The Wire Podcast at /Film

Category: , By Rev/Views
In a continued effort to shove share the brilliance that is HBO's The Wire with as many people as possible I'd like to report that /Film's 29th episode of /Filmcast is a three hour extravaganza all about The Wire.

It features Dave, Devindra, and Adam along with special guest critics Alan Sepinwall and Myles McNutt.

It's a superb listen for fans of the show and the first section is even accessable to people who've not seen the show, are curious and don't mind a few light spoilers.

The link to the page where the podcast is located is here. Enjoy.
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You Suck At Photoshop

Category: , , By Rev/Views
Today we have a review on a series I've been watching for a while and I've felt somewhat prompted to write about now that Time Magazine has voted it into their top 10 best TV episodes of 2008. Additionally I like to try and mention the odd web based video show (quick props for Zero Punctuation) as I do feel web based shows are worth supporting.

Education:
  1. The act or process of educating or being educated.
  2. The knowledge or skill obtained or developed by a learning process.
  3. A program of instruction of a specified kind or level: driver education; a college education.
  4. The field of study that is concerned with the pedagogy of teaching and learning.
  5. An instructive or enlightening experience: Her work in the inner city was a real education.
Entertainment:
  1. The act of entertaining.
  2. The art or field of entertaining.
  3. Something that amuses, pleases, or diverts, especially a performance or show.
  4. The pleasure afforded by being entertained; amusement: The comedian performed for our entertainment.
  5. Archaic. Maintenance; support.
  6. Obsolete. Employment.
Edu-tainment:
  1. An almost meaningless buzz word used in some educational circles and bandied about elsewhere without real understanding
  2. The effect of watching "You Suck At Photoshop".

You Suck At Photoshop is a series of short web tutorials which follows a well used educational psychological principle, if you make something enjoyable and fun while learning then those you are teaching will interact with and absorb more of the information you're trying to transmit. Photoshop is a complicated tool with thousands of possibilities, but it's not exactly intuitive or easy to use.

Enter Donnie Hoyle; who's brought us this series of tutorials, each episode of which teaches a new method or methods that can be applied on Photoshop. But Donnie is not your average dry straight talking instructional teacher. No he's a man with problems; a lot of problems and as each episode unfolds these problems encroach into the episode and provide the comedy. You see Donnie is a man utterly crushed by his own life, it's spiralled out of control and he's ended up trapped in a marriage he hates and a job he loathes. His life is dished out to the viewer in little snippets each episode as the next unfortunate event hits him and sends him spiralling off into a panic attack. It's a great blend of dialog comedy combined with an honest to goodness tutorial that might just teach you a new feature of Photoshop.

There are two ways to rate You Suck At Photoshop, the first would be looking at how well it instructs the viewer. I'm no Photoshop expert; I understand a bit beyond the basics, stuff like layers, levels, paths, masks, filters, opacity etc. But I couldn't claim to know enough to even be considered a rank amateur at the thing, I still find myself struggling with it at times. So I can only talk about what it's like to learn as a novice, I can't state for certain that you're being taught the best way to do things. I can only say that the methods taught work.

On the other hand there is the comedy in this show; Donnie is best described as (and this is the official term) a complete loser. He's a hapless victim in just about every situation he lands in and is unable to handle any confrontational situations that arise. He's quite literally walked on by everyone and has this desperate layer of anger underneath it all. He's the kind of person who just suddenly snaps one day and goes out on a spree, then later on when being interviewed all his friends, co-workers and neighbours would say "He was such a quiet man."

There are a few other characters who make "appearances" (vocal appearances at least) in the episodes, the most prominent of these is Sn4tchbuckl3r, a member of Donnie's online guild.
Sn4tchbuckl3r will often interrupt Donnie's tutorials with Skype and hold brief conversations, either about things that are happening in their MMO (I think it's probably World of Warcraft, but I'm not sure) or circumstances that have been happening in Donnie's life itself. It's clear from the short conversations that Sn4tchbuckl3r is Donnie's closest friend and confident, it's also clear that Sn4tchbuckl3r doesn't exactly respect Donnie.

You Suck At Photoshop set out to do two things, teach people how to use the various features in Photoshop and also provide comedy and entertainment at the same time. Honestly it's succeeded on both counts and is well worth watching even if you're not a Photoshop user.

You Suck At Photoshop is written, starring and created by Matt Bledsoe and Troy Hitch, and is available to watch at My Damn Channel. The first episode is located here.

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Time Magazine's Top 10 lists: TV

Category: By Rev/Views
So Time Magazine (who do have exceptionally good taste) have released their yearly Top 10 of everything.

The lists that interest me break down as follows.

(Following the links risks spoilers for the shows listed)

Top 10 TV Shows:
1. The Shield
2. Mad Men
3. The Presidential Election
4. Dr. Horrible's Sing Along Blog
5. The Wire
6. Breaking Bad
7. Lost
8. Battlestar Galactica
9. Architecture School
10. Chuck

That's a great list. I have no idea what Architecture School is and I don't really enjoy Lost, but the rest of those items are just brilliant shows. Seriously, you can't go wrong with watching that lot.

Top 10 TV Episodes:
1. Lost - The Constant
2. The Shield - Family Meeting
3. The Wire - Late Editions
4. In Treatments "Alex --- Week Eight"
5. Breaking Bad - Pilot
6. Battlestar Galactica - Revelations
7. The Colbert Report - Jan 22 Episode
8. 30 Rock - Cooter
9. Mad Men - A Night to Remember
10. You Suck at Photoshop "Distort, Warp and Layer Effects"

Again there's some great stuff here, plus some stuff I've not watched yet. It's another selection of can't go wrongs.

The full set of top 10 lists can be found here.

Got any top 10 lists you'd like to see from Rev/Views before the end of the year?
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Ameri-holics Anonymous or I'm from Britain but I don't like British Television

Category: , , By Rev/Views
A week or two ago; while looking at my DVD collection in it's entirety something started nagging at my mind, then last week while watching TV another unrelated thought suddenly linked itself with the previous one and I stood up to consider my collection again.

I realised, I really don't like modern British shows and in fact the only kind of British shows I enjoy watching are sitcoms and documentaries. I rarely watch any British drama and when I do it's often with a mix of derision and scorn, I'm very harsh at poor old Doctor Who for one.

The current running shows that I manage to watch are My Family, Moving Wallpaper, Mighty Boosh and Gavin & Stacey (all which I only catch when they are released on DVD). Occasionally I also watch Q.I., Top Gear, Doctor Who and Live at the Apollo but more often than not I forget what time these shows are on and instead. I did used to watch Skins but I've decided the cast change has soured interest in the next season, and I can only mention just one decent drama in recent times - Life on Mars.

I did also watch Deadset but felt mostly let down by it, it's not something I'd ever want to watch again.

The complete list of British shows I own on DVD is even more damming:
Black Adder, Black Books, Coupling, Darkplace, Extras, Fawlty Towers, Gavin & Stacey, Green Wing, Marion & Geoff, Jeeves & Wooster, Mighty Boosh, Monty Python, Moving Wallpaper, My Family, The New Statesman, Peter Kay's Phoenix Nights/Max & Paddy, Red Dwarf, Spaced, The Scarlet Pimpernel, Sharpe (I've not watched the newest two yet), Skins, Spaced and a range of BBC Wildlife Documentaries.

The vast majority of these have now ended with no sign of a return and quite a lot of them are from the previous decade as well. My American shows on the other hand covers a range of genres, drama, sitcoms, police procedurals, sci-fi, cartoons etc etc.

So I've spent a bit of time trying to figure out why I prefer shows released by our American cousins over ones from this wet, dour country that I so love.

I think it boils down to a few simple things; length, resources, depth, guns and channels.

American seasons are simply longer than British ones, often by a factor of three or more. The American show will normally have either around a dozen episodes or two dozen, while the British show will have six or eight. This time is important, you've got longer to pan out any story arcs and set up situations and it also means you get a lot more bang for your buck when it comes time to pick up the DVD set. Paying £15 for 22 episodes of Seinfeld just feels better than the same for 6 episodes of The Mighty Boosh.

Tied into this is the issue of resources, Britian has some incredible writers but suffers greatly when it comes to implementing ideas. Our country is small and lacks the natural resources America has, so not only do special effect budgets suffer and overall budgets are smaller as well. There's not much that can be done about that unless someone out there decides to create a British TV industry city. (A Brit-Hollywood so to speak)

Depth is a personal peeve and one I understand doesn't influence everyone. I like shows which are intelligent and challenge the viewer, I more than appreciate that most people just want to be entertained - and they're well catered for in the current world of quick fix TV. But for every five or so reality TV shows, sketch shows and so forth, there should be an intelligent show with a real story to tell. Where's my British show with the depth and scope of The Wire? We've got skilled enough crime authors and writers to do this, so why isn't it happening?

Guns, well guns is an interesting one. I'm not writing that guns are a selling point for me, no I don't need guns to make things exciting. But it's more the case that British shows keep trying to bring in guns, this is something that normally looks very unnatural on the screens as guns are a rare thing in the UK (thank goodness). Torchwood's penchant for the metal phallus is a great example of how not to do it, Marion & Geoff on the other hand managed to include a gun in it's story lines in an intelligent and entertaining manner. I guess I'm saying guns should be an exception in British shows, not the rule.

Channels, now this is probably where the biggest problem lies. Most British channels are essentially repeat or syndication machines designed for giving us other people's programming. There are exceptions, but a lot of new material ends up being pushed onto the side channels (E4, BBC3 etc) and poorly advertised.

Now I'm not totally bashing UK TV here, there are some bright spots, the BBC (thanks to Sir David Attenborough's influence) produces amazing unrivaled wildlife documentaries with superb narration (Attenborough again and Jack Davenport). We also do a brilliant cynical, grubby, low key comedy which often has unpleasant people being unpleasant to each other in hilarious manners. So there are bright spots, but there's a lot more trash on UK TV now than ever.

I've mentioned this before, but I'll repeat myself here. I really think that the UK needs something like a UK equivalent of Showtime, FX or HBO over here. A subscription channel that's dedicated to making quality original programming, heck do it in co-ordination with an American channel if the funding is needed. I'd love a HBO-UK for example (HBO & BBC worked together for Extras). I'd even get off my critic horse and write some scripts if that happened, I'm that starving for some quality storytelling set in the UK. Oh and Law & Order: UK doesn't cut it if that's what you're thinking.

So, what do you think? Should I just get my head out of the sand and embrace UK TV, am I wrong in my perception that it's all comedy quiz shows, reality voting shows and repeats from the past? Am I missing some real genuine gems?
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Watching The Wire: Episode Eight: Lessons

Category: , , , , , , By Rev/Views


“Come at the king, you best not miss.” – Omar Little

Teleplay by David Simon
Story by David Simon & Ed Burns
Directed by Gloria Muzio

Starring:
Wendell Pierce (Det. William "Bunk" Moreland), Deirdre Lovejoy (Asst. States Attorney Rhonda Pearlman), Wood Harris (Avon Barksdale), John Doman (Maj. William A. Rawls), Lance Reddick (Lt. Cedric Daniels), Andre Royo (Bubbles), Idris Elba (Russell "Stringer" Bell), Frankie Faison (Deputy Comm. Ervin H. Burrell), Larry Gilliard Jr. (D'Angelo Barksdale), Dominic West (Det. James "Jimmy" McNulty) and Sonja Sohn (Det. Shakima "Kima" Greggs)

With:
Clarke Peters (Det. Lester Freamon), Domenick Lombardozzi (Off. Thomas R. "Herc" Hauk), Seth Gilliam (Det. Ellis Carver), Peter Gerety (Judge Daniel Phelan), Antonio Cordova (Sean McNulty), Brandon Price (Anton "Stinkum" Artis), Hassan Johnson (Roland "Wee-Bey" Brice), Corey Parker Robinson (Det. Leander Sydnor), Maria Broom (Marla Daniels), Michael Kenneth Williams (Omar Little), Tray Chaney (Malik "Poot" Carr), Michael B. Jordan (Wallace), Wendy Grantham (Shardene Innes), Eric Ryan (Michael McNulty), Jim True-Frost (Off. Roland "Prez" Pryzbylewski), Tony D. Head (Maj. Bobby Reed), Clayton LeBouef (Wendell "Orlando" Blocker), Donnell Rawlings (Damien Lavelle "Day-Day" Price), Micaiah Jones (Wintell "Little Man" Royce) and Christopher J. Clanton (Savino)

The Summary:
McNulty has his sons play the game of “front and follow” with Stringer Bell as the target, and they get Bell’s license plate number for their efforts. Greggs and Carver bust a driver for picking up a large amount of cash from the towers, only they’re forced to return the money on orders from the Deputy Commissioner. Avon finds out about Orlando’s inquiries to branch out into “dirty” business, and makes it clear to Orlando that that’s not the plan.

Read about front-and-follow, a desceased smell and sixty days beyond the link…


The Recap:

McNulty at the market with his two sons Mikey and Sean when he notices Stringer Bell in the place and tells his lads that it’s time to play ‘The Spy Game’. It’s clear that this is a ‘game’ McNulty has taught his boys a long time ago and one they’ve played many times. But it seems that this is the first time he’s ever stooped to send them after a genuine criminal. While they follow an oblivious Stringer his pager goes off and he heads outside. McNulty signals that he’ll get the car, leaving his children following Stringer unsupervised.

Now it might seem very careless of McNulty to send his boys off following Stringer unsupervised, but there are a couple of things you have to bare in mind here. McNulty is a man driven, obsessed with catching Avon and Stringer, so much so that it interferes with his ability to be a good father. It’s also worth noting that his lads are experienced with this game and more importantly Stringer doesn’t know what McNulty’s two kids look like (or even if McNulty has children) so he’s not going to pay attention to them. Now in another TV show you might have seen an abduction moment happen here, but The Wire isn’t just another TV show, even if Stringer did know who these boys are there’s no way he would ever harm them personally, especially not in a public place, so for the most part these boys are quite safe.

It’s still an irresponsible act for a parent mind you…

McNulty is delayed in the car park by other people’s cars while his sons continue to ‘front and follow’ Stringer who has turned and gone back into the market. McNulty arrives outside and is immediately concerned that he can’t see his boys because they’ve followed Stringer back out of a different exit to his car. Mikey gets a little closer and writes down Stringer’s license plate (Maryland: JLY 488 if you’re curious) before he drives off. By now McNulty is concerned and has spoken to security and an announcement is put across the market speakers. Cue credits…

Back in the basement Freamon, Prez and Greggs are discussing the two payphones that were torn out at the same time. They’re not entirely sure why both payphones from the Pit have been torn out, but they suspect (rightly) it’s because they’ve spooked the Barksdales somehow. Kima and Prez point out that they still have both the Tower phones and Stringer’s pager but Lester reminds them that this is a prime example on how cautious this organisation is. It’s something they need to keep in mind at all times, remember the Barksdales operated for a long time without drawing any attention to themselves and if it hadn’t been for D’Angelo’s misstep and McNulty’s ranting in the first episode they might still have been under the radar.

In the main part of the basement Herc and Carver are chatting about the sergeant’s test they both plan to take when Prez asks them to follow some of the Pit crew to the new payphones they’re using. Naturally Herc and Carver are less than interested in performing this, in part because of their test and in part because they’re straight up lazy. So instead of getting up and heading out as Prez requested they lay into him and remind him just what a screw up he is then Kima heads out and tells them the same thing.

Elsewhere in the city Wee-bey and his boys have broken into Omar’s apartment and are tossing it over, they find some close photos of Omar and his now deceased boyfriend Brandon. Omar himself is over the road with the young mother who asked him for money previously and watches calmly as they torch his white van.

In homicide a jovial McNulty rolls in and immediately starts ripping into Bunk’s choice of shirt colour - Frankly I agree with McNulty on this one, any man who comes into the office wearing pink is asking for a friendly roasting – before sitting down and looking up the license plate Stringer was using. He proudly tells the story of his boys down the supermarket while Bunk listens with a mixture of concern and amusement. But despite Bunks disapproval McNulty now has the license plate of a car driven by Stringer, a car that belongs to a woman, not Stringer.

Wallace is woken up in his room by Sarah, one of the kids he looks after to help with homework, the homework is simple addition and subtraction involving passengers on a bus, he tells the girl to ‘do it in yer head and attempts to go back to sleep. Almost immediately Poot walks in, Wallace’s absence in the Pit has been noted and Poot’s been covering for Wallace but that’s not going to cut it for much longer. Wallace isn’t interested, his part in ‘s beating, murder and dumping has affected him hard, so he tells Poot he’ll be down later and asks for a loan. I love the term used here, “let me hold $10”, it’s a great piece of dialog. Poot leaves and Sarah continues to guess the answer out loud. Wallace sighs and reframes the question in a manner she’ll understand. He runs through the numbers but uses vials and re-ups instead of passengers and pick ups; Sarah gets right it immediately and Wallace is slightly amazed that she can do that version but not the other. Sarah explains “Count be wrong, they’ll #&@% you up.” It’s very much a matter of personal relevance, being a bus driver is an abstract concept without any risks, but dealing in vials is something real and dangerous to Sarah.

In the basement Lester, Kima and Sydnor are listening to Stringer talking with someone down in the towers via the tower wiretap. Little Man is rolling out of the 221 in about thirty minutes with twenty something to hand on to someone called Day. They speculate about why product would be leaving the towers - normally it’s an import market there - and then head on out to intercept.

At the Pit sofa Poot is talking with Dee about Wallace, he’s concerned and feels that Dee should talk to Wallace. Dee on the other hand isn’t that concerned, as he says it’s not like anyone has a gun to Wallace’s head, he can do what he likes. But Poot knows that Wallace doesn’t have any other life or way to earn money, so Dee agrees to talk to Wallace if he comes to see him just as an SUV arrives.

On the rooftops near the tower Sydnor and Herc are undertaking surveillance; Herc is running through a list of ‘what if ____ doesn’t happen?’ But Sydnor tells him to shut up in an appropriate manner.

The SUV in the Pit contained Wee-Bey and Stinkum; they tell Dee to come with them on a beef run, so he leaves Poot in charge. Needless to say Poot’s pleased with the authority. Back at the towers a Lincon arrives to make the pick up and Kima moves out to follow him, while Wee-Bey, Dee and Stinkum are celebrating Stinkum’s earning on points. Wee makes it clear to Dee that if he carries on doing well that he’ll start earning points on his packages as well and Dee then mentions Orlando’s proposition. Wee and Stink both tell Dee that he should talk to Avon before he does anything and the guys plan a celebratory night out at Orlando’s.

Kima and Carver have pulled over the driver and then after questioning him they take the bag out from the car and arrest him. McNulty meanwhile is stat outside 4117 Howwell Road, scoping the place out when he is paged and heads back into homicide where Carver and Kima are looking as pleased as a pair of Punches. The driver turns out to be one Damien Lavell Price, a legislative aide and when Daniels arrives they explain that they caught him picking up twenty thousand dollars in cash from the tower. They expected drugs but they got money instead. Daniels explains that he knows Damien, he was the man who bragged about cracking cribs in the fundraiser party Daniels attended in episode . Damien requests his lawyer and Daniels leaves to explain a little about what he knows to Carver, McNulty and Kima. As Damien hasn’t claimed the cash is his Daniels plans to keep the money and provide a receipt, it’s unlikely that Damien will be able to explain why he has that much money in cash so it will keep the moolah from returning to the Barksdales. Suddenly the celebratory atmosphere is broken by the arrival of Major Reeds, IID. A man described by Daniels as the angel of death…

In the back room of Orlando’s Avon has a serious talk with Orlando over his proposed drug connect. Avon needs Orlando to remain clean, he’s the front for the business and Avon won’t risk him getting dirty and bringing the attention of the police to the place. He makes sure that Orlando gets the point and then kicks him out onto the floor infront of Shardene and some of the other girls who work in the club.

Daniels is in a meeting with the Deputy Ops Burrell and Reeds about Damien, he explains that Damien has a criminal history, is now working for Senator Clay Davies and has been caught leaving the towers with drug money. Daniels plans to keep the money on civil forfeiture but Burrell notes that they have no criminal charge and tells him to hand the money back. Daniels is understandably upset about this, the money is drug money, they have it bang to rights but Burrell orders him to hand the money back and write it up as an unwarranted stop. He then goes on to tell Daniels how displeased he is with this entire operation and how it’s a) gotten out of control and too expensive and b) gone places it’s not supposed to go by chasing after a senatorial aide. Now there is something to pay careful attention to here, Burrell is very well informed about this and it tells you two things. First, someone inside the detail has been keeping Burrell informed on the detail’s operations and second, whoever it is was involved in today’s operation.

A disgruntled Kima returns the money to Damien and then demands to know what happened. So McNulty heads out after Daniels and finds out. McNulty explains that the Senator hasn’t complained, that it’s clearly drug money and he doesn’t understand why Daniels would even make a peep about this to Burrell. Daniels attempts to explain it as following the chain of command and McNulty calls him on that particular piece of b***s***. Daniels has skipped out the chain of command in this and McNulty knows it. McNulty even goes as far as suggesting (correctly) that Burrell has something on him.

Dee is ‘enjoying’ Stink’s party, there’s women and product everywhere but he’s mostly disturbed with what he sees. The Barksdale rules are no using, but Stink claims it’s a ‘special occasion’. Dee then catches Orlando’s eye, but Dee is clearly not Orlando’s favourite person right now, so he attempts to talk to Wee-Bey. But is ignored as Wee-Bey has got something else on his mind and is busy ushering a young lady into the bedroom.

Daniels on the other hand is sat at home in silence when his wife comes in to talk with him about his problem. She tells him he should try and explain to Burrell and he lays it out, he just can’t, the case is far bigger than Daniels thought. But Burrell knew where it would go. Daniels has finally realised just how bad this case is for him and his career, it goes everywhere and dips into everything. It’s already out of his control and it’s going to ruin him.

Back in the house with Dee things have wound down by the time he’s returned from a booze run. Dee notices that the girl Wee was with is now still and after he checks he realises that she’s dead. He turns to Wee and says his name and the silence that comes in response says it all.

Down in the courthouse McNulty and Kima arrive at Judge Phelan’s office, he wants to know why the operation is shutting down, McNulty and Kima lay out the situation and explain how little they have. They then go on to explain that they’re being shut down because they arrested one of Clay Davies’ aides with the money and the higher ups are not pleased with this turn of events. Phelan lays it out; he calls up Burrell and strips into him. He explains that there are sixty days of surveillance and the court will have its sixty days or he’ll pull Burrell up on charges. “Who’s your Daddy now?”

McNulty is back at 4117 when he receives another pager call from Daniels, it’s clear that McNulty is following up this lead with a lot of personal surveillance from this shot. Daniels wants to know what’s happened and is sure that McNulty engineered this; McNulty tells him that it was entirely Phelan and Daniels can talk to Kima if he doesn’t believe that. Just as he says this Stringer arrives in a taxi, McNulty’s perseverance has paid off. Stringer does use the car regularly. In the basement Daniels tells Kima to get things back up and running and asks her to confirm how this happened. She tells him “This time the judge.” McNulty follows Stringers in his car.

Herc and Carver are sat talking about the sergeant’s test, Herc is confident that the job is common sense and demands that Carver ask him a question, any question. Carver immediately throws him by using the numbers and codes; it’s a multiple choice question about a sexual harassment charge against a theoretical partner. Herc plumps for none of the options and puts forward an exceptionally dumb one of his own. All Carver can do is look incredulous.

McNulty successfully follows Stringer, to BCC, that’s Baltimore County College, where Stringer is taking a class in business, specifically an ‘Introduction to Macroeconomics.” Herc and Carver themselves are involved in a familiar educational scene of their own, they’re taking the test. Carver is very serious about it while Herc is joking about.

We’re taken next to a new location, Fell’s Point Copy Cat, where Stringer is talking with his staff about a lack of copying work orders being filled. The guys he’s got working for him are corner boys and aren’t interested in doing the job but Stringer isn’t happy with that. He fills them in on the nature of elastic and inelastic products and draws the line. This place is not just a front; it’s to work like a real business.

Later that day Stink and Wee-Bey are setting up a shooting, clearing out Stink’s new territory and just as it’s all about to go down Omar rolls out of an alley and guns down Stink, injuring Wee-Bey as well. Wee-Bey has to flee before the police arrive. Lester hears the entire thing and is less than pleased with this, as Stink was one of the links in their case. In a simulacrum situation, Avon is also less than pleased and increases the bounty in value and opens the reward up to anyone. After everyone else rolls out Stringer expresses his opinion, he feels that Avon shouldn’t go out for blood making things personal, he should cool it down and pretend that he’s looking for a truce then cap him later.

Kima and McNulty head on over to the remains of Omar’s van and leave a message for him. He then heads over the basement and claims innocence on the entire thing. Omar runs through what he feels the rules are, no mistakes, no taxpayers killed, no bystanders watching. Lester notes that losing the gun afterwards as well would be a rule and Omar agrees. McNulty and Kima then explain just how bad it is for them that Omar killed Stink, so they ask him to hang back and he explains that he can’t.

At Dee’s Shardene talks to him about Keisha, the girl who died at Stink’s party; and all Dee has to say about it is how he should possibly get out of this game. Once again he repeats the sentiment that McNulty voiced to him back in that interview room. Shardene mentions how she wants to get out of her job as she won’t be pretty forever, but Dee tells her that she’s pretty now. They are interrupted by the phone and the answering machine informs them that Stink has been got.

In homicide McNulty informs a deflated Bunk that Omar is the shooter. McNulty lays the land out for him, either they scupper the Gant case by prosecuting the witness – Omar – on a murder charge of his own or they string Cole out with an empty promise. In short Cole’s going to have Stink’s name in red forever. Bunk is the one who has to do this as well because McNulty can’t afford to offend Rawls again. So Bunk heads over and talks with Cole then McNulty and Bunk go out for drinks. After talking a little about how badly they’ve had to screw Cole McNulty heads off, Bunk on the other hand has seen a pretty woman who’s interested in him and asks McNulty to cover for him with the wife.

In the basement Kima heads into the computer room to talk with Lester about how she feels she may have screwed up earlier in the investigation. She’s not sure if Omar is lying about being a witness or not, but Lester feels that the gun matches and Omar’s testimony is consistent with the other witness so it’s not a huge mistake. He then explains a little about how difficult interrogations can be, there’s no real hard and fast rules to how they’re performed. He then shows her the dancers from Orlando’s club and asks which girl Kima would try to turn. Kima picks Shardene, because she has no record and is a likable citizen.

McNulty is woken up in his room with a phone call from the woman Bunk picked up. Apparently he’s blind drunk and McNulty finds him asleep on the toilet in a pink dressing gown, he’s been burning his clothes to destroy the trace evidence of his indiscretion. Bunk is hilarious.

Outside Orlando’s Orlando leaves the club while Omar watches.

Finally McNulty takes Bunk back to McNulty’s and sticks him in the bottom bunk. Before turning the light out Bunk tells him that “he’s no good for people.”

The Review:

Lessons is an episode where many previous moments set up begin to pay off, you may have wondered why we were shown the scene in episode, where Daniels went to a fundraising party had Senator Clay Davies pointed out to him and had a conversation with the ex-con turned aide Damien Price. Now you know there was more to it than the throw away joke reveal at the end of the scene. This is one of the hallmarks of The Wire, all the pieces matter, things become clearer on the re-watch and the devil is in the details. Likewise there is the dawning realisation that there is a mole in the detail who is feeding direct to Burrell, this is the point where we have clear evidence of it in action, Burrell didn’t get the full picture about this arrest until it all went down and as such he was forced to swing in a very heavy handed manner to try and recover ground. But it’s more than possible to miss this fact, you could watch the first season without realising that there is someone leaking in the detail. It’s an exceptionally subtle thing and you’re left all by yourself to spot it and work out whom. I’m not going to tell you who it is here, you can wait for a bit on that (or Google if you’re not afraid of wading through future events or possible spoilers).

The performances in this show are just so staggeringly brilliant that it’s unbelievable that more of the cast haven’t been picked up for shows. But The Wire has had a pervasive influence on the world of television; more and more members of the cast are being picked up and used in other shows. Character actors every one of them and each is skilled with sheer brilliance.

As I’ve said before many times, The Wire is a show that rewards the dedicated viewer. It has gifts for the observant; it leaves you to make your own inferences and understanding of the situations. You may actually disagree with my interpretation of certain events and you’d be right. This show really leaves you to breathe your own reality into the events and hopefully by getting this far you’ve show that you’re dedicated and intelligent enough to appreciate what this show is doing.

Don’t be afraid, you’ll be rewarded for watching in full many times over before this season is done and then thousands of times more as the four seasons after it grow, bloom and depart.

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The Week That Was - 6/12/08

Category: By Rev/Views
Dexter:
I don't really know what exactly to say with regards to Sunday's episode of Dexter. It should have been a gripping and exciting episode that left me worrying about what's going to happen to our dear protagonist. But the knowledge that there is another two confirmed seasons in the bank after this one means that the threat against Dexter just doesn't feel real.

Now the twist that's brought us here is great, it's tied things up very nicely, but having Dexter being the target of the Skinner's abduction just doesn't raise the tension for me at all. Intellectually I know it should be a worrying and tense moment, but emotionally I already know he's going to get out of it fine. Compare this to season one (Deb) and season two (Doakes) and it's just not as gripping, they are both characters who could be lost to the show (in fact one of them was) so any threats to them are quite real. Dexter on the other hand is going to escape this.

Now if it was the final season of the show, all bets would be off and I'd be worrying here. But instead I'm confident Dexter will get away, kill the Skinner, kill or neutralise Prado (most likely kill considering the ends of the previous seasons) and get married.

Boston Legal:
Oh wow, just wow. Last weeks antepenultimate episode was an interesting and fun mix up of the format but this weeks penultimate episode was a tour de force for everyone involved. Yes, some people may have found Carl Sack's case attacking the networks for failing to provide programming for the over 50s a little self indulgent and preachy. But I for one enjoyed and appreciated his speech, it raised some wonderful points while skating along the edge of the fourth wall

"The only show on TV with starring roles over 50 is Bo--."
Carl points at the camera.
"Well, I can't say the rest...it'll break that wall."

Denny's Alzheimer's is advancing and this provides the thrust of the story for Alan and Denny, they attempt to get Denny access to an experimental non-FDA approved drug and after several set backs it ends up with the pair realising that they're going to be heading to the Supreme Court for, as they put it, their Grand Finale.

Finally Jerry and Katie work together on the case of a young girl who used Ritalin to enhance her score so she could get into Harvard. Once she admitted to doing this in a paper her admission was rescinded. It's a case with personal echoes for Jerry as he both went to Harvard himself and is on medication to help him function. While it's fun, it's not Jerry's best storyline this season, but. That said it does have a wonderful moment where Katie asks Jerry out for a drink and when he assumes they'll be doing it as "just colleagues" she corrects him. Jerry running out of the office after her was a great moment to watch.

Honestly Boston Legal has had it's ups and downs over time, it's been to preachy and pretentious at times, it's suffered far too much cast attrition and this hurt the chemistry of the show. But this final season has paired things back to the cast members that matter, it's given them all things to do, stories, cases, fun moments, touching ones. It's just a shame that it's taken five seasons and the impending end of the show to get it to happen. Next week is the two hour finale for the show and honestly, I'm going to miss it when it's gone.

2008 has seen the end of some giants in television, I think Boston Legal can be called one of them.

House:
I caught up with House this week by watching last week's episode as well, I was pretty pleased to see Željko Ivanek (Damages, Homicide) as he's a great actor. Sure enough he didn't disappoint, and the episode was pretty decent. But it was slightly marred by still running off and teaching "Thirteen" another lesson about herself. Hopefully she'll stop being such a whingy moo-cow now and we can get on with interesting patients plus unusual and horrible diseases.

This week's episode on the other hand was better on the staff story front but had a weak patient who was exceptionally uninteresting. The most entertaining part of the show right now is the awkward and amusing interactions between Cuddy and House. They're interested in each other (which has been obvious since the start of the show) but House is a jerk and Cuddy is concerned about that. Add into this mix House alternating between being sweet (in his way) and being House and you can't be exactly sure where this is leading. Which makes it fun to watch (and a lot more entertaining than that insipid House/Cam Club thread on tv.com is - but, sadly there's now a "Huddy" thread as well...) still one shouldn't judge a show on the merits of it's fan base.

30 Rock:
Reunion was a great episode with two story lines; the first involved Liz's reunion and the discovery that she wasn't the school nerd, in fact her defensive sniping at people hurt them all very badly. At the same time Jack pretends to be someone he isn't at the reunion and begins to wonder if his life is all it's cracked up to be. Back at 30 Rockerfeller Plaza Tracy and Jenna become insecure about Kenneth's popular elevator jokes and feel he's threatening their status as actors and the focus of attention. Good stuff, no heavy use of guest stars and the only thing I missed was the presence of the other characters, I do enjoy any scenes involving Pete and Frank especially.

The Office:
The Office is my comedy highlight of the week, every single episode this year has had me laughing, nodding and even occasionally squirming at the antics that go on in the Dunder-Mifflin Scranton branch. This week was no exception, Oscar comes into Michael's office and explains that there's a budget surplus that needs to be spent before the end of the day. The Office divides between a new photocopier and new chairs (most notably Jim is pro-copier while Pam is pro-chair), and Michael is unable to make a decision. Meanwhile Dwight shows Andy and Angela the site for their marriage ceremony and almost manages to turn Angela around on the subject, before he pulls another Dwight special and drives her right back.

Also, this episode had one of the best editing cuts it's ever had right near the end of the episode. Oh and it was hilarious that Michael was pouring sugar into a diet coke.

My Name is Earl:
"Reading is a A Fundamental Case" was rather average for an episode of My Name is Earl. The episode ran as a parallel to the story of Tarzan, or at least the knock off copy of the book anyway. The idea of knock off classic books is a pretty funny one in itself. I'm not sure if it's a parody of the poor quality DVDs or titles of adult films, but regardless it's a good joke. On the other hand the rest of the episode just wasn't, most of the story was pretty lackluster for me, I think my favourite moment involved Darnell, and he just had a single line joke himself. I'd like to see this season do something, even if it's just a few two-part episodes.

Other Stuff:
I've still not watched this week's Heroes, it's no longer high on my priority list to see, maybe Fuller will be able to fix the mess that Kring has made, maybe not. But right now the show is a steaming pile. In the DVD front I watched Harvey Birdman again, it's incredibly easy to sit and watch through that entire show thanks to the ten minute episodes and the exceptionally fast plots plus high joke content.

I'm gearing up to watch Sons of Anarchy next week, I'll have the verdict on the show once I've watched the entire first season. I'm also planning to catch back up with Life over Christmas, it may have improved now they know they have a full run to play with.
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The Guild Season 2 has started!

Category: By Rev/Views
A while back I posted a short ish review of 'The Guild' a web published show that was about a group of people who were all members of an online guild. I sort of enjoyed it despite not having a frame of reference for many of the jokes due to their MMO nature.

Well the second season has started airing and it's available to watch either on XBOX Live (woo!) or here on MSN Video.

Here's a direct link to the first episode. Enjoy!
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DVDs in Review #45: Marion & Geoff: Series One & Two

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"I don't feel like I've lost a wife, I feel like I've gained a friend. I would never have met Geoff if Marion hadn't left me!"

Starring:
Rob Brydon as Keith Barret

The Show:

Starring and co-written (with Hugo Blick) by the brilliant Welsh treasure Rob Brydon and shown between 2000 and 2003, Marion & Geoff is a bittersweet comedy about one man's life, as told by him. The show is an exercise in minimalistic programming and has a only single character physically present. Keith is a separated husband and father now working as a taxi driver. His life, his experiences and his thoughts are told to us via the medium of a single video camera sat on the passenger side dashboard.

The show really is storytelling stripped to it's minimum, Rob gives a wonderfully honest, open and human performance as the likable, every man Keith. Keith's experiences, both present and past are related to the viewer via his video monologues. He takes us through the end of his relationship, his current situation, his thoughts and emotions with nothing more than words. You could almost relate it to sitting down with a friend and listening while he tells you about how things have been for him.

The show is a wonderful example of how little it actually takes to make for a captivating experience. There's so little actually happening on screen, mostly just Keith's talking head and the scenery behind, but the dialog takes you away from it all and lets you experience Keith's life as he tells it. You'll learn all about Marion, Geoff, Keith's little smashers (his children) and as he tells his stories you'll also come to realise there's a lot more going on than Keith himself realises.

Keith is, to be honest a bit simple and almost unable to see the bad in people. And this is one of the most brilliant parts of the show, because while you're watching and listening to Keith tell his stories and experiences you'll be able to read between the lines and see the bigger picture, a picture that Keith himself is unable to see due to his kind nature. I do very much appreciate shows that realise the viewer doesn't need to have everything spoon fed to them slowly, I like a show which leaves you to join up the dots yourself and come to your own conclusions and Marion & Geoff is one of these shows.

Providing a mixture of both sad and funny moments in that quintessential manner which is a hallmark of so many British comedy shows Marion & Geoff will whisk you away to a fantastically ordinary world, a world told to you by a man who is so honest, so kind and so sympathetic that you won't be able to help but like him and hope to see him get the best he deserves.

The Other Stuff:

The Packaging:
There's nothing clever or flash about the packaging used for Marion & Geoff, both series come in standard DVD cases with stills from the show used on the front and back. Both sets use exactly the same layout and fonts so they look good when placed on the shelf together, this is always a big plus in my book as I dislike it when a set of DVDs switches up it's design between releases. The artwork on the DVDs does vary a lot in style, the first series goes for a simple lilac colour while the second series uses the same shot as the cover picture. But that's no big quibble.

The Start Up and Menus:

The DVDs themselves are a joy to boot up thanks to their simplicity in design. The start up process simply includes the BBC logo and then the menu. One thing to be aware of with regards to the menu is that rather than using music it plays short clips from the show, so if you haven't seen the show before I'd advise skipping past it quickly. The menus include episode selection and the almighty 'Play All' button.

The Extras:

Series 1:
Commentary from Rob Brydon and Hugo Blick
18 Minutes of Out-takes (with Commentary)
Comic Relief Special
Photo Gallery
Option to view all programs as originally transmitted

Series 2:
'A Small Summer Party' Directors Cut Version Of This Special 60 Minutes Films With Guest Appearance By Steve Coogan

The Details:
Language: English
Sound: Stereo
Regions: 2 + 4 PAL UK
Aspect Ration 4:3 (Series 1) 16:9 (Series 2)
Number of episodes: 16 plus a special
Runtime: 88 mins (Series 1) 168 mins (Series 2)
Rating: PG
Subtitles: English SDH

The Prices:
Series one and two can each be had for £4.99 from HMV. That's 5.7 and 3ppm respectively.

The Final Word:

There's several strong reasons why I feel Rob is one of the best actors to come out of Wales in recent times and Marion & Geoff is filled with them. This show is a a wonderful example of how much that can be done in televisual storytelling when you strip away all of the flash but keep the brilliance. It's a genuine feel good experience.

I really can't recommend it enough.

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DVDs in Review # 44: Bones: Season One

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Starring:
Emily Deschanel as Dr Temperance 'Bones' Brennan
David Boreanaz as Special Agent Seely Booth
Michaela Conlin as Angela Montenegro
T.J. Thyne as Dr. Jack Hodgins
Eric Millegan as Zack Addy

The Show:

Bones is a forensics procedural vaguely based on the real life experiences of Kathy Reichs starring Emily Deschanel as the titular 'Bones' a brilliant forensic anthropologist with poor interpersonal skills, David Boreanaz as the more worldly and charismatic Special Agent assigned to work with her, Michaela Conlin as Angela (the pretty assistant), T.J. Thyne as Jack (the beardy/hipster assistant) and Eric Millegan as Zack (the nerdy annoying wretch assistant).

The show mixes a stereotypical procedural format with a dark sense of humor and an unusual method of recreating crimes. Each episode gives us the old 'crime of the week' to solve and will normally be wrapped up by the end of the episode. Most long term plots involve exploration of the characters on the show and a 'will they won't they' romantic sub-plot between 'Bones' and Booth. Occasionally reoccurring characters will make reappearances and there is another major plot that deals with Bones' parents, and for the most part things are neatly solved by the credits (but not always).

David is as brilliant as you'd expect from his past performances, he's always made for a charismatic and likable lead, while Emily is also very good as Bones. I still can't decide if she's attractive or just mannish, but no matter what she looks like she's a very good actress. The rest of the cast are also solid and you'll almost certainly have a favourite 'squint' within a few episodes.

As an aside, I'm also exceptionally fond of the title music used in the show. The Crystal Method is one of those bands I love to listen to but have never been able to/got round to getting my hands on their albums.

The Other Stuff:

The Packaging:

As you can see the packaging theme in this set is two main things, white and bones. Pretty appropriate styling really. If I'm honest the skeleton used on most of the pictures (including the front cover) is rather, well CGI looking. It's honestly looks a bit cheap. Likewise the photos, while more interesting, are heavily photoshopped in an obvious manner. Hey, call it stylistic choices if you like, personally I think that this makes for a stylish cover, not obviously photoshopped photos. But what do I know?

Inside the dust jacket the 6 DVDs are held in slimline DVD cases in pairs, one per side. The front of each has a different picture of the cast while the back has the same cheesy CGI skeleton along with details of the episodes contained on the discs. I'm not the biggest fan of packaging but at least it isn't as bad as some of the stuff used on the US versions of The Office has been...

The Start Up & Menus:

The incredibly annoying and frankly offensively placed FACT "You wouldn't steal an _____" video is sadly in attendance here. I believe I've made my opinions on this piece of propaganda quite clear before but to just reiterate my key point. It will not deter people who intend to pirate the DVD and they are more than capable of cutting it out of their pirated versions so people who don't care about intellectual licensing won't even see it. In this end this means that it's just those of us who pay for legitimate copies that get punished. Way to go FACT you bunch of donkey-ass-hats. In fact if you must put a video like that on a DVD please put it after the episodes have all aired and use this one or this one instead.

Fortunately it's skippable, unfortunately the two FACT screens that follow aren't.

The main menu isn't that impressive to be honest, you get a shortened loop of the Crystal Method theme music playing over a static shot. The loop on the music isn't even set up to run seamlessly so the general plan is to get out of the menus asap and start watching additionally there is no "Play All" option

Each of the sub menus has it's own language and scene selection placed over another static image taken from the episode in question. Our ears are treated a little bit here because the music loop isn't present. Just blessed silence. I might like the theme, but it soon loses its novelty when twenty seconds of it is looped over and over.

The Extras:

There's not a lot of extras in this set. They are as follows:

Commentary on the "Pilot" Episode by Barry Josephson and Hart Hanson (Show Creator)
Commentary for the Episode "Two Bodies in The Lab" with Davide Boreanaz and Emily Deschanel.
Squints Featurette
The Real Definition Featurette
Bones - Inspired by the Life of Forensic Anthropologist and Author Kathy Reichs Featurette
Character Profiles

I've listened to a little of the commentaries but on the whole I wasn't that bothered about checking out these extras so I can't comment too closely. I know, I know. I should watch them to give you the full scoop, be happy I'm willing to mention them.


The Details:

Runtime: 920 Mins approx
Number of Episodes: 22
Sound: 5.1, Commentary in 2.0
Language: English
Subtitles: Danish, Finnish, Norwegian, Swedish and English
Number of discs: 6
Region: 2

The Price:
Zavvi are the winner this week with a price of £15.99, but they are unfortunately out of stock right now. The next best I've found are both HMV and Play.com who are priced at £24.99. I think it's worth holding out for Zavvi to get back in stock personally, £24.99 seems a little high for what you get.

At £15.99 it's 1.7 ppm.

The Final Word:

Bones is a show I like to watch during the quieter TV periods of the year, in some ways it's much like House, CSI. NCIS and other procedurals. Incredibly formulaic plots that are spiced up with strong characterisations, occasionally disturbing images and sharp, witty dialog. It doesn't really tax the viewer at all and sometimes that's just what you're looking for in a show. The first season is good fun and the time will just fly by while you watch it, definitely something for fans of the investigative show genre.
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Watching The Wire: Episode Seven: One Arrest

Category: , , , , , , By Rev/Views



“A man must have a code.” - Bunk

Teleplay by Rafael Alvarez
Story by David Simon & Ed Burns
Directed by Joe Chappelle


Starring:
Wendell Pierce (Det. William "Bunk" Moreland), Deirdre Lovejoy (Asst. States Attorney Rhonda Pearlman), Wood Harris (Avon Barksdale), John Doman (Maj. William A. Rawls), Lance Reddick (Lt. Cedric Daniels), Andre Royo (Bubbles), Idris Elba (Russell "Stringer" Bell), Frankie Faison (Deputy Comm. Ervin H. Burrell), Larry Gilliard Jr. (D'Angelo Barksdale), Dominic West (Det. James "Jimmy" McNulty) and Sonja Sohn (Det. Shakima "Kima" Greggs)

With:
Peter Gerety (Judge Daniel Phelan), Michael Salconi (Det. Michael Santangelo), Maria Broom (Marla Daniels), Tray Chaney (Malik "Poot" Carr), Delaney Williams (Sgt. Jay Landsman), Michael Kenneth Williams (Omar Little), Michael B. Jordan (Wallace), Leo Fitzpatrick (Johnny), Brandon Price (Anton "Stinkum" Artis), Clayton LeBouef (Wendell "Orlando" Blocker), Jim True-Frost (Off. Roland "Prez" Pryzbylewski), Seth Gilliam (Det. Ellis Carver), Domenick Lombardozzi (Off. Thomas R. "Herc" Hauk), Clarke Peters (Det. Lester Freamon), Corey Parker Robinson (Det. Leander Sydnor), Hassan Johnson (Roland "Wee-Bey" Brice), J.D. Williams (Preston "Bodie" Broadus), Isiah Whitlock Jr (State Senator R. Clayton "Clay" Davis), Robin Skye (Madame LaRue), Lizan Mitchell (Shooting Witness), Jimmie Jelani Manners (Kevin Johnston), Donnell Rawlings (Damien Lavelle "Day-Day" Price), Steve Earle (Walon), and Fredro Starr (Marquis "Bird" Hilton)

The Summary:
Greggs, Carver, Herc and Sydnor grab the runner holding the re-up stash for the pit. Now that the cops have their stash a furious Avon questions D’Angelo about a snitch being in the pit. D’Angelo denies the allegation but Stringer tells D’Angelo and his crew to use pay phones a block away now, and not to use the same phone twice. Afterwards, they snatch out the existing pit pay phones. This, of course, disconnects the detective’s wiretap.

Read about catching the early bird, psychic solutions and ripping handsets beyond the link...

The Recap:
In the basement Prez, McNulty, Herc, Carver and Freamon are listening to a phone conversation that has them slightly confused. Herc is able to translate, if you don’t mind getting some completely fabricated nonsense for humour value. Prez and Freamon on the other hand have been listening to these conversations long enough and break it down for the other detectives. The low-rise pit is nearly out of drugs but there is a new package arriving noon tomorrow, four G-packs handled by Stinkum. Prez and Freamon reveal they’ve cracked another beeper code to get this information in full. Carver is a little incredulous that the two men would spend so much time on this kind of stuff, but as Prez himself admits “It’s kind of fun figuring shit out.” Hit the credits.

In homicide Santangelo is talking with Rawls about his low clearance rate combined with his absence since he was assigned to the detail. Rawls is pissed that McNulty and the detail are still out there and that they got his murder charges put on hold for a while. So he offers Santangelo an ultimatum, solve a murder or hand over McNulty on a platter.

In the basement Kima, Herc, Carver and Freamon are discussing how things are going to break down. The plan is to pull over Stinkum with the re-up, catch the runner who will flee with the stash but let Stinkum go. They don’t take Stinkum because they’ll already have a charge on him whenever they want to press it and waiting will mean they don’t have to reveal that they’re using a wiretap.

Rhonda and McNulty are in Phelan’s office, giving the judge the low down on the case’s progress. They fill him in on some of the assets available from seizures; Phelan fills him in on a little grammatical correctness (due to errors in McNulty’s report) and uses it to put McNulty in his place a little. He feels there’s more than enough evidence of progress here to justify a continuance on the wiretap. Phelan then hits on Rhonda and suggests that one day she might make it as a judge.

On the street Kima, Sydnor, Herc and Carver spot Stink and attempt to pull him over. Stink bolts and the runner bails, fleeing into the Pit where Bodie gets in Herc’s way as he pursues the lad. The more observant viewer will have noticed that this boy is wearing an eye patch, but do you recall the significance of this? Bodies interference has giving the lad enough of a lead to evade Herc but he runs straight into Kima and is cut off from escape by Carver and Sydnor. All Bodie, Poot and Dee can do is watch as their re-up is now in the hands of the police.

McNulty is still in Phelan’s office and the two men are chatting. Phelan wants to know the lay of the landscape in the department and McNulty is happy to fill him in. Rawls is trying to get the entire thing closed down, Daniels has stepped up (to their amazement) and kept the wiretap, but Phelan wants to know why McNulty didn’t come to him – McNulty explains, he doesn’t trust him anymore after the leak to the papers about Gant’s witness link. McNulty then explains he has a week before he’s back in the homicide rotation and if he isn’t there Rawls will strip his skin from his flesh. Phelan suggests that McNulty has friends in the court house; McNulty expresses his concern about how little he feels he can trust his so-called-friends.

Stink rolls up to a (tapped) pay phone and pages Stringer, Freamon intercepts this and tells Kima, they need someone with an eye on this to be able to log the call. Without a watcher it’s inadmissible. Sydnor makes the run, getting there just as it rings – but the conversation is very short Stink’s “We lost four to 5-0” is cut off by Stringer who reminds him that they should never talk about this kind of stuff on the phones.

In homicide Santangelo is trying to make a homicide case for Rawls, he’s not allowed to do jack until it’s cleared, but it’s old and cold. Landsman has no sympathy for him, and brings over a card for a psychic, selling one Madame LaRue to Santangelo for kicks.

Bunk and McNulty are looking at the scene where William Gant was shot, they realise that there should be plenty of witnesses and attempt to turn one by helping a middle aged woman struggling with her shopping cart. She clocks them as Police and invites them in.

In the court house Johnny is facing charges for possession of cocaine after he was caught in the previous episode. Bubbs turns up to support him with Kima in tow, she pulls out Johnny as long as he pleads and agrees to undergo treatment in probation. She lays the land out to Johnny and he agrees.

The woman talks to Bunk and McNulty about the shooting, now she saw what happened but she can’t ID the shooter. They don’t push her because McNulty already has Omar for the ID and apparently Bird will still have the gun. Bunk is happy.

In the basement Herc and Carver are processing the runner when Prez walks in; he stares intently at Prez who double-takes before realising just who this kid is. While the rest of the detail missed this link Prez fills in Daniels on the situation. While Freamon has never seen the lad before and Daniels is in his office so he didn’t get a look at him clearly Herc and Carver should’ve known as they were present. The boy is Kevin Johnson, the lad who was blinded in one eye when he was pistol whipped by Prez at the end of ‘The Buys’. Daniels talks to him and offers him a way out of this charge, Kevin isn’t interested.

Santangelo is meeting with Madame LaRue about his cold case, he’s told to bury a statue of Saint Anthony by the victim’s grave for an hour and then hold it to his ear before going to sleep.

Later that evening Bunk and McNulty are drinking, as usual, this time it’s Bunk’s choice of venue and he’s enjoying the scenery. Elsewhere Daniels is out socialising and schmoozing at a party with his wife Marla when he catches Burrell’s eye and the two of them talk. They chat a little about the politicians before Burrell points out one Senator Clay Davis (39th District), using Daniels’s lack of knowledge to highlight what it takes to get places.

Bubbs and Johnny are at a rehabilitation program, they have to stay for the meeting to get Johnny’s slip signed. Bubbs notes that there are a lot of familiar faces here, ones he hasn’t seen for a long time. One addict called Waylon steps up and talks about his difficulties and his life, how far he fell, how he’s climbed back up and how hard it is for him to struggle every day against the need. Waylon’s speech gets to Bubbs and makes him think. Then key chains are handed out to people who’ve managed to stay clean for periods of time, there are no takers for nine or six months, but there is one for three and then even more for one month. When the room is asked if anyone has twenty four hours or a sincere desire to live Bubbs is compelled to stand up and get one. Johnny doesn’t understand why he needed one as they used in the morning.

Daniels heads into the kitchen where several others men are watching the game, he chats a little a man named Damien Price (Day-Day) who’s bragging about how he’d hit the house their at and sell on the goods. Daniels reveals that he’s a police lieutenant before Marla comes in and takes him away to meet someone.

In the bar McNulty and Bunk are both enjoying the mountainous "scenery" while chatting about Gant and Diedre, Bunk tells McNulty that he needs to get both the Gant and Diedre case into solid charges and hand them over to Rawls. It’s the only way he’ll get out of the mire he’s in with the Major. McNulty expresses his thanks for the gentle way he’s handled him over the years.

In Orlando’s the following morning Dee arrives to talk with Stringer, Avon, Wee-bey and Stink. Orlando tells him that he has something he’d like to talk about later. Inside the office tempers are frayed, the Barksdales have taken a major hit with this arrest and they’re convinced someone is snitching to the police. Dee disagrees, but he’s told to shut the Pit down until Stringer comes down and runs them through all the changes in operating procedures. After Dee leaves Stringer and the boys speculate why the police didn’t pick up Stink. They smell something bad, and they’d be right.

In the basement Santangelo asks McNulty to cover for him, McNulty is less than pleased about this, not realising that the reason Santangelo is running about and not helping in the detail is because he’s covering McNulty’s back by running the case instead of turning him in. Freamon calls Herc and Carver over to listen to a phone conversation about them, they’re pleased with being called ‘Batman and Robin’.

While Bubbs and Johnny shoot up Bunk and McNulty are in the basement talking to Daniels and Kima about the Bird murders. As soon as they find Bird they have him bang to rights. Santangelo sits for an hour in a cemetery while McNulty and Kima take Omar out to try and clock an ID for Bird. Omar explains that no-one on the street will be packing steel, so they can’t roll Bird up for the gun easily. They need to locate his crib. Omar suggests that they could go looking for Bird elsewhere, as the man might be out scoring elsewhere in the city for some drugs. Avon doesn’t let anyone get high on the stuff they sell “Don’t get high on your own supply.”

In the Pit Bodie and Poot are talking about Wallace, he’s been ‘in the wind’ for a while now since Brandon was killed and dumped outside his house. The boy’s death really disturbed Wallace, a lot. Orlando walks up to them looking for Dee and Poot sends him over to the coach. Orlando has a proposition for Dee, he has a connect from DC that can help supply gear. Orlando wants to make a little something on the side selling without letting Avon and Stringer in, as he mentioned earlier in the series Orlando is fed up with just getting straight pay.

The detail are scoping out a store with Freamon and Sydnor on the street and the rest in cars, Bubbs is also present selling hats and he drops a red hat on one man as he comes out of the target house, signifying that he is the target. It all runs smoothly and they have Bird.

In the Pit Stringer and Wee-bey roll up to chat with Dee, Poot and Bodie about the problems the Pit has been having lately. They run through potential leaks and Bodie notes that there are no phones here, just the pagers and the pay phones. Stringer tells them to tear out all the pay phones and tells them they are now to walk a couple of blocks before phoning and never use the same pay phone more than once a day. In the basement Freamon observes the first tearing down with a ‘Service Interrupt’ warning arriving on the computer.

Bird is in interrogation, Landsman first photographs him (evidence that he wasn’t brutalised in interrogation) and then Kima presses him. Bird isn’t willing to cooperate and Daniels asks McNulty to head in and help, not because Kima needs the help, but because she’s likely to hurt Bird if he carries on. At the same time Bunk chats with Omar about his witnessing of Bird’s shooting. Omar recognises Bunk from school, there’s not much between the two men age wise, Omar is the younger of the two and remembers Bunk because he played Lacrosse.

In the interview room the forensic report arrives and the gun is a match for the one that shot Gant. But Bird isn’t the least bit interested in playing ball, so Daniels tears up the Polaroid and they lay into him.

Omar hands over a murder to Bunk; one Denise Redding and Bunk reaches for the phone. Waking Santangelo up as it was his case. Santangelo has no idea who Denise Redding is but he comes into homicide and is handed over a completed case from McNulty and Bunk. Santangelo is thrilled that he got a case and thanks Landsman for the gypsy, Landsman sets him straight and tells him he should thank McNulty and Bunk. Santangelo tells McNulty they need to talk about Rawls.

McNulty turns up at Rhonda’s house very later at night; she assumes he’s drunk and looking for a quickie. But the truth is he’s terrified because Rawls wants his badge and he admits to Ronnie just how important this job is to him…

The Themes:

There’s just the one important theme to look at in this episode and it’s based from Bunk’s titular comment as uttered to Omar.

“A man’s got to have a code” – This is a layered theme that holds two things, Bunk is overtly referencing that to live correctly one needs to have a code of rules they live by; lines they won’t’ cross and rules they won’t break. One of the important things that happens in the Wire is people who break their own code suffer the consequences.

The second, lighter reference in this theme runs directly to the Barksdales, who use codes for almost everything they do. In short, to operate for as long as they have without drawing too much attention on them they have to use codes.

The Catchphrases:
No Catchphrases this episode, but there was the presence of a man who’s going to start uttering one later on. That’s all you’re getting on this front right now.

The Review:

‘One Arrest’ gives the B.P.D. their first pair of big wins against the Barksdales; not only have they managed to get some charges on Stink but they’ve also managed to bring in Bird for Gant’s shooting. Things are beginning to come together for them, but also there are events moving that will provide bigger setbacks. The Department has members within its walls who are not so interested in the case; Rawls in particular has begun to take everything that happens personally. This isn’t really surprising because from his perspective he’s offered McNulty an olive branch and a way out only to have the man turn around and defecate all over him. McNulty consistently manages to rub people the wrong way, despite doing the right thing here. The long game plan is better than the short win for the city.

Catching Bird has also answered Dee’s question to Avon about Gant. He wanted to know if Gant was shot for testifying, we now know the answer.

Also, in picking up the 4G re-up the detail has played their hand somewhat, while they’ve attempted to be very careful about revealing anything to the Barksdales they’ve said volumes not just with their actions but also with their inactions. Not picking up Stink, or even really attempting to chase him so has caused alarm bells to ring in the heads of the Barksdales heads. Once again the police have underestimated just how smart the men at the top of the drug organisation are. It’s a little surprising that they’d make this mistake because they’ve had tonnes of evidence that reveals just how clever this crew is. Avon is so far divorced from the street that all they have on him is an ancient picture from his boxing days and some second hand talk from a now deceased girlfriend. All they have on Stringer is a pager number and some vague conversations. So really the detail should have played the pick up a little smarter, providing a chase for Stink to evade instead of just letting him go unfettered.

This means that the Barksdales are now aware something is up and they’ve begun to act. Ripping the Pit pay phones out sends a message back, they could have just stopped using them but actually removing them not only disables the wiretaps on them but it also lets the detail know that they’re now useless. Of course, it would have been a better move to leave the pay phones up and just switch to using different ones. But you can’t expect Stringer and Avon to know exactly how a wiretap works.

One Arrest is a great little episode that just holds such brilliance in its scripting, there’s so much said with expressions and little moments that it’s almost impossible to get everything that’s happening in it first try. But, hopefully by this stage in watching the show the average viewer left will have clicked with the style of story telling and detail involved in this show. You’re not going to be spoon fed the answers by the show (hopefully my recap helps the odd moment where things aren’t clear) but I personally think that’s a good thing, treating viewers as intelligent human beings who understand without having explained repeatedly through exposition is something more shows should consider trying. You can say a lot more with actions and expressions in a far shorter time than you could ever manage with words.

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The Shield: Memorabilia

Category: By Rev/Views
Looking for a little something to extend your love affair with The Shield?

Well here's the best of the things I've found across the Internet and fortunately (unlike the official The Wire merchandise) many of these are available in or at least shipped to the UK.

First up is the Concrete Blonde album featuring ...Long Time Ago, the song that Shawn Ryan decided a long time ago that was going to end the show. It's available on the album 'Walking in London' and can be had from play.com for £6.50 right here on playtrade. Alternatively you can go with getting it from Amazon here. It's not that easy to get this side of the Atlantic pond mind you.

It doesn't contain material from the latest season but there is a collected soundtrack available right here.

Next we'll roll around to eBay, I'm not saying anything brought from here is going to be safe. Use your normal caution and common sense when eBaying, check up on the seller before paying. But these are some of the more interesting items up right now.

Remember Vic's? Strike Team T-Shirt from the pilot episode? Well you too can own your own version, it comes in Black, Navy Blue, Green or White for just £9.99. There's currently 7 left over in the store.

I'm not as keen on the design of this one, but I do love Cletus Van Damme and if you do as well then it's possible to get one right here. The one I've linked to is a chocolate brown XL but there are more sizes in the sellers store.

This one is very noir in style and includes one of my favourite Vic Mackey quotes, it only comes in black but everyone looks good in black.

I'm not that convinced about the picture of Vic in this one, he almost looks like he's from a photo fit or the side of a milk carton. But it might be to your taste.

The following t-shirts are located in the US:

The first one really cracks me up, it has a great sentiment. "I'd rather be watching The Shield." Indeed.

The second makes use of the 5th season's styling and provides us with a white t-shirt that has the 5th season cover design on it.

Not as keen on this one, but again it might be to your taste.

There's a few different ones at this website, I especially like the first one with the Farmington logo on it. Unfortunately I'm not able to get one due to shipping issues. [Insert sad face here]

If you prefer to display your affiliation on the wall rather than your chest then there are a few posters available. Here's an A1 print of Vic in shades and Kevlar. Pretty iconic.

This print is from the same shoot as the one used on the season six UK cover. I quite like this picture, it's very iconic and appropriate.

If you've seen anything else out there across Inter-la-la-land-net please let me know here.
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The Week That Was - 29/11/08

Category: By Rev/Views
A relatively quiet week for TV watching in the Rev-Views household.

Dexter:
Finally we're past the spoiler moment for Dexter, I already knew for a long time that Prado was going to get drawn into Dexter's tangled web after the news report about the knife incident mentioned saran wrap. This has impacted on my enjoyment of the show because instead of watching Prado take steps into a world that he shouldn't be involved in and sit around hoping he would pull out, I've instead been watching his slide into evil.

But, this week still managed to pull a great revelation moment that has set the scene and returned all of the tension (as Rob predicted they would over at Dan's reviews of the show). The final few episodes of Dexter promise to be pretty special.

Boston Legal:
An exceptionally unusual episode of Boston Legal this week, taking place almost entirely in Shirley and Carl's home over thanksgiving. There are no court cases, just Carl, Shirley, Denny, Edwin Poole (remember him?), his adopted son, Alan, Jerry and Katie. It's a sweet episode that has some exceptionally lovely moments for Shirley and Carl, plenty of amusing groans everytime Alan said he had something to say and an "about time" moment for Jerry. I really do feel that the quality of the show has risen greatly in this final season and I'm going to miss the show when it's gone.

Heroes:
Eclipse is the first of a two-parter in what is possibly the worst decision the show has ever made. Right now they've ruined the characterisation of their core characters so deeply that the only entertaining elements left are the powers. Now they've taken them away for the duration of this two part 'event'.

As a consequence things are exceptionally dull, short of the writers killing Claire and Peter off (which will sadly not happen any time soon) there's really nothing much to be gained from this episode beyond some half decent - but bizarre and out of character - moments for Elle and Sylar. This is a show that I'm very close to walking away from, as frankly, it's rubbish right now!

How I Met Your Mother:
This season has had a few very good episodes and then a few that are pretty flat. Fortunately for us "The Naked Man" belongs to the former category. We have every character involved in fun storylines based around Robin's latest date who likes to pull something he calls 'The Naked Man', a move that has a 2 in 3 success rate. Cue some brilliant moments for everyone, even Ted manages to be a bit less boring than normal this week.

The Shield:
It's over and this will be one of the last times I get to talk about the show (until the Season 7 DVD release, which should come out in Region 2 before Region 1 if past trends are anything to go by) but I'm still at something of a loss. The full review is over here, but there are still so many more things I'd love to say about this show. The short version is this. The Shield was the best thing that aired over this Fall season, no arguments, no disputes, that's the truth. Of course, the show will be ignored at Emmy time, but that's because the Emmys are as meaningless as popularity polls when it comes to judging what shows are actually the most well written and performed.

I digress. It was AMAZING and frankly the show is now a MUST WATCH for anyone who considers themselves an informed and tasteful watcher of TV.

Oh and the words "Family Meeting" will never sound the same again to my ears.

The IT Crowd:
I missed the first episode and a few minutes of this one (the second). I enjoy the IT Crowd because of Richard Ayoade's portrayal of Moss (I've enjoyed his work since The Mighty Boosh and Darkplace) and because I think Katherine Parkinson is lovely. The episode was fun light comedy but nothing really groundbreaking, it seems that the show is in something of a rut. Fortunately it's still fun and I honestly enjoy it. But it's not something that's ever going to be worth more than a paragraph in a review round up.


Live at the Apollo:
I managed to catch the first 'Live at the Apollo' this week by almost pure chance. It was presented by Michael McIntyre (a comedian who I first saw at the Hammersmith Apollo) and featured his own talents alongside the stylings of American comedian Rich Hall and fellow Welshman Rhod Gilbert. Michael was just brilliant, as always. Likewise Rich (who I normally see on shows like QI and Not the Nine O'Clock News, I've never seen his stand up before) was great. Rhod on the other hand was a little hard to get used to, I sat in silence for most of his gig. But I did start laughing towards the end, his style just took some adjustment on my part.

The episode is here if you wish to watch it.

In other news I've been catching up with Weeds season 2 + 3 and continuing to work on 'Watching the Wire' episode seven will be up tomorrow. Outside of TV land I've been enjoying Left 4 Dead on the 360.

That's all for this week, so if you don't mind. Lets just take a moments silence for the passing of one of the greatest TV shows of our generation.

...

The Shield.
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DVDs in Review #43 - Weeds: The Complete Second Season

Category: , , , By Rev/Views

You can find the review of The Complete First Season through that link there.

Starring:
Mary-Louise Parker as Nancy Botwin
Elizabeth Perkins as Celia Hodes
Hunter Parish as Silas Botwin
Kevin Nealon as Doug Wilson
Alexander Gould as Shane Botwin
Justin Kirk as Andy Botwin
Andy Milder as Dean Hodes
Romany Malco as Conrad Shepherd
Tonye Patano as Heylia James

The Show:

The second season of Weeds follows directly from the first season, Weeds has an exceptionally compressed storyline and this makes it very easy to follow. At the end of the previous season we were left with the shock reveal about Nancy's newest man alongside her decision to turn "corporate" with her business.

The second season picks up almost right after the finale of the first season, this means it's a very smooth watch from one season to the next. Conrad, Nancy and co step up their operation to the next level by becoming growers rather than just dealers. But this contains it's own risks, from the DEA, Armenians and other dealers. They're beginning to really tread on some important toes and not everyone is going to just let them expand without a fight.

On top of this Nancy is having problems with her sons and her brother-law Andy, who continue to act up or goof around respectively. Plus she has to continue with keeping up appearances around her friends and conceal her choice of career from her new man Pete.

The season runs ahead with a delicious mix of dark comedy, drama and intense moments before leading to a season finale that will have you immediately rushing off to watch the third season. It's a great show that deals with a very adult matter in a clever manner that's both serious and tongue in cheek at the same time.


The Other Stuff:
Packaging:
As always I love to see good and efficient packaging and Weeds is up there in the better designed tiers. It's two slimline DVD cases inserted into a cardboard cover; now if I'm honest the job could be done a little better here as there are only 2 DVDs in the set, but that's a problem which is rectified (see the next season review when I do it) and the narrow profile of the show's box more than makes up for it. The cover is stylish and while there was a couple of stickers directly applied to my copy they came off without leaving any residue or damage to the dust jacket itself.

Each DVD case has individual artwork and the back of them lists the episodes and the special features in each, this makes it easy to locate whatever feature you're looking for or work out which episode you watched last. Of course with only twelve episodes at a runtime of just over three hours it's easy to watch the entire thing in one sitting.

Start up and Menus:
The start up for the disc features an unskippable warning and Lionsgate logo then adverts for 'The Lost Room', 'The Dresden Files' and 'Darclight'. Fortunately the adverts are all skippable and only present on the first disc.

The Menus for Weeds:Season Two are great, the resolution on them could be slightly better and the loop is very harsh. What I mean there is every menu has a short loop of animation and music, some of them handle the point where they reach the end of the track better than others by making sure that it matches up and loops well, but most just stop abruptly and then start from the beginning again. Weeds is one of the latter.

You have the ability to pick any of the episodes but not individual scenes from each one, the almighty "Play All Episodes" option is present both on the main menu and the episode menu (hooray!) and the transitions between each menu are very stylish, with a pull out to show the main menu as a picture frame then a zoom into another picture frame which contains the sub-menu.

The Menus are identical on both discs.

Extras:
We get a wealth of extras, including commentaries and other little items added for your enjoyment.

On the first disc there are:
Commentaries from writing and production staff on the episodes, Corn Snake, Cooking with Jesus and A.K.A. The Plant.
Trivia Tracks for Last Tango in Agrestic, Mrs. Botwin's Neighbourhood and Crush, Love, Panic
A MILF Gag Reel
Conrad's Grow Room
Huskeroos Commercials

The second disc has:
Commentaries on MILF Money, Bash, Yeah Like Tomatoes and Pittsburgh
Trivia Tracks for Must Find Toes, Mile Deep and a Foot Wide and Yeah Like Tomatoes.
Jammin' Nation Extended Montage
Slangin' 101
Little Boxes Montage
Tools of the Trade

Price:
Right now our winner is sendit.com who have the entire set for a meagre £10.89 right here. That's 3.5ppm, respectable and a great deal for anyone who enjoyed the first season.

Details:
Audio: Dolby Digital 5.1
Aspect Ratio: 16:9 Widescreen
Runtime: 319 mins (plus extras)
Languages: English
Subtitles: English
Rating: 18 (Contains drug-dealing theme, strong sex references and very strong language.)


The Final Word:

What's to say? If you enjoyed the first season of Weeds this one is a no brainer to watch, the price is ridiculously good right now and I'd recommend picking it up for anything under £15 without hesitation. It's funny, sexy light entertainment that's easy to watch and hard not to enjoy.

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