg, collects his gun and walks out of sight. A shot rings out.

Herc is still unwilling to name a guy, he tries to bargain for an “unbearable looking woman” instead but Carver demands a guy. No compromises. A lad walks past with his cap on the side and Herc calls him over, asking him where the lad gets the caps which go on sideways, because he can only find “the ones with the bills in the front.” The lad answers without realising Herc is being facetious, explaining that it’s the same kind of cap but just turned sideways. He then marks Poot out.

At the corner where Bodie is hanging out Marlo arrives in his SUV. Marlo tells the boy who called him up to get back to work and then rolls past Bodie without stopping.

Down at the waterfront Burrell is meeting with Valchek, they’re talking about Carcetti. Valchek explains the lay of the land. Burrell needs to placate Caretti in order to avoid being screwed hard, but as Burrell notes, he can’t go back-dooring the mayor and get away with it. Carcetti arrives and Valchek departs, leaving them to talk with.

At the funeral home Stringer and his lieutenants are discussing how the situation is playing out. It’s hard work, especially for Bodie who can’t even get near Marlo to talk. Stringer tells him to get out and look for Marlo. Stringer then moves on to talk about the Omar situation. It’s clear to them that Omar has a hard on for Stringer and they need to shore up against him.

Carcetti and Burrell talk about their situation. Carcetti admits that he’s screwing around with Burrell and the police force because he’s bored. Burrell decides to softly play ball and asks Carcetti to try and sort out the problem he’s having with car repairs.

Marlo is at the auto shop, talking about the potential situation with the Barksdales. If he’s not willing to work with them he’s going to have to saddle up for a storm.

McNulty is drinking with Bunk and they’re talking about Dee’s “suicide”. Bunk somewhat agrees with McNulty about Dee, he doesn’t see it as a suicide, but he’s cautious about sticking his neck out. McNulty then spots a cute woman and asks Bunk to help him out with a “number three”, which turns out to involve Bunk hamming up his drunken state to allow McNulty to introduce himself.

In the street one of Cheese’s corner boy – Tri - is shot dead in mid sentence.

Cutty talks with his parole officer about what now, he’s told to stay away from criminals and “get a job”. But that’s as far as he’s going to be assisted.

At the mortuary McNulty and Dr Frazier are discussing Dee’s injuries, things don’t quite add up right.

Tri’s shooting runs up the wire and Caroline translates for Freamon and Prez.

On Poot’s corner Herc and Carver arrive, Poot calls for a time out to his boys and is then picked up by the dynamic duo. Herc and Carver talk with Poot about the situation, Poot plays it hard and the pair let him go with nothing for their troubles. They then move back to their previous conversation, Herc asking if a hand job would be enough.

At the Office things are heating up, Peanut’s dead now as well and then another voice cuts across the wire. It’s Cheese, he’s having trouble sleeping since he shot someone, his dawg. The detail are thrilled, they have an angle on Cheese now. Then another wire barks up and they here someone get shot. Freamon calls Detective Norris and tries to pass on the good news – Norris hangs up on him.

In the western district stats fixing is under full swing. While Herc and Carver meet Poot and Bodie at the cinema, it’s almost like co-workers meeting.

In the offices Freamon is checking out the pictures of the bodies from the shootings.

At home Kima and Cheryl sit on the sofa, conversation is forced and strained between them after the birth of Cheryl’s baby.

The next morning Cutty finds work labouring while Kima and Freamon bring the recording of Cheese on a platter to Daniels. At the moment they’re looking to hold onto the recording for as long as possible, because once they give up the wiretap by collaring Cheese then the jig will be up and the remaining dealers will switch up their communication methods.

McNulty is over at Donette’s house, he asks her about her opinion on Dee’s sucide, and extrapolates a little on his suspicions and explains why he’s doing this. She’s clearly not happy to have him there and so he leaves his card then departs.

The majors are in for their briefings, Rawls is roasting one of them over his (lack of) knowledge over the shootings in his area. Colvin watches from the sidelines.

Marlo arrives on the corner and Bodie clocks him, he gets up and walks over to talk to the man. Marlo ignores him initially, but then tells Bodie to walk off and leave. Bodie sighs, turns and leaves.

The Major Crimes Unit meet with Ronnie about the wiretap and the bodies. McNulty wants to hang on, but Daniels points out that the unit is about the violence, not the drugs. So they plan to use the tap and try to roll up Cheese.

Cutty is working in the garden, the owner of the house talks to him and the other gardeners in broken Spanish. Cutty can only star incredulously at this assumption, he doesn't even look the least bit Spanish.

At the MCU Office things are a go. They pick up Cheese, planning to break him and move up the ladder towards Prop Joe and Stringer Bell.

Outside the western district Herc and Carver are still talking about Herc’s decision, Herc has increased the list to four women and finally settles on Gus Triandos. Carver doesn’t rip into him over the choice and then turns to address the men. He tells them they need to keep their incident numbers sequential, photograph everything before bagging it and to make sure that their cameras are loaded with film.

In the interview room Bunk and McNulty interview Cheese, he doesn’t even flinch so Bunk pulls an impression of him on tape talking about shooting his dawg. Cheese shakes his head and tells them the truth; that he thought he was being punked and lit up his dawg. McNulty and Bunk offer to let him go if he rolls up on this shooting. Cheese doesn’t roll and tells them that the body is in the warehouse. Everyone looks pleased and happy outside the interview room until Bunk and McNulty walk out. They can charge Cheese with ‘improper disposal of an animal’ and ‘discharging a firearm within city limits’, maybe even ‘animal cruelty’. As you should have figured by now, Cheese was talking about having to shoot Dawg, his dawg. Not any person. The wiretap is screwed.

Herc and Carver are outside, Herc is asking Carver to let loose on him when Dozerman comes up and starts talking about Gus Triandos. Herc is not impressed.

At the bar the MUO are drinking in commiseration over their sorrows. They’ve lost the wire and Daniels is feeling a little sorry for himself. Ronnie soon turns things around for the man, by suggesting that he could still have his cake and eat it. She places a hand on his thigh.

Dozerman and Carver continue to rile Herc over his ‘confession’ while they work narcotics.

Burrell meets with Carcetti who’s managed to turn things around and get 20 squad cars back onto the streets by the end of the week. Burrell moves on to let Carcetti know that there’s no money for academy training of new officers. Carcetti offers to help out.

Kima arrives home, finding the place covered with baby stuff and Cheryl asleep with the baby. She turns away, fixes up her hair in the mirror and heads out again.

Dozerman makes the hand-off with the dealers and is then shot. Colvin is called about the shooting. Daniels brings Ronnie back to his place, it’s almost empty as he just got the lease.

It turns out that the shooting wasn’t fatal, Bunny tells them that they did good getting to him fast, but the shooter is in the wind. Dozerman has even lost his gun in the process. Bunny finishes his drink and tosses the can up onto the roof.

Kima is out at a gay bar, she’s caught the eye of an attractive young woman.

Daniels and Ronnie wake up in the morning and get reads to head out. Bunny rolls out on the street, meeting up with the Deacon to talk about what’s happened. He’s frustrated because he’s left almost nothing behind, the city is worse than when he started on the job. The Deacon tells Bunny that there’s nothing you can do to fight drugs.

In the MCU Office the wires have gone dead, Freamon is back to making his dolls house furniture. It’s all quiet now they’ve tipped their hand.

In the western district Bunny briefs his men. Dozerman is now in a ‘guarded condition’, but all hand to hands are suspended. Bunny then pulls out a brown paper bag holding a bottle and tells the story of the brown paper bag. About how the paper bag rose up as a compromise between the drinkers and the police, with the bottle inside the bag it meant that the officers could look the other way and not lose face.

There’s never been a paper bag for drugs. Until now.

Herc and Carver find themselves sat back out in the car, Herc is confused about Bunny’s speech. They roll past Bodie without busting him, Bodie nods acknowledgement to them and we cut to black…

Well it didn't take long for things to turn sour did it? The wiretap is dead for no benefit, people are dying, the higher ups are in bedlam over what this means to stats and Herc is talking about screwing a baseball player. Still, it wouldn't be The Wire if things ran smooth would it?

For myself the main things I take away from this episode is the relationship between Herc, Carver, Bodie and Poot. In many other shows and even films the "confrontation" in the cinema would have been far more aggressive and possibly violent, but instead it plays out more like a meeting between co-workers. Bodie is quite civil, in truth he's genuinely surprised because he's never really thought of Herc and Carver in personal circumstances. To him they're the policemen who bust his head every day for no real reason. But here he's seen them as the men behind the badges, or at least had a glimpse and it's surprised him no end.

Apart from the collapse of the wiretap and the general personal things the other storylines start to build slowly. You can see how Marlo fits into this as an atagonistic element for the Barksdales, his presence has to be dealt with and can end in either co-operation or the destruction of one drug organisation. The political aspect of the show ticks along in the background, while politics is a huge thing, especially when you're dealing with drugs and law. But it isn't dominating the storyline.

Still, at this point there's not much more to write about, because the first few episodes of each season are mostly build up. And we've got plenty of that yet to come!

Trivia:
This episode quotes it's title three times in the episode and shares the name with the fifth season finale of The Sopranos.

Bunny's speech at the end of the episode is more or less taken direct from book The Corner and it can be directly attributed to ex-policeman and David Simon's writing partner, Ed Burns.

The Deacon is played by Melvin Williams, the real life inspiration for Avon Barksdale and crime lord until he was caught by Ed Burns and sentenced to 34 years in a wiretap similar to the first season's storyline. Needless to say some people were outraged that Melvin was "rewarded" for his crimes in this manner.

How great does Rhonda Pearlman look in this episode?

Open with Boadie, Poot and Puddin walking down towards the Franklin Terrace housing, talking about the place while Mayor Royce gives his speech to an appreciative crowd about the planned improvements and residences which will replace the ill reputed Towers. The boys reminisce about the past while the politician talks of the future.

The biggest issue for the lads is the loss of territory, which is what this change represents and as the crowd count down we see the end of an era for Baltimore. An end heralded by a dust storm which for a brief moment makes the place look like the end of the world.

Cue the new credits. These credits depict the change in focus for the show, while the drugs and crime are still front and central there are also new elements, including drugs, property development, boxing, politics and a large slice of sex depicted alongside the crime and police themes.

Sydnor and McNulty are in a disused apartment, the place is a sty but it’s essential for their work. The target, one Cheese Wagstaff is outside. Elsewhere, in the new offices for the Major Crimes Unit (previously known as the Detail), Freamon and Prez are listening to an wiretap. Unlike the previous seasons, where the story took around six episodes before electronic surveillance was on the cards it’s here from the get go. It’s not just their offices which have improved, everything has. But some problems never change, one of which is the difficulty Prez and Freamon are having with the dialog recorded. (Ironically reflecting the difficulty some viewers, especially British ones, are reputed to have when watching the show. Of course, to watch it with subtitles is considered to be reducing the show from serious drama into comedy. And if you’re not sure, that’s scorn I’m heaping on George Pecalonos’s statement there) Fortunately for them they have the assistance of Caroline who translates for them both with clarity.

The phone rings again, there is a short conversation with Cheese’s number two and then Cheese heads off. While the phones help, the important information is kept in face to face conversations, as Freamon comments it’s been three months work and they haven’t yet heard Cheese’s voice on tape.

Herc and Carver are talking with some fellow officers, they discuss a plan for busting some hoppers, the most notable element is to ignore the runner and pick up everyone else instead. They’ve learnt from their time with Kima and the Detail previously, even if they weren’t happy with the way they were treated. Herc rolls out to the Shaft theme.

They arrive and the strains of the theme play out while the lads are arrested, Carver waves to the runner but his amused snark is cut short when the boy picks up a bag and runs. They realise he’s not just making a break for it to distract the cops, he’s running with the stash. Everyone scrambles, leaving the others standing, one lad picks up another bag. It seems that the runner is a decoy after all.

But Herc and Carver are unaware of this and as they head out (with Shaft blaring) it’s Herc who picks up the lad in his car while Carver runs on foot. Carver calls for back up and the black and whites arrive with helicopter support. Herc picks up Carver and they arrive at the block where the lad went to ground. Carver stands on the roof of the car and gives a long speech, posturing in an attempt to flush the lad out (and assert his authority). There’s no response and he’s left looking a little foolish.

At the funeral home Stringer is holding a meeting with his lieutenants, Boadie is keen to move on some territory but Stringer explains the game is now about product not location. The Barksdales have the best product and that means people will come to them. Slim Charles points out that without territory it’s going to be difficult to sell, you can’t sell if people can’t come to you. Stringer explains how things worked out when they gave up some of their territory in exchange for product with Prop Joe (see season two), they made more profit. But Boadie wants to know where they will stand, Stringer explains the plan is to bring the competition in by selling to the competition. The only issue (as pointed out by Slim Charles) is if the competition doesn’t want their product.

Poot is upset about this, but Stringer lays down the line, it’s time to start thinking like businessmen not hoods.

Sydnor and McNulty return to the Office, much to the amusement of Kima, Ronnie and Freamon they’re an absolute state. McNulty is resigned to the mocking amusement, he’s more frustrated about how hard it is to pin Cheese down to a phone. Ronnie and Daniels talk about closing down the wiretaps now and trying to roll up some of Cheese’s lieutenants.

They may have had good intel as a result of the port investigation, but it’s lead them almost nowhere. McNulty is convinced with a little more work they’ll hit Prop Joe and then reach Stringer. But Daniels points out that they have little time left.

Major Howard “Bunny” Colvin is in his office, he’s talking with two of his men about the importance of directions, he explains how the numbering of the city streets work and throws the pair some compasses before welcoming them to the west. As the two officers head out Carver and Herc rib them a little before Bunny comes out. They caught the runner, (and delivered the promised beatdown on him) but the boy didn’t have any drugs on him in the bag.

Bubs and Johnny are out on the street, they’re back collecting scrap, moving it in a shopping trolley. But suddenly it gets away from them and the stuff spills, hitting a car and seriously upsetting the owner of the car who produces a gun and puts it to Johnny’s head. A few moments later another man steps out and asks “what’s up”, the first explains to the second and he tells the guy to either do it or don’t. As the second, one Marlo climbs into the car his lieutenant demands some dime. Bubs and Johnny don’t have any money, so he takes their pants.

(Note: If you look carefully here you can see that Andre Royo [Bubs]’s legs are far too healthy and strong for his role as a perpetual drug addict, but the scene is kept short and he moves fast to try and conceal this fact.)

Burrell and Rawls are at city hall, they’re being grilled by one Tommy Carcetti over the increase in shootings during recent times. Burrell passes the issue to Rawls, who – as the stat obsessed individual he is – already has the answers. Carcetti closes the meeting and heads out to talk with Burrell in order to arrange a lunch meeting later today.

McNulty, Kima and Freamon are out in a car; they’re watching their last, best hope at getting a crack at Cheese, Prop Joe and Stringer. One Drac, the “talkingest motherfucker” Freamon has ever heard on a wiretap. He’s a small fish who re-ups from Lavell Mann, but if they eliminate Lavell from the equation it’s Drac who’s most likely to be promoted into the space.

In a scene which should be familiar to those of you who’ve watched the corner, Johnny and Bubs collect the money for their scrap metal. They’re reminded that they’re missing pants by the scrap collector. Neither man looks amused.

Carcetti and Burrell have lunch and Carcetti tells Burrell a story about Jimmy Carter and one Dominic DiPetro. Carcetti’s point is that he wants to be more than he is, and his problems are schools and crime. He offers his services to Burrell to help the man in any budget shortfalls. Burrell isn’t interested though, he’s determined to follow the chain of command rather than circumvent Mayor Royce and risk any backlash.

Wee-bay is in the prison yard, he’s meeting with one Dennis ‘Cutty’ Wise, a long term inmate who’s about to be released tomorrow. Avon walks across the baseball yard, prompting a time out from the prisoners, just another example of his power inside the jail. Avon joins Cutty and Wee-Bay and they talk about the changes outside, the changes and the things which have remained constant. Avon wants someone outside to be his man, he’s keen to have Cutty back in the game and sweetens the deal with a little ‘coming home gift’. Cutty heads off and Avon wonders if Cutty has been broken by his time in prison, Wee-Bay doubts it. Cutty was a hard soldier in his time.

Bubs and Johnny; a little short now they had to purchase replacement pants, attempt to pick up a pair of vials for sixteen, which is four dollars less than the street price. The hoppers aren’t having anything of it though and turn the duo down.

Burrell and Daniels are talking about where to go now on the Major Crimes Unit. Daniels explains the plan concerning Lavell and Drac. When Burrell asks why the dealers would promote the wrong man, a man who could endanger their institution, Daniels pauses for a moment before admitting “We do it all the time.” Burrell laughs and then talks about Daniels’ impending promotion, a promotion which is being held back because of Daniels’ wife. Daniels isn’t happy about the situation as their deal was for the Major Crimes Unit and promotion to Major. Burrell believes he’s honoured his part as far as he can.

Bunk and McNulty are at the ball game, talking about McNulty’s kids while looking after Bunks. McNulty spots his two sons with Elena and some guy, a man who’s clearly involved with Elena from his body language. The four people are sat in the front row of seats with an amazing view of the field. McNulty isn’t pleased about the suit, Bunk is amused.

Bubs and Johnny are in their den, talking about the failure of the day. Johnny is optimistic about tomorrow, Bubs is realistic. He’s tired about things, half a shot isn’t enough to get him high. Shots ring outside.

McNulty meets with his lads, Elena chats a little about her ‘friend’ Dennis. McNulty goes to take them both up to the mezzanine and the lads aren’t pleased about the idea of sitting there. Dennis arrives and attempts to integrate himself with McNulty, but of course Jimmy isn’t interested in making friends with the man who’s sleeping with his ex-wife and winning over his kids with his money. McNulty takes his two boys off, cut into silence by the situation.

In West Baltimore the shootings are on the rise, Detective Cole is supposed to be up, but he’s working a case off Belvedere. The shooting will either go to Crutchfield or Bunk, needless to say the Bunk man will not be happy if he’s called in on his off day.

Bunk himself is still enjoying the ball game, but McNulty is now engrossed in watching Elena and Dennis together and is barely paying attention. Bunk’s phone rings and its bad news. He’s up for the shooting and has to head in. So Bunk leaves his son in McNulty’s capable hands and heads off.

It’s the following day and Cutty is out walking, free at long last and just revelling in the sounds and sights of the world outside the walls. It’s clear he’s looking at places he used to remember, most of them now boarded up, but not the home of one E. Wise. Cutty’s mother.

Rawls and Burrell are in a meeting regarding the overview of police work in the city. Burrell is talking aside about Carcetti while Rawls roasts the officer (Marvin) over his decisions. The bottom line here is that all of the robberies are linked and the homicides are out of control. Stats, stats, stats.

Sydnor is strapping up, ready to head out with a wire. Ronnie heads in to talk with Daniels and realises that the man is living out of his office. Daniels dismisses his men, sending them out to sting Lavell in order to get Drac promoted. Ronnie looks at Daniels for a moment afterwards before the two part.

Sydnor talks with Lavell, getting the agreement on the deal before the rest of the force push in. Arresting Lavell and Sydnor together. Sydnor puts on a little show, shouting at Kima while he’s dragged off in cuffs.

Elsewhere in Baltimroe Cutty picks up a payphone and calls the number he was given. He arranges a meet at the Oxbow before hanging up, looks like Cutty is back in the game.

At the Major Crimes Office Drac is all over the wire, mouthing off about what’s happened to Lavell.

Cutty arrives at the Oxbow, he’s greeted by an SUV, the two rollers inside tell him to head over to the shorty and pick up a little help. When he’s ready for big action he’s to get back in touch with them. Cutty walks over to the lad who stands up and wals away, leaving behind a package. Cutty exclaims when he picks it up.

Daniels returns back to his home, his wife is having a meeting with Delegate Watkins about Marla’s run at her office. Daniels then heads upstairs.

Following morning, Burrell and Rawls arrive at city hall and they’re greeted by a host of camera men. The pair look concerned as they sit down in front of a stern looking Carcetti.

At the Major Crimes Unit it turns out that Cheese has been promoted into Lavell’s position, not Drac.

Carcetti opens up his broadside at Burrell and Rawls; he’s refusing any extra money for the police department. By bringing up the various expenses which are being incurred by the higher ups in the department, he humiliates the pair publicly and sends a strong message to Burrell.

Daniels is woken up by Marla from his nap on the sofa. Daniels is willing to help her out as best he can, he admits as much before leaving the house.

Burrell meets with Mayor Royce about Carcetti’s move, they’re not sure exactly what Carcetti’s planning, but they want Burrell to keep the murder rate down under 275 for the year. It’s at 232 right now, which means it’s going to be tough.

Cutty stares at the package, it’s filled with vials.

Burrell and Rawls pass on the good news to the Majors and Foerester is more than a little concerned about the number required. Rawls blasts him and then lays down the bottom line. Bunny speaks up, asking how to make bodies disappear. Rawls looks set to strangle him, but Burrell places a hand on the man and stands up. Reminding everyone about the precarious nature of their positions before leaving. Rawls eyeballs Bunny as he dismisses the men. Valchek is incredulous about Bunny’s outburst. Bunny explains he’s close to retirement and just doesn’t care.

Cutty sits on a stoop, watching a few young hoppers deal. Observing the process.

Ronnie wants to know if anyone has any more ideas now that the Drac angle has come up dry. McNulty suggests bugging a few corners. Daniels points out how weak and expensive the whole thing would be. It’s time to wrap things up. McNulty is not happy about this, revealing just how personal this is when he exclaims “We’re just gonna let that same son of a bitch [Stringer] beat me again?” McNulty is obsessed with Stringer, but that doesn’t mean he’s wrong. Stringer is the big fish in the pond here, but McNulty has once again offended his co-workers with his outbursts.

Cutty approaches one of the lads, the one who runs the corner. He offers to sell his goods to the lad. The guy offers an even split on the drugs, Cutty haggles to a 60-40 split and is told to hand on his goods.

The Western District troops are debriefed, Bunny is planning to head out and ride the district for a while. He’s seeking a solution to the problem of bodies. As he heads out he finds Herc and Carver with another batch of young lads – this time charged with loitering and being ‘assholes’.

McNulty is alone in the Major Crimes Unit, the wire blurts into life and he pulls out one of the old boxes containing the case file from the Barksdales.

Bunny drives out in the streets, watching the people on the stoops. He’s marked as an officer quickly.

Prez arrives at the MCUO and sees McNulty flicking through the old file. His look is enough and it’s Caroline who vocalises to McNulty. McNulty claims that it’s important to look at what went before. History doomed to repeat itself. He lingers on a picture of D’Angelo before heading to the computer to look him up. Lights out as he leaves.

Cutty heads up the corner and goes to meet with the lad he made the deal with. It turns out that the stash was snatched up. Cutty asks if the boy has a number for the police report. He knows he’s being sold a story, but there’s little he can do as the boy produces a pistol and shoves it in his face.

Cutty crosses the road in front of Bunny. He rolls up next to a group of lads and one of them attempts to sell him some drugs. Bunny puts on his cap, almost incredulous that the lad couldn’t identify him from the police radio and uniform. The boy's friends mock him and Bunny drives off…

Well compared to the previous two seasons the third one hops up with quite a lot in full swing. There's a wiretap up, the Major Crimes Unit is up and running and compared to the first episode of both previous seasons it's almost filled with events and movement. It's also considerably expanded it's cast, bringing the political side of policing more to the front by encompassing City Hall in it's scope. This means that we get to see more of Burrell and Rawls than previously and also we get to meet the politicians who influence and effectively control the pair (Rawls now being promoted to Deputy of Operations thanks to his slavish devotion to stats).

There's also new faces in the game at street level, Marlo and his crew provide a lot of new people to keep a track of - which can be difficult when they're not mentioned by name too often, there's also Dennis 'Cutty' Wise returning to the streets and Major Colvin as well. So it's impressive that the show manages to bring so many new characters onto the screen without losing it's focus. The Wire is a show with a lot of characters already, but it's almost bursting at the seams now.

Still, all of this hustle and bustle - especially around the MCU - isn't all progress and light. In fact, as things unfold we've seen that the promising looking investigation into Prop Joe and Stringer is struggling. They can't even get as far as Cheese Wagstaff, let alone Prop Joe. So they're around four (or more) rungs away from reaching the key players they need.

This is because the dealers have learnt from their previous experiences, once bitten, twice shy. And this is something I appreciate about The Wire's scope and characterisation. The "villains" (and I use that term loosely) learn and evolve, they're not one dimensional cut-outs who are a single step away from wearing a cape and twiddling their moustaches. They're rounded, understandable individuals - they're human - at least, the ones we get to know are, but that paints the rest in a strong light also.

Much like Homicide, the police in The Wire are driven by statistics. While "the wall" (the whiteboard where names of homicide victims go up) isn't front and centre in The Wire - the bodies and their linked statistics are. They had a growing focus the second season - the sheer quantity of names up in red from those Jane Does just dominated a lot of conversations involving Rawls and Landsman. But the third season has taken the scope and widened it further - across the city now the stats need to show a drop of 5% in crime rates and no more than 275 bodies for the rest of the year.

Which if you think about it is an incredible idea, policing is not normally an excercise in preventation - it's about solving after the fact. Especially when you're talking about murders, the only way to directly prevent crime is by increasing police presence, but no city has enough police for an act like that - in part because of the cost and in part because of "police state" fears from the public. So what's being asked is nothing short of impossible, as Colvin himself notes in the episode - you can reclassify crimes to fix the stats, but how do you make bodies disappear? You can't and shouldn't, because the problem isn't caused by the police force - it's caused by society.

And that's the kicker.