Now that's culture!

Category: By Rev/Views
It's a bit of a cop out post, but I really felt like sharing the pile of DVDs which has collected by my television.


Sometimes, the world of television is good.

Very good indeed.

Wire (Episode 8) post up later today, once I find the USB stick with it on.
Direct Link
 


2009 Emmy Nominations

Category: , By Rev/Views
Actually I've come to realise there is something worth muttering about this evening. It'll be short but the Emmy nominations are worth a quick scan. I'm writing this as I look at them, so here we go.

Link to the nominations is here.

Outstanding Animated Program
Hum, nothing really amazing here. Surprised to see American Dad. Would like to see Robot Chicken take it.

Outstanding Art Direction For A Miniseries Or Movie

I genuinely hope Generation Kill takes this, but it would be nice to see Little Dorrit as well (that said, I still want Generation Kill to win).

Outstanding Art Direction For A Multi-Camera Series
Come on How I Met Your Mother!

Outstanding Art Direction For A Single-Camera Series
As much as I adore Mad Men, I'd actually like to see Pushing Daisies take it, but it's probably not deserving - the nomination is enough.

Outstanding Casting For A Comedy Series
This feels like either 30 Rock or The Office's.

Outstanding Casting For A Drama Series
A really tough category, but Mad Men genuinely has the best cast. Damages wasn't as good this year as the last.

Outstanding Casting For A Miniseries, Movie Or A Special & Outstanding Cinematography For A Miniseries Or Movie
Just like a broken record - Generation Kill.

Outstanding Cinematography For Reality Programming
UGH!

Outstanding Cinematography For A Half-Hour Series
I've always been amused that a 20 min show counts as a half hour series stateside. I don't really mind here, but what the heck is According to Jim doing there?

Outstanding Cinematography For A One Hour Series
This should be a two horse race between Breaking Bad and the frankly gorgeously shot Mad Men.

Outstanding Comedy Series
Another hot category.


Outstanding Costumes For A Series
Know what? I really liked the Pushing Daisies and No 1 Ladies Detective Agency costumes.

Outstanding Directing For A Comedy Series
3 more for 30 Rock, looks like they're taking this one (and possibly sweeping everything, was this year's 30 Rock really that good?


Outstanding Directing For A Drama Series
BSG's last few moments dragged, Damages *makes so-so wavy hand motion*, so I guess it's between Boston Legal and Mad Men. I do hope BL takes it.

Outstanding Directing For A Miniseries, Movie Or A Dramatic Special
GK again please Bob!

Outstanding Drama Series
Ok, as Billy over at Geeky Talk pointed out. Not a snifter of The Shield? Seriously, you let the weakest Dexter Season so far in and The Shield doesn't even get a nod? Ridiculous.

Outstanding Guest Actor In A Comedy Series & Outstanding Guest Actor In A Drama Series &
Nice nominations, can't really argue with most of them

Outstanding Guest Actress In A Comedy Series & Outstanding Guest Actress In A Drama Series
I do hope CCH Pounder wins her category, she's fantastic.

Outstanding Lead Actor In A Comedy Series & Outstanding Lead Actor In A Drama Series
Hamm, Hall or Cranston please in drama, Baldwin in comedy.

Outstanding Lead Actress In A Comedy Series & Outstanding Lead Actress In A Drama Series
I will just about always root for Tina Fey, but I approve of most of the nominations in the comedy section. Not bothered about the drama bunch, but Glenn and Moss were both great this year.


Elsewhere (as it's getting late) I'd like to see the Sons of Anarchy theme win, HIMYM take the picture editing for 'Naked Man' which was just brilliantly done and Neil Patrick Harris MUST win best supporting actor in a comedy series.

Overall I think the nominations this year are better than last years, though the number of nominations 30 Rock received raises an eyebrow - then again, the cynic would not that Hollywood loves shows 'about the business' so it's not exactly a surprise. I am also pleased with the number of nominations Mad Men received but frankly incredulous that The Shield didn't get a single one, nadda, snatch. The Wire at least got a single nod last year but The Shield's final season was the best thing on this past TV year by a long margin. Eh, what can you do?

Go HIMYM (and NPH). Go Mad Men. Go Colbert Report. Go Generation Kill and I guess Go 30 Rock (but you don't really need me cheering you on at this point.)
Direct Link
 


Another No Content, Content Post concering podcasting

Category: , By Rev/Views
I'm afraid too little time has once again made a victim out of posting on here. But I am working sorting out some podcasting in the near future, with Aaron from Snark and Fury (hopefully) as two man podcasts have a more natural flow to them in my opinion (I feel the same way about commentary as well, I prefer the group dynamic - though David Simon and Clark Johnson both give very good solo commentary).

Now I imagine that The Wire, The Shield and Torchwood: Children of Earth are on the agenda to talk about initially, but I'm opening the floor up at this point to any suggestions. Any shows you'd want to hear about? Any specific areas (Reviews, general musings, favourite X/Y/Z etc)?

And how do people feel about audio reviews? Is straight audio interesting or would you prefer pictures?

(And who knows, maybe one day I'll even sort out a MST3K style riffing series over the top of some show at some point - if I can figure out a decent way to make it work without getting involved in copyright issues etc.)

So fire away and... um.. Is this thing on?
Direct Link
 


DVDs in Review #74: Futurama: Season One

Category: , , , , By Rev/Views

"Space, it seems to go on and on forever... But then you get to the end and a gorilla starts throwing barrels at ya!"

While I did write a review of the complete Futurama collection a while back I was never really satisfied with it. Futurama is probably the TV show I've watched most of all because it functions both as a show I adore and moving wallpaper - so when I'm not sure what I want to watch while I do something else, it's Futurama which goes on.

I think by now most people should be more than familiar with Futurama, the science fiction/comedy cartoon from Matt Groening (creator of The Simpsons if you've been living in a cave for the past few decades), and it's particularly rough ride through the world of television. It's one of those shows which has always been treated badly by Fox, despite the obvious quality of the show, and as such it's already managed to be cancelled once, return as a series of made for DVD Movies and then get renewed - a story which should sound familiar for fans of Family Guy because it's more or less the same thing repeated there.

Futurama stars Billy West as simple-minded Phillip J. Fry, a pizza delivery boy who at the turn of the century gets accidentally frozen in a cryogenic tube. Awakening at the turn of the third millennium, he discovers that he's now a million thousand years into the future, alive long after all his friends and family have passed on. Also joining him are John DeMaggio as Bender; a foul mouthed, angry kleptomaniac robot, the lovely Katey Segal as Leela - a one eyed woman with a penchant for martial arts and the temperament to use it. Often.

There are two versions of the first season boxed set, the earlier version is larger as it uses traditional DVD cases to house the three discs containing the thirteen episodes which make up the first season. The second version is about half the thickness as it uses the later slim-line DVD cases, if you have that version I'm infinitely jealous of you as I'd love to get it, but can't justify buying something I already own.

The boxed set itself is an exceptionally fun item, the external sleeve is made of plastic and has Fry, Bender and Leela along with a pair of windows which show a bit of the interior art. The box inside has a detailed cityscape scene of New New York which homages the Futurama opening credits, and if that wasn't enough each individual DVD case has original art inside and out. It's an impressive piece of production which really adds to the experience of owning this set.

But wait, there's more! The lavish production standard doesn't end there, once you boot up the first DVD you're treated even further. The root menu is an amusing scene depicting Fry crashing through a sign - and there's an Easter egg here, you can select the flying limousine by pressing across, once clicked it'll show you a cinema poster for 'Planet of the Clams'. The sound loop on the root menus are a little rough, they doesn't loop very well at all and the older version of this set lacks the essential "Play All" button.

Additionally each individual episode has it's own unique menu art and the language/chapter selection menus are fantastic as well. It's surprising how much effort has gone into the Chapter Selection menu in particular as it's not one you'll use too often.

As for the show itself, well I think my feelings are pretty clear by now. I absolutely adore Futurama and pretty much can't get enough of it. That said, the first season is not really my favourite one - in fact it's probably my least favourite by a long margin.

Space Pilot 3000 opens the series exceptionally well, it's got great pacing and it introduces all the main characters in a memorable and enjoyable fashion. Episode Two: The Series Has Landed, slows things down a little and introduces the second string characters of Amy, Hermes and Zoidberg - the episode itself is based mostly on the moon and has some beautiful shots contained in it. I, Roommate is another great episode which is slower paced than the previous two and deals with Bender and Fry's burgeoning friendship - it also introduces 'All My Circuits' one of the shows within the show. Love's Labours Lost in Space is probably the best of the episodes on the first disc, it introduces the spectacular Zapp Brannigan and established that no character in the show was exempt from humiliation, it also brought us Nibbler, a character I'm somewhat ambivalent about - I like the episodes he's involved in but I'm not that fussed with him as a character.

The second disc has the fun Fear of a Bot Planet which gave us the fun of shouting "SILENCE" before every sentence (that's still enjoyable to do even now). Then there's A Fishfull of Dollars, an episode which honestly irritates me no end, there's a certain kind of comedy (generally derived from giving a character everything and then ripping it away from them through their own stupidity) which really annoys me - and this episode uses it in spadefuls. I actually skip it on occasion. Likewise I'm not so keen on My Three Suns, which isn't as annoying but just sort of occupies time and space without really having anything great about it. Fortunately A Big Piece of Garbage and Hell Is Other Robots more than make up for these two weaker episodes and then some.

The Third Disc contains the fun Titanic spoof A Flight to Remember which has pretty much the entire cast involved in several storylines, it's amazing how much is crammed into twenty minutes here. Animal House Mars University is a definite favourite of mine, Gunther the monkey might be an annoying whinge but he's hilarious when he's trying to put on the hat. When Aliens Attack brings us Lrrr and Ndnd and finally Fry & The Slurm Factory spoofs Charlie and The Chocolate Factory, bringing the season to a satisfying close. It's definitely Space Pilot 3000, A Big Piece of Garbage and Hell is Other Robots which are the best three episodes in the season.

I'd also be commiting a crime against culture, television and comedy if I didn't mention the fantastic commentary present on every single episode in the season. It's so good you might well find youself listening to multiple times. I'm yet to find a show which comes close to this level of quality for commentary.

While the later seasons are much better, this freshman collection still swings above it's weight and provides an entire Planet Express ship full of laughs.

Extras:
Apart from the aforementioned Easter eggs and the amazing commentary there are a host of other extras located on each disc.

Disc One:
Animatic from Space Pilot 3000
Space Pilot 3000 Script with notes from David X. Cohen
Space Pilot 3000 Storyboards
Deleted Scenes from: The Series Has Landed, I, Roommate and Love's Labours Lost in Space
Easter Egg - Hidden Cinema Poster for "Planet of the Clams"

Disc Two:
Trailer for Futurama Season One
Deleted Scenes for My Three Suns and Hell Is Other Robots
Easter Egg - Hidden Cinema Poster for "Quizblorg Quizblorg" (Select the Slurm Truck)

Disc Three:
Featurette (Matt Groening talking about the show, details of the animation and 3D scenes)
Deleted Scene for When Aliens Attack
Image Gallery
Easter Egg - Hidden Cinema Poster for "Buff-Bot: The Human Slayer" (Select the Police Car)
Direct Link
 


My Top 10 TV Show Themes

Category: , , , , , , , , , By Rev/Views
A while back I put up a three parter about my favourite opening sequences (the first part of which can be found here and it will link to parts two and three). Today - inspired by a day spend playing TV Themes on guitar for no reason other than it was raining I'm going to write about my favourite TV Show themes, while there might be some crossover between the two lists it's more about the music rather than the entire combined credits this time.

They're in alphabetical order by show names rather than order of preference:

A-Team - The A-Team Theme



Oh come on, seriously - are you even surprised? It's fun, it's iconic, and it even gets people going nuts when it's played in a club. And while you can't dance to the original version you certainly can dance to the Guy Pratt remix as featured on Spaced - there's a full length version of it here, annoyingly Channel 4 haven't released the excellent video of Mike dancing - which is what I originally wanted to put up here. Gits.

Blackadder II - Closing theme



Surprise! At least I hope this inclusion is a little bit of a surprise - I love the closing theme to Blackadder II, the entire series has great music but it's the closing ditty for each episode in the second series which seals the deal.

Bones - Bones Theme by The Crystal Method



The full version of the song from the most excellent (and difficult to find) Crystal Method is here it's a kind of crappy video but the music quality is good.

Chuck - Short Skirt/Long Jacket by Cake



It's a great little tune which almost sounds purpose made for the series with it's funky spy like guitar riff but in truth it's a boiled down version of Cake's Short Skirt/Long Jacket. This is the theme which inspired the list and it's an excellent choice for the show, fitting pretty much perfectly into place.

The full music video can be seen here. I think I actually prefer the stripped down Chuck Theme.

Friends - I'll Be There For You by The Rembrants



Another one which I'm sure won't the least bit surprising to see on here. It was pretty much the TV show theme for a while. But I don't think The Rembrants produced a single other song of consequence apart from this one, pretty much the definition of a one hit wonder.

Rescue Me - C'mon C'mon by the Von Blondies



Filled with energy and punch the theme seems to echo the life and experiences of Tommy Gavin, it's one I find myself huming for a while during and after watching an episode of the show.

You can catch a live rendition on Letterman here.

Scrubs - Superman by Lazlo Bane



Using the banjo to great effect the full song is a melancholy tribute to the difficulties of life, the shortened version works well as the opener to Scrubs and served it well for eight seasons. It's the extended version used in the video here - they decided to scale back to the short orignal version after a few episodes. Keep it punchy, more time for gags that way.

Sugar Rush - One Way or Another by Blondie



The shortened version of this song is so well edited that it almost feels like a complete entity by itself, I know I often find myself surprised with the length of the original version when playing it on RockBand or listening to it on CD.

That 70s Show - In the Street by Cheap Trick



Say what you like about That 70s Show, the opening theme is pretty awesome.

There's a lowish quality version of the full song/70s show video here.

The Wire - "Way Down in the Hole" By Tom Waits (Steve Earle version).



There are five renditions of the song "Way Down in the Hole" used in The Wire, one for each season. But it is the version from the fifth season performed by Steve Earle (who appears as Waylon in the series) which does it for me. Here's the man performing it live.

Where's Wallace? Where's Wallace? (There he is at 0:55 in the video!)

Honorable mentions go to the themes from Monty Python's Flying Circus, Boston Legal, House (Teardrop - Massive Attack), Top Gear (Jessica - The Allman Brothers) and The 4400 (Amanda Abizaid - A Place in Time) .

Might I just write before I go, these posts might look rather 'filler' but the honest truth is they take longer than written ones. Sigh.
Direct Link
 


DVDs in Review #73 - Big Love: The Complete First Season

Category: , , By Rev/Views


"Think having three wives is a dream come true?
Think again."



I've always enjoyed Bill Paxton's work on screen, he's an actor who I've felt has had leading man qualities but never quite broke through as one. In addition to his genuine screen talent he's also the one man who's been killed by a Predator, an Alien and a Terminator - sort of the Science Fiction triumvirate there. So his name along with the fact that Big Love is from HBO was enough to put the show on my radar and when Zavvi/Head dropped the price down to a meager £6.74 for the entire first season I figured that it would be crazy to not pull the trigger and give the show a go - if I didn't enjoy it I wouldn't be much out of pocket.

Big Love is about Bill Henrickson (Bill Paxton) who is a practicing polygamist with three wives and seven children. The family consists of himself, his first wife Barb (Jeanne Tripplehorn), second Nicki (Chloë Sevigny) and his third Margene (Ginnifer Goodwin). The series deals with the trials and pressures of being a polygamist family in America, pressures which come from both inside the family unit and without - especially the fear of being discovered as polygamists. Bill's a successful hardware store owner who has just opened his second building, but the "Prophet" of his ex-commune (and father-in-law) Roman (Harry Dean Stanton) owns a stake in his business and is unwilling to lose his grip on it despite Bill's desire to distance him from the past.

Big Love is a very soapy drama which has a lot in common with Desperate Housewives in it's style, but instead of following the lives of a series of neighbours we instead follow the lives of three families which have the additional perk of being one family as well. The three wives all adore their husband and Bill functions as the head of the family but there is also a hierarchy between the three (based on order of marriage) - Barb is the most competent of the three wives, working and managing the households effectively, Nicki is one of Roman's daughters and has a severe problem with debt and Margene is the youngest at 23 and is still getting to grips with her life. The three families live in neighbouring houses, which is a rather effective and brilliant move on Bill's part - allowing them to remain close without rousing too much suspicion, but of course this is a very expensive way to live.

The other cast members of significance are Don (Joel McKinnon Miller) fellow polygamist, employee and confidant of Bill's, Bill's two eldest children Ben (Douglas Smith) and Sarah (Amanda Seyfried) and Bill's father Frank (Bruce Dern) and mother Lois (Grace Zabriskie). Ben and Sarah both have lives and problems of their own, while Frank and Lois's own problems threaten to engulf Bill's already complicated life at times.

Big Love is a show which has suffered it's fair share of controversy, it's an uncomfortable subject matter for many people, polygamy is something which is unusual and often looked down on by society. But if you're able to get past the strangeness of this fictional family's situation there is a fun and unique drama beating at the heart of it all. In many ways Big Love is a show which challenges your perception on what consists in a 'normal life' and gives you an insight into a way of life you may never have encountered before.

It's an interesting series, something which is an enjoyable show to watch - while it didn't grip me as tightly as some other drama shows I've watched in the past it did evoke the style of Six Feet Under and Desperate Housewives, both of which are highly competent and enjoyable shows in their own right. And Ginnifer Goodwin is just adorable.

Extras:
Two Audio Commentaries with Bill Paxton, Jeanne Tripplehorn, Chloe Sevigny and Ginnifer Goodwin
Big Love: A Balancing Act - the making of the opening title sequence.

Details:
Aspect Ratio: 1.78:1
Rating: 15
Region: 2
Runtime: 613 mins approx
Soundtrack: English, French
Subtitles: English, French, Dutch, Danish, Finnish, German, Greek, Italian, Norwegian, Portuguese, Romanian, Castillian Spanish, Swedish
Direct Link
 


Watching The Wire: Season Two - Episode Seven: "Backwash"

Category: , , , , , , , By Rev/Views



“Don’t worry, kid. You’re still on the clock.”
-- Horseface

Teleplay by Rafael Alvarez
Directed by Thomas J. Wright

Starring:
Dominic West as Officer Jimmy McNulty, Lance Reddick as Lieutenant Cedric Daniels, Sonja Sohn as Kima Greggs, Deirdre Lovejoy as assistant state's attorney Rhonda Pearlman, Wood Harris as Avon Barksdale, Andre Royo as Bubbles, John Doman as Colonel William Rawls, Frankie Faison as Acting Commissioner Ervin Burrell, Clarke Peters as Cool Lester Smooth Freamon, Amy Ryan as Beadie "Bea/Beadie" Russell and Chris Bauer as Frank Sobotka.

With:
Seth Gilliam as Detective Ellis Carver, Domenick Lombardozzi as Detective Thomas "Herc" Hauk, Jim True-Frost as Detective Roland "Prez" Pryzbylewski, James Ransone as Ziggy Sobotka, Pablo Schreiber as Nick Sobotka, Callie Thorne as Elena McNulty, J.D. Williams as Preston "Boadie" Broadus, Hassan Johnson as Roland "Wee-Bey" Brice, Kristin Proctor as Aimee, Michael Hyatt as Brianna Barksdale, Robert F. Chew as Proposition Joe, Maria Broom as Marla Daniels, Lance Irwin as Maui, Delaney Williams as Sergeant Jay Landsman, Shamyl Brown as Donette, Keith Flippen as Bruce DiBiago, Gary "D.Reign" as Frog, Tray Chaney as Malik "Poot" Carr, Luray Cooper as Nat Coxson, Charley Scalies as Thomas "Horseface" Pakusa, Stan Stewart as New Charles, Richard Burton as Shaun "Shamrock" McGinty, Richard Pelzman as Little Big Roy, Kelvin Davis as La La, Chris Ashworth as Sergei "Serge" Molatov, Ted Feldman as George "Double G" Glekas, Jeffrey Pratt Gordon as Johnny "Fifty" Spamanto, Curtis L. McClarin as florist, Jacques Derosena as Leech and Randall Boffman as Bill Anderson

The Summary:


Read about funerals, falling boxes and Pyramids beyond the link...

The Recap:

Bodie is in a flower shop, looking to sort out a wreath for D’Angelo’s funeral, once he explains the nature of the desceased and his relationship the store owner shows him the line he has for people like Bodie. Specifically wreaths which feature guns and the like, after looking at them for a while he settles on a custom shaped wreath like one of the high-rises with 221 on it – a tribute to his former boss. He hands over the cash and leaves.

Cue the credits…

Landsman is less than impressed with Bea and Bunks decision to clone the dock computer and be through. But Bunk mentions he’s working with Daniels, Landsman first attempts to angle Bunk and see if Homicide can dump the fourteen girls onto Daniels, but that isn’t happening without Daniels agreeing – and right now he definitely (and wisely) doesn’t agree. Landsman leaves, so Bea and Bunk work on the next step in their operation, which involves pulling back a little to make the Stevedores believe that they’re not being investigated anymore. Bea asks “How are they going to think that?”

Frog is talking with Nicky about dealing the new stash, he’s angling to scam Nicky the same way he scammed Ziggy before – short changing him and essentially “effing up the package”. Nicky remains calm and tells him to come here, he then goes on to remind Frog that he’s a White Polish American, so he should drop the act and also that Frog owes Ziggy money and Nicky won’t be taking any excuses on that. Frog only gets to sling if he advances, Frog’s keen because the stuff was good and agrees to this deal.

Bell meets with his contact over Mugs’s job on D’Angelo, the guy pushes a little as he suspects that Avon wasn’t involved in the hit. Bell denies everything in his own way and the guy leaves.

Avon is in his cell with Wee-Bey, he’s pretty cut up about Dee’s suicide and angry about it as well. Avon talks a little about how well he feels he treated Dee but Wee is pragmatic about it, saying that Dee almost turned on Avon once and might have done it again. At least they don’t have to worry about that now.

“His name is Head, Dick Head.” Carver quips about Herc who is wearing shades while handling a pistol. They’re in a surveillance shop looking for a bug to use and the store owner shows them one for $1,500, $1,250 with a police discount. They’re offered a 48 hour test run as long as they leave credit card details, Herc immediately pushes Carver to do this – his own cards are (unsurprisingly) maxed out.

Rawls pushes Daniels again about the fourteen homicides, claiming that it would be good for Daniels and the department. He’s honest enough to admit it’s a win-win for Rawls and that he’s trying to spread the damage around as far as statistics go. But Daniels is having nothing to do with that, he’s not willing to budge because he just wants to run a simple case, close it down and get out from under Burrell.

Frank is out on the docks when he sees Bea roll by, back in her patrol car again. Frank is a little surprised to see her out in the black and yellow and asks after Bunk. She tells him that the case is closed and she’s out of it now. This is how they planned to get the Stevedores to settle down, by returning to ‘business as usual’. Bea additionally goes to explain that she’ll be down in Fairfield instead of out on the docks here – this covers her lack of presence on the docks coming up without making Frank suspicious.

Herc and Carver place the bug inside a tennis ball, that tennis ball is soon to become my favourite character in The Wire – seriously. While Lester and Bunk watch the cloned computer tracking cans. Bunk’s already bored by this, but Lester likes to see the system working without any dirt in it, it’ll allow him to spot and understand any “glitches” faster later on. Bea gets what he’s doing.

Frank, Ott and the Stevedores are being shown a presentation about the future of dock working as created by the Dutch. Herc sits listening to the tennis ball bug while Carver snaps the pictures of Frog and White Mike. The pitch about the dock upgrades continues but Frank is more concerned about the jobs and hours. The presenter confirms four thousand people, a number he feels is large – but Ott immediately jumps on this, that’s four thousand people moving three hundred and fifty million tons a year, which is not actually a lot.

Stringer arrives for Dee’s wake; he talks with Donette, sharing a brief moment of subtle intimacy before heading over to talk with Brianna in her bedroom. Naturally, like any parent who’s lost a child, Brianna is devastated.

In Dolores’s Bar Ziggy is pouring over some papers when Nicky arrives, he hasn’t had any days this week and the guys are a little surprised. Nicky nods and walks over to hand Ziggy his money. Ziggy is a little flat about receiving his money, mostly because he’s feeling emancipated over this, like he’s not good enough to look after himself and his money (frankly he’s not). Ziggy’s unhappy that Nicky is better at just about everything than he is. He then passes the papers to Nicky and it turns out that Ziggy’s being sued for paternity from Prissy (the town bike).

Kima is scoping out The Gentleman’s Gold Club with Prez, he walks out of the bar and heads down to sit in the car with her. Prez has noticed that there’s an older woman (40) involved some how, Kima then teases him a little about the strippers in there. He looks suitably mollified.

Daniels and his wife are talking about Daniels’s situation, once again his past is mentioned and she’s keen to have him walk out and pursue a career in law. But he highlights just how things are working and how the situation is to his advantage.

Frank’s talking in his office with one of his union members about the upcoming elections, Frank wants another year in office but it is Ott’s turn and no-one’s budging on this. It’s clear that the Union elections are in essence a formality and the winner is decided in advance. Frank wants another year to finish what he’s started, he’s not after the power of the position, he just wants to see his plan through. He then phones up Bruce to see what progress has been made.

Prez and Kima see the girls leave the Gentleman’s club and notice a lot of muscle for just a few girls.

In Dolores’s Bar Nicky has been thinking about the paternity suit, Ziggy confirms that the papers arrived by the mail and Nicky realises that’s not right – they have to be served by a sheriff. He notices Maui and the pieces fall into place – he then phones the number, Maui’s phone rings the man answering with “Shyster, Shyster and Shyster” and confirming that the entire thing was an elaborate prank – retaliation for Ziggy’s “hung wallpaper”. Ziggy is still oblivious until Nicky pretty much explains it to him, they all sing along with the jukebox which plays “Love Child”.

Prez and Kima follow the SUV containing the girls which pulls into a secure garage at what appears to be a residential block. Lester continues to monitor the cloned computer. Kima and Prez bluff the guard so Prez can see what floor the girls are being kept on. The sixth.

Lester, Bea and Bunk are sat talking about a break in the case, it looks like Horseface is on duty with a suitable ship. They’ll need additional bodies to keep an eye out on the docks and they’re having to keep things away from Daniels’s attention at the moment.

Nicky rolls up in his SUV to talk with Frog, he’s observed by Herc and Carver and recorded by the bug. Unfortunately for them Frog picks up the ball and starts throwing it around, ruining any chance the duo has at catching their conversation. Carver ends up scrambiling after the tennis ball once Frog throws it and after a few close moments it’s run over by a truck.

R.I.P. Fuzzy Dunlop!

Lester runs the team through the plan, they’re going to observe the offloading while tracking the computer.

Nicky arrives and hands over a slip from the Greeks to Frank, concerned Horseface and Frank plan to check the cans, they do not want any more dead girls in the docks. Frank has lost all faith in the Greeks. Frank and Nicky then talk about how little they’ve been working and Frank tells Nicky not to do anything he wouldn’t do. It's close, but I think Nicky is almost doing what he believes Frank would do (Frank on the other hand would disagree).

At one of the Baltimore cemeteries D’Angelo Barksdale is being buried in front of friends, family and fellow bangers. Stringer watches coldly, the cause of all this misery and upset. Boadie and Poot are also present, even Prop Joe has turned up to show his respect. Brianna is devastated. Poot points to the wreath and asks Boadie about it – he’s impressed with it. Each of those present pays their respects before walking away. Shortly Prop Joe talks with Bell, initially to give his condolences but also to offer a proposition. He knows that the Barksdales are hurting on the product front, but have great locations. Stringer tells him to cut to the chase and Prop Joe lays down the level – he’s looking to expand and he’s willing to cut a deal with the Barksdales. Stringer agrees to talk with Avon.

Frank meets with Bruce, he’s not impressed that the dredging isn’t in the budget – he has received the grain pier but he’s not satisfied with that. Frank spins a few stories about his childhood, how hard and difficult things are for the stevedores and how people grow up to do the same as their fathers. Bruce gets angry at this and lets him know how hard his grandfather worked to change things. Frank isn’t going to back down at this, because the presentation about the automated docks has him rattled deeply. He throws a shoebox to Bruce filled with cash, he wants the canal and the pier – people need to be talking and making it happen.

Horse is out on the docks walking up to one of the cans, Bea watches the virtual version move on the cloned computer and sees it disappear. Lester passes on the information to Kima who has an eyeball on it, she also has an eyeball on Sergei/Boris. Bea informs them that if it goes straight through then it’s dirty, which it does. Kima stops following and Prez takes over the follow for a bit until it is Bunk’s turn. Bunk sees the truck travel through a gate and drive towards a warehouse - a part of Pyramid Incorporated.






Avon and Stringer are talking about Dee’s passing, Stringer lets Avon know they did the funeral properly, Avon’s more than a little cut up about what happened – he wishes he could have stopped it, he feels he could have. Stringer assures him that it’s not on Avon – which we know it isn’t Stringer is responsible. Next they talk about the supply issues and Stringer brings up Prop Joe’s offer. Avon isn’t willing to cut a deal with Prop Joe.

Kima rolls up alongside Bunk who’s been keeping an eye on the warehouse, nothing has changed and she takes over viewing.

The Detail bring in the lovely Rhonda Pearlman to talk about potential wiretaps – she’s unable to offer them a wiretap for human smuggling/prostitution. Incredibly the law does not allow people to wiretap those involved in human trafficking.

Nicky meets with Aimee about affording a new place, he claims to be working as a warehouse guy and now they can afford a two bedroom apartment. Things are looking up for the couple and she’s happy with that.

Carver is less than thrilled that the bug is now destroyed as they pull up outside Nicky’s place. Herc informs that he’s one Nicholas Andrew Sobotka but doesn’t make the connection in the surname. Carver on the other hand does realise and gradually makes Herc understand the significance. Herc notes that this means they can use the information from the bug “Fuzzy Dunlop” as a CI and earn some cash. (I like the name and character Fuzzy Dunlop so much that two members of my RockBand are named after it.) Carver is unwilling to do this, but Herc holds the lost money over Carver and tells him that Daniels would “trust him as he’s trustworthy” (Ironically Daniels trusts Carver because he proved to be untrustworthy in the past).

Bunk and Cool Lester Smooth are drinking in the bar, Bunk is trying to convince Lester to talk with Daniels and roll everything together.

Kima is still watching the gate when she sees a car pull up, sat in the back of it is Prop Joe. This means the detail have the drug connection they require for a wiretap if they play it right.

In Dolore’s Ziggy is complaining about Maui, the people he’s with talk him up a bit, trying to convince him to lay into the much larger Maui. They’re interrupted by a man down, New Charles has been injured. A box has landed on his leg, crushing it. They lift the box and move New Charles, his leg is a mess but the Ambulance has arrived. Frank lies and tells him that the leg looks OK – but it’s not, it’s doomed.

Lester talks with Daniels about the Detail; it’s time to be stepped up in Freamon’s opinion. While the start of it was a bit of a joke assignment and a tool to get him out of evidence control it’s looking like a serious and genuine case. Lester advices Daniels to take the murders onboard at this thing has legs – there’s a risk, Daniels might have to eat up those open murders but Lester asks him if he can live with himself over that.

Ott and Frank arrive at New Charles’s home to help his wife, Frank hands her a package containing money before leaving. Outside Ott talks about how New Charles got his name and confirms that the leg is a goner. Then he asks about the money, Frank remains silent and walks away.

In Rawls’s office Daniels agrees to eat the murders, as long as he gets exactly what he wants when he wants it. Rawls looks pleased with himself.



McNulty and Elena are sat together in the garden watching their two boys play in a tent. McNulty is still keen to get involved with her, but she’s unwilling, she doesn’t trust him anymore. Her boys call her over to help with a spider and she joins them in the fun while McNulty watches and broods.

Daniels is at home explaining the latest developments to Marla, he admits he loves the job and professes how much she means to him. She responds by asking where the ambitious man she married went…



The Review:

As always “Backwash” is an episode title with multiple meanings; it refers the dialog from D'Angelo Barksdale in the previous episode "All Prologue", but it also refers to "a condition, usually undesirable, that continues long after the event which caused it", the slang for human spit which goes back into a drink when being consumed (usually in a bottle) and it has vague references towards tides and water flow.

Frank's still deep in the dirt, but he's unaware just how deep because he doesn't realise that the Detail are still investigating him and they've uncovered a link between him and Proposition Joe - who's a drug Kingpin (even if it's not proven because Prop Joe is careful). He's also unaware that Nicky is suppling drugs and both of them are unaware that Herc and Carver are on the trail.

This episode is one of the first which really differentiates between Herc and Carver, originally they filled the role of comedy clowns in many scenes - a little bit dodgy, mostly harmless, often idiotic. While they still do provide their fair share of laughs you can see a gradual deepening between the two - Carver is learning, evolving and adapting, he's showing intelligence and sophisitcation as a police officer, Herc continues to be a half baked clown willing to bend the laws while also posturing as a great police officer in his own mind (Some people have refered to him as a 'lame' Vic Mackey, and the resemblence is there - more physically than personality-wise though, Vic is a far more dangerous animal than Herc).

I have to say that one of the things I most appreciate about The Wire is actually the slow nature of the case and the show. It just feels more natural to watch than an episode of Bones, CSI or even Homicide - who normally bang out their case and solve it within the space of forty odd minutes (Homicide to be fair sometimes paces a lot slower and runs some stories for multiple episodes). It's nice to see a case pan out over many hours with gradual progress and occasional setbacks. I do wish more shows worked like this, but I guess most viewers need quick gratification these days as that's what they're conditioned to expect. I can understand that, sometimes it's good to enjoy a light fast show. But I do prefer the style used here in The Wire - it's deep and tough to get into and if you miss an episode you can end up unable to catch up, which is why it's an ideal DVD show.

Trivia (Credit to Wikipedia here for the initial information) - the photo on the dartboard in Frank's office is Robert Irsay who took the Baltimore Colts to Indianapolis in 1984. As you can see Frank is still bitter about that and most likely feels betrayed. It's also a statement about how the good things are being gradually leeched away from Baltimore one at a time, a sentiment Frank certainly feels is true.

This is also the first episode after a starring credited character has been killed off, yeah Larry Gillard Jr.'s name is now gone the credits. Respect to the show for keeping him on the credits despite knowing that he was going to die. I know the first time I watched this season I wasn't expecting it to happen, which made his funeral more poignant and moving.

Very little McNulty in this episode but that's not really surprising as his 'story' (seeking the name of the dead floating girl) has run it's course. I do appreciate the way he's been somewhat sidelined in the middle part of this season, it keeps the show about the City of Baltimore rather than being "The McNulty Show". As much as I adore Jimmy McNulty I do appreciate he can often dominate the storylines a little too much.

Is the company Pyramid Inc a reference to the Illuminati? Probably not, but I wouldn't be surprised if someone like The Greek was involved in such an organisation.

Direct Link
 


Torchwood: Children of Earth -- Day Five

Category: , , , , By Rev/Views


Day Five is not available on the BBC iPlayer yet but when it does it will here, after the BBC HD version has airred.

So beware of spoilers coming up... You have been warned.

...

It's all over now and I'm pretty sure people are going to be bandying words like bleak, sad, moving and depressing for quite a while. Myself I'm quite pleased with it, I do enjoy a good downer and Torchwood Day Five delivered that in spades.

Putting the pieces together it turns out that the 456 are effectively a race of addicted crack users, except their crack is the chemical composition of human children. No, the 456 aren't here because they need our children to survive or reproduce, they're not here because they're warmongering killers, they're here because they are effectively bullying drug addicts muscling in on the one place where they can get their fix from, but they're not willing to pay the bill. It's almost like an intergalactic version of The Corner in scope, almost.

Captain Jack's actions in this series have been very dark indeed, by the end of it he finally realises what a monster he's become. In someways it's quite ironic, the man he most admires - The Doctor - would never have sacrificed one child to save the rest, that kind of compromise is unthinkable. But Jack? Not content with effectively (if unintentionally) murdering his boyfriend last episode he now offers up his grandson as a sacrifice. It's one heck of a dark message, I do hope this means we shan't be seeing Captain Jack on Doctor Who again, I'm not sure a child killer is the right kind of person to make an appearance at all.

Anyhow, enough pondering on that. Was it any good? The answer is yes, yes it was. The fourth and fifth episodes have managed to make up for the second and third, though the story as a whole feels like it would have been better paced as a three parter. It did feel a little stretched thin in the middle, but by the end the pay off was almost worth it all. I'd certainly have few complaints if this had been a three parter.

I think the entire thing as a whole hangs together at around a seven out of ten, which may sound a little harsh - but the thing to remember is Torchwood previously was lucky if it achieved a five in my estimation. So there has been dramatic improvement, but I would quite happily award another point for the bleak ending, except Rusty once again pulls the final answer to solve all of this out of the ether. I'm tired of his "last minute Deus Ex Machina" finales, utterly sick of them all the way to the marrow of my bones, so I confiscated that point back and leave things at a seven.

There were silly moments, there are quite a few logical loopholes if you look to hard at things, but if there is one thing Rusty can do, it's write emotional scenes well - and that's what he did here, he finally played to his strengths at the end and delivered an ending which I'm sure will leave quite a lot of viewers used to more upbeat and light entertainment devastated. Me I was able to weather it as I've seen far more disturbing and upsetting moments on other drama shows, but I was still impressed.

So in a rather rambling way I guess I'm saying Torchwood: Children of Earth was pretty good, it was a huge improvement over the previous seasons and showed a lot of promise. I know and accept that I tend to hold drama up to an impossible standard at times, I especially don't cut Sci-fi any slack (mostly because Sci-fi seems to think it can cut corners in characterisation and plot because it has whizzy gizmos) but this was a decent enough offering from BBC Wales.

The Short Lowdown on the entire thing:
++
Good emotional stakes
Exceptional acting from the support characters
Some good performances from the main cast as well
Bleak ending
Great comedy moments earlier on, mostly from Ianto's family

--
A bit of a lame reasoning behind the alien's actions
Weak "defeating" of the 456
Massive logical mistakes in the plot, big enough to drive a truck through at times
Story was a little stretched thin over five hours and suffered from poor pacing at times

For an alternative take check out Dan's Media Digest or Snark and Fury.


Side Note: I was utterly thrown by some of the extras in this final episode. I suffer a lot when watching Torchwood (and Doctor Who) because I'm intimately familiar with the locations they film in and around Cardiff. So their attempts to pretend bits of Cardiff are London just don't work for me and I do get a little confused. But I was even more confused this time because several of the extras are people I know, as such I spent a lot of time going "Was that _____? It was!" and losing track of the plot occasionally. (If you're interested I have had a chance to be an extra in the Sarah Jane Adventures, but I'm exceptionally camera shy.)
Direct Link
 


Torchwood: Children of Earth - Day Four

Category: , , , By Rev/Views

"What are you suggesting? That a cull of ten percent will do us good?"

Day Four can be watched on the BBC iPlayer here. Expect spoilers here.

Better, much, much better. While I found Day Two to be fun filler and Day Three to be boring filler Day Four managed to hit the notes I was hoping for and paced itself very well. It's just a shame things had to be stretched out so much before reaching this.

Before I move on I'm going to have to shake a fist at the BBC as they spoilered Clem's death in this episode a while back - by removing him from the credit list for Day Five. So there was absolutely no surprises at his passing in this episode. On the other hand at least they didn't signal Ianto's death as well, so it wasn't a total wash out. But still, slightly annoying.

So Day Four was pretty much what Torchwood should be; energetic, tense, with action, politics, romance and loss. Also; finally, the Torchwood team stopped running about and pulled together a good plan to try and take charge. Only unforeseen circumstances turned it into a tragedy - unforeseen circumstances and Captain Jack's hubris really. So it was good to see the team actually acting instead of reacting as they normally do. A team created to handle the extra-normal should be more pro-active in my opinion, so it's good they finally settled down to do it.

At this point now the entire run really hinges on what's going to happen tomorrow, right now everything is so wonderfully bleak and desperate. That's where it should be at the end of the penultimate episode, the heroes should be at their lowest point, everything should look lost and impossible to solve. Which it did at the end of the episode with that wonderful image of the dead shrouded in red sheets with the occasional white one amongst them. Like human blood vessels, which is the price being demanded by the 456.

So yes, this was a good and enjoyable episode of Torchwood which hit the right notes, it's pretty much wiped the slate clean from the annoyances of the previous two Days and set things up well for one of the most exceptional endings to a UK series in recent times. Bravo Torchwood, all is forgiven - but I do hope RTD will avoid his Deus Ex Machina style of ending things for once.

For those of you still feeling a little wrung out about the loss of Ianto Jones at this point - here's a picture of him. But also, don't worry too much - it's Sci-Fi. People are hard to kill in Sci-Fi, remember Owen? His death didn't stick the first time. (Not that you should get your hopes up too much).


For some alternative takes on the episode check out Dan's Media Digest, Snark and Fury and Rullsenberg Rules.

(Does anyone else find themselves wondering what the heck the Doctor is up to letting things like this happen on Earth? It's not like him to neglect his favourite home from home this badly!)


Direct Link
 


Torchwood: Children of Earth - Day Three

Category: , , , By Rev/Views

Torchwood: Children of Earth - Day Three can be watched on the BBC iPlayer here.

You hear that sound? That almost inhuman cry of rage and frustration echoing out across the land followed by a tearing sound and two soft wet plops? That was me ripping out my eyes and ear drums during that episode of Torchwood. I know I wrote that almost nothing happened yesterday, but at least it was exciting nothing - this was genuinely nothing AND boring to boot.

Seriously, I can't remember the last time I've been so annoyed while watching a TV show as the last few moments of Day Three. Sat there having to slap my face in order to remain conscious while waiting for the dull monosyllabic fart breathing alien 456 s-l-o-w-l-y trot out it's rather ludicrous demand*.

*[Which for the record is a ten percent tithe of the world's children. Because why make sensible demands the human race is going to consider when you can be a cartoony super-villian style monster? (They could be making this daft request just as an excuse to start a war mind you). Someone get that alien a moustache to twiddle and a white cat to stroke.]


OK, initial rant aside. What was good in this episode? The stealing montage was kind of amusing, likewise the dressing up scene was also fun and Rhys again got some great and very human lines. Lois and Clem continue to be interesting characters (even if Lois is a rubbish liar) and the show continues to trot out amusing lines regarding Ianto's sexual orientation. Also the show cleverly kept the alien 456 out of sight, concealing it's appearance enough to make it look threatening and mysterious. What I did see of it reminded me of The Great Race of Yith.


If I'm honest I'm not sure why it reminded me of them, I guess just because it looks like strange things on the ends of tendrils, still being compared to a Lovecraftian monster is a GOOD thing, as all the cool monsters come from the Cthulhu Mythos. Just ask any Shoggoth.

But there were so many things wrong with this episode that the good was buried under a pile of mundanely and dross. I was consistently wound up by all the scenes involving the 456, which were slow paced and suffered from absolutely terrible continuity. If you have an alien which is busy spewing up on the inside of your tank at random moments it's pretty jarring to have the tank magically clean before each spew. I lost count of the number of times that green junk splashed up against the inside of a completely clean tank. Who's in charge of continuity and realism in the Torchwood development team? They need to be fired, immediately.

Likewise whoever thought the slow nature of the conversation between Frobisher and the smog tank would build suspense needs to be shown the door as well - it wasn't tense, it was frustrating and annoying. I was so un-gripped by it that I had no problem repeatedly pausing the scene to do other things, that's not the sign of gripping TV. In contrast during an episode of The Shield I watched earlier today I needed to pee about ten minutes into the story and refused to go to the loo until the episode was over - and I was watching that show on DVD and had seen it before at least four times.

I'd like to write more, but really I don't have much else to say except I pretty much hated this episode passionately. I'm going to catch the final two episodes, I still want to give Torchwood a chance to turn things around because I want to believe in the show. But it's not looking good if their going to keep milking these overly laboured and frankly boring moments.

All you need to know about this episode can be boiled down into a few points. In 1965 Jack gave 12 children to the 456 who promised that was all they wanted. Clem was supposed to be one of them, but ran away and went mad. It turns out the 456 lied, now they want 10% of all the world's children. That's it.

Gripping TV this was not. Please, please let Episodes 4 and 5 turn this around. Don't let me down BBC Wales.

For an alternative take on the episode check out Snark and Fury and Dan's Media Digest.

(For the record I'm tired and I might revise my opinion in the morning. But this episode of Torchwood actually gave me a huge headache, I can't remember the last time a TV show caused me physical pain.)
Direct Link
 


What if all TV Shows were Twittered?

By Rev/Views
I use Twitter on occasion, mostly to keep a track of things which are happening in the world of television by following certain feeds and also to report updates and so on.

But a while back I wondered what would happen if I tried to sum up various TV Shows in 140 characters or less. I decided to avoid putting the results onto Twitter to avoid spoilering things for people. So for your enjoyment they're here instead. Be aware, every single one of these will spoiler the shows mentioned in one way or another.

So without further adieu I present TV Shows in 140 characters or less - twitter style.

Six Feet Under:
Family of funeral directors brought back together when father dies, they carry on for a while then all of them die as well.

Seinfeld:
Four friends have a contest to see who can go without masturbating longest. George cheats, but doesn't admit it for four years.

How I Met Your Mother:
A story about how I met everyone up to and including your mother, told over many years. There's also a goat.

Friends:
Ross and Rachel spend ten years dancing around each other before getting together. Joey gets a spin-off and fails.

Battlestar Galactica:
Humans flee from murderous robots they created and find primitive Earth. God may have been involved.

Boston Legal:
Denny Crane and Alan Shore work together for five years before getting married. Denny never loses a case.

Dead Like Me:
Mandy Patinkin (Rube) dispenses sage advice to the freshly dead George before mysteriously disappearing. People die.

Futurama:
Delivery boy is cryogenically frozen, awakens in Year 3000, world not taken over by talking apes. Talking robots are a feature though.

The Wire:
It's too deep and complicated to explain here. Go watch it.

Harvey Birdman: Attorney at Law:
Retired superhero becomes laywer, forced to win every case twice and is then killed by Stephen Colbert.

The 4400:
4400 people are abducted and returned with special powers, everything gets cancelled before it's wrapped up.

The Shield:
Cop kills another cop and gets a job working for the feds instead of going to jail. His co-workers aren't so lucky.

Curb Your Enthusiasm:
Larry David proceeds to offend everyone he meets, repeatedly.

Knightmare:
Children explore a virtual reality dungeon and get killed. Virtually.

The Simpsons:
The Simpsons do everything first in the world of television. "Simpsons did it."

The Dead Zone:
Johnny Smith gets knocked on head, gains psychometry but his TV show gets cancelled before he can save the world from Greg Stillson.

Frasier:
Ex-bar patron gets his own radio show, spends ten years in Seattle before leaving for Chicago - still single.

That 70s Show:
Nerdy guy gets the hot red head, then loses her, then gets her, then loses her, then gets her again. 70s style.

Gavin and Stacey:
Couple meet on the Internet, get married. British public thinks it's all lush and lovely!

Fawlty Towers:
Hotel owner almost gives himself a stress induced heartattack while insulting his wife, staff and guests. Don't mention the war!

Black Books:
Disgruntled shop owner hires confused hippy type and spends his time abusing him.

Spaced:
Two people move in together and pretend to be a couple for two years. They possibly end up becoming one.

24
Jack Bauer repeatedly saves the world from increasingly ludicrious threats, for his next trick he'll punch the Earth out of it's orbit.

Heroes:
Who cares any more? Seriously? Stick with saving the cheerleader.

Deadliest Warrior:
Crazy match ups between historical warriors occur. No Pirates vs Ninjas vs Robots vs Zombies though.

Feel some of these aren't good enough? Want to give it a go yourself? Your favourite show is missing? Then give it a try in the comments section - or perhaps even on Twitter.

This also works well for books and movies - movies are a lot easier as they're shorter than TV shows.
Direct Link
 


Shield Marathon: Season Two: Disc One

By Rev/Views

A little off the pace at the moment with this Shield marathon, mostly because I didn't figure Torchwood into the equation when I worked out the timing of watching all this. We'll have to see how it goes, but the Marathon might take longer than the twelve days I had planned. Maybe I'll scale it back to a disc a day and run it over a longer period. Depends on how I'm feeling.

As always there's a timeline of watching each episode (this time spread over two days) followed by a collection of random thoughts.

Beyond the link are the episodes - "The Quick Fix", "Dead Soldiers", "Parteners" and "Carte Blanche"...

18:54 – Unfortunately a visit from a guest set me back several hours, adding onto that the problem that I’m having guests around tomorrow and Thursday I’ll be away from the TV all afternoon and evening I’m left unsure if I can manage this marathon before it’s time to go back to work or not. Currently I have eight days and I need to average around three discs a day to do it. With this in mind I’ve figured out I can watch two or three episodes before Torchwood starts and maybe the remainder before bed.

18:57 – The Quick Fix

18:57 – These men are being given tires to wear, hmm. Now they’re getting liquid poured on them. Maybe it's some kind of hazing ritual.

18:58 – And now they’re on fire. That’s a pretty unpleasant way to go.

18:58 – It’s Mark Rolston he’s a P.I. looking into Corrine. Apparently she’s at this motel.

18:59 – Trust Vic to go off half cocked. Wrong room Vic!

18:59 – Ah, the PI had bad intel - Corrine wasn't ever there.

19:00 – Shane, Lem and Tio – Taking Care of Business!

19:00 – Hang on, Shane’s in charge while Vic’s gone. Doesn’t Vic recall Shane’s poor decisions last season?

19:01 – Sure enough, they’ve been on the road for less than a minute and they’re pulled over.

19:02 – Ah Shane, you just can’t bluff a cop as well as Vic. Looks like Aceveda’s could get called in.

19:02 – Vic arrives, he’s all smiles and smooth words.

19:03 – Oh dear Aceveda’s arrived.

19:03 – What the heck? He’s assuming responsibility. Vic looks like he’s swallowed a kitten.

19:04 – Vic’s in trouble with teacher.

19:05 – Turns out it’s all on the level, Vic really was being sloppy with the paperwork.

19:06 – “Ay dios mios I’m Burning!” – Vic showing his usual concern over gangers being burnt.

19:06 – Aceveda’s mellowed out somewhat towards Vic, but he’s keeping a close eye on them.

19:07 – That’s blood. Looks like there’s something wrong with the coke, that guy’s puking up his stomach

19:08 – That’s just a cruel method of interrogation.

19:09 – Armadio’s mentioned, I’m sure he’s someone important.

19:10 – Gee Vic, where are you going to find fifty grand?

19:11 – The retirement fund’s cleaned out. It’s been invested. In COKE!

19:12 – Why are you surprised at what Shane’s been pulling Victor? His record last season was basically bad judgement after bad judgement.

19:13 – Kristen Bell! Is this what Veronica Mars did on her holidays? Get tattooed by Armadio?

19:14 – I guess you’re not that broken up about Corrine if you’re staying over Danny’s occasionally.

19:15 – I’m lost, which thing are they talking about? A thing or a thing?

19:16 – Looks like Armadio and his brother are all over Vic. The drug shipment was tainted back in Mexico.

19:17 – How are you going to raise twenty five grand Vic? Assault Mexico

19:18 – That’s a good way to treat a civilian auditor.

19:19 – I guess the other name for this episode would be “Vic’s Day off” or “What Vic Did on his Holidays”

19:20 – Mexican Policeman, his almost as bald as Vic is.

19:20 – What’s the odds Lem and Shane get mugged?

19:21 – 100%

19:21 – Seems Dutch-Boy hasn’t lost any of his moves where women are concerned.

19:22 – The little girl brought Dutch’s book back. Now he’s trying to interview a little girl. She’s a minor Dutch, does Claudette have to explain it to you?

19:23 – Is Vic going to try and take these guys down without guns? I believe he is.

19:24 – Success! Only in The Shield.

19:25 – Time for another tire necklace. Or will he talk first?

19:27 – It’s Armadio! Scarred on the outside, nasty on the inside. Armadio!

19:28 – I don’t think he’s going to crack like most people you get in that room guys.

19:28 – You really don’t want to get the little girl involved guys. Definitely try for another way.

19:29 – “I have a bad feeling about this” – Really Ronnie?

19:30 – Bullet holes in the trunk, four hundred thousand in cash and Vic still plans to fit this guy in trunk as well? He’s brave, you’ve got to give him that much.

19:31 – Oh shut up civilian auditor woman.

19:32 – On the road, that’s where I want to be…

19:33 – “In the field? Is that code for he [Mackey] goes where ever he wants?” – Why yes, yes it is.

19:35 – Go Julien, chatting up the single mom.

19:37 – It looks like the Strike Team is scuppered. Wait, no, once again Vic bluffs his way past.

19:38 – And now he charms the civilian auditor as well. Silver tongued devil.

19:39 – Armadio knows about the little girl. Quick, move fast.

19:40 – Papa Vic’s confiscating everyone’s keys. Naughty Strike Team.

19:41 – I tell you what, with that little dove on her cheek it’s clear that The Shield isn’t afraid of terrible moments and subjects. Poor mite.

19:42 – How do you feel now Dutch?

19:42 – Looks like Vic at least cleaned up his home after the end of the last season. Well cleaned it a little.
19:43 – David and Vic, reunited verses the civilian auditor, the old team back together again.

19:45 – Enough time for one more before Torchwood.

19:45 – Dead Soldiers

19:45 – I wonder if these Dead Soldiers are the same kinds as the ones mentioned by Bubbles in The Wire’s first season – used cocaine vials.

19:46 – The Strike Team, gatecrashers and party poopers extraordinaire.

19:47 – Looks like someone set fire to comic book guy’s store (Tio’s crib)

19:48 – Poor dead piggy

19:49 – “This is gangland, my domain” – Vic

19:50 – Another Vic and Claudette team up episode.

19:51 – Armadio’s using the polariod of his brother in the cage as a bookmark.

19:54 – Tio keeps a ledger of his transactions? It’s going to be bad if the safe holding it turns up in Claudette’s hands.

19:56 – Who’s the city official shot? It’s a traffic warden. Looks like Aceveda’s been running interference on Lanie.

19:57 – I think I warned you not to let Claudette get her hands on that safe.

19:58 – Nice car, being a PI must pay very well.

19:58 – Terrorists, mixing chemicals, dirty bombs? What could it be?

19:59 – I think that’s the first time 9/11 was directly referenced on The Shield (there was the speech from the woman last season but that was more subtle).

20:00 – So that’s what the smell is. It’s pickled fish. How pleasant.

20:01 – Lem’s attempt to be sensitive with Vic falls on deaf ears.

20:02 – You’ve to do better than that to pull a fast one over on Claudette.

20:04 – Claudette’s on your trail Vic, sniff sniff! She’s like a blood hound.

20:06 – Someone tell Armadio to keep his clothes on.

20:07 – You’d better hope Tio doesn’t crack Vic. Claudette’s pretty good.

20:08 – Seems like Lem knows a little psychology.

20:10 – Tio’s one cool customer.

20:11 – Dutch walks in, Vic and David walk out. Carry on like that guys and he’s going to think he smells or something.

20:12 – Tio’s ID’d a bald guy, the firebug now has hair. Oops.

20:13 – Second disconnection of the Interrogation room camera. Claudette’s done it this time.

20:14 – Just as well Aceveda’s able to run interference for Vic at the moment isn’t it?

20:15 – Ladies and gentlemen, Tio has left the building.

20:18 – Dutch has caught his guy because he thought as it was a government test it would be unreliable.

20:19 – That’s one angry Claudette, I think this is the moment where she begins to turn against Vic.

20:20 – You should have put down the gun when you were told dude. It’s too late to put it down because you’ve been shot dead.

20:22 – Bit of a moral to this story, people hardly care that an Arab has been shot dead, terrible.

20:23 – Lanie’s bulimic! That’s attractive.

20:23 – Dutch again messes up where a woman’s concerned. But as he says “I’ve got a girlfriend.”

20:24 – You don’t go throwing Vic into bins man. That’s just not cricket.

20:25 – R.I.P. Tio, looks like it’s a bad gig being Vic’s dealer. Kern better be careful.

20:26 – Now that’s throwing the book at him. Oh, nasty.

20:27 – The famous face burning scene. I know Armadio’s a complete bastard but still, it’s harsh to watch.

20:28 – Time for a break to watch Torchwood (which is on in half an hour) and then You Have Been Watching.

23:44 – Having survived Torchwood and enjoyed YHBW I figure I can get in one more episode of The Shield before bed, maybe two if I’m not too tired. But staying up after midnight is unusual for me.

23:45 – Partners

23:45 - We get to relive that wonderful face burning again. Man that always makes me wince. It’s almost as definitive a moment for Vic as the pilot episode was.

23:46 – Why hasn’t Michael Chiklis been given a starring role in an action thriller movie yet? I’d love to watch him brutalise his way through a field of people in the style of The Shooter or Death Wish.

23:47 – You’re right to pull that face Vic, blood doesn’t wash out easily, I know.

23:47 – “That’s an arm.”

23:48 – Man the subtitles suck on this season’s set.

23:49 – But the Dutch subtitles are far nicer laid out, shame I can’t read them.

23:50 – Dutch and the case of the one armed woman.

23:51 – Aceveda owns the Strike Team for the day, Vic’s handed them over.

23:52 – I remember this episode, in a show filled with disturbing cases this one is right up there near the top.

23:52 – When Corrine opens her mouth, half the time white noise just seems to come out. I think I’ve began to filter out her whining.

23:54 – It’s her from Two and A Half Men, the cute obsessive one. What’s her name again?

23:55 – Oh man, I never feel good seeing that scene with the poor girl in the bathroom.

23:55 – Carl Weathers will cheer me up. Maybe he’ll share a few cooking recipes or tips on how to save money.

23:56 – Huge moment this, it’s the closest Vic ever comes to vocalising his regret over Terry Crowley. Chiklis is so good at scenes like that one.

23:57 - Melanie Lynskey! That's the one.

23:58 – Vic’s been lying? Surely not, you must be mistaken Claudette.

23:59 – Yup, this fire tire case is definitely where Claudette first begins to smell a rat about Vic.

00:00 – See Joe Vic? That’s the ghost of a potential future floating around you there.

00:02 – Once again Julien fails to back up Danny. Just like Claudette he’s ‘word of the law’ police.

00:03 – That couple really do make me sick. Poor girl in the trunk of their car.

00:03 – No Dutch, pop the trunk! Please!

00:04 – I wonder if Joe Clarke is named as a tribute to Clark Johnson.

00:05 – Sometimes I can’t help think Shane only opens his mouth to change foot.

00:06 – Trust your instincts Dutch, you’ve got the guy there.

00:07 – Only Shane could come up with analogy involving grits.

00:08 – You’re not going to get her to crack. She’s stone cold guys.

00:10 – You should listen to Claudette here Dutch, it is a surface diagnosis.

00:11 – Told you she wouldn’t crack Dutch. But now you think she did.

00:13 – Sometimes the camera work in The Shield just makes it look like a real life documentary. This is one of those times.

00:14 – Listen to Joe Vic, he’s a potential future for sure.

00:15 – Looks like Fleetwood is shipping more than electronics, that’s a fully automatic.

00:16 – Vic’s been shot! He is human after all.

00:17 – She really knows how to play you Dutch.

00:19 – A kitchen knife is called in, it becomes a bloody machete in the call.

00:20 – You did NOT let Bob and Marcy go Dutch did you? You’ll regret that.

00:22 – That’s a interesting interrogation technique Shane.

00:24 – I told you not to let them go Dutch. But you didn’t listen because you’re on the other side of that television screen aren’t you?

00:25 – The moral of the story for Vic – “Don’t turn into Joe.”

00:26 – The moral of the story for Dutch – “Don’t let pretty women manipulate you.”

00:27 – Considering what happens later, some of the conversations in The Shield take on a real twist of dark irony.

00:28 – Don’t beat yourself up too much Dutch, no-one’s perfect.

00:29 – If I stay up it’ll be gone one before I get to bed. So I’ll watch the last episode of this disc tomorrow morning, probably only going to manage two discs tomorrow at best, as each disc takes around three hours to watch.

9:36 – Carte Blanche

9:36 – I completely forgot Vic received a medal for being shot in the previous episode.

9:37 – Toys for guns!

9:38 – Shane’s missing badge comes to back to haunt them. Someone’s using it to kill people.

9:40 – Do you think Vic can pretend to be a dirty cop successfully? I’m not so sure…

9:42 – Looks like Danny’s shooting is turning sour and Aceveda’s being hit with the splash as well.

9:43 – It’s amazing how fast Claudette turned against Vic, she was very ‘live and let live‘ in the first season.

9:45 – Looks like these stolen diamonds all head towards the Armenians.

9:46 – And there’s the first sniff of the Armenian Money train.

9:47 – “Well, inside I’m a sad clown.” – Vic expressing his sorrow over being “forced” to play a dirty cop.

9:49 – This law-suit against Danny is getting out of hand already.

9:50 – Likewise Vic’s undercover work is getting out of hand as well.

9:51 – You should get Tavon onto the team Vic; he’d suit you guys to the ground. Wait, you haven’t met him yet. Shame.

9:52 – Lanie’s behind the race thing for the Strike Team, nothing like political correctness in this world.

9:53 – That’s a thin tightrope Vic’s walking here.

9:55 – I’m sure Manny appeared in the first season.

9:56 – Bob and Marcy really have Dutch’s abilities off kilter.

9:57 – “I thought you said he blew his face off. What did he do? Miss?”

9:57 – “Go to the car and get my shotgun.”

9:58 – Soccer coach for a load of single moms, bet he gets quite a bit of action. Danny’s digging him that’s for sure. He’s bound to be bad; she has lousy taste in men.

10:00 – Did you really expect Vic to stop if he had a whiff of some more David?

10:02 – Dutch continues to dig in the wrong patch; his fu is well off the mark.

10:04 – 9210 Escovida – the home of the money train.

10:05 – Uh-oh now the Armenian guy with Vic knows that the suicide didn’t happen.

10:07 – Close one there Shane.

10:08 – I knew it Danny, that guy is whacked.

10:09 – Yup, that’s the money train.

10:10 – Julien’s a straight flier, if he says something didn’t happen, it didn’t happen.

10:11 – That money is the entire West Coast money train.

10:12 – Looks like Vic has a plan, maybe involving the retirement fund.

10:13 – Claudette got ya Manny. She got ya good.

10:17 – Being shot hasn’t changed anything Vic, Corrine still wants you out.

10:18 – Nice place Vic. Swanky.

End of Disc.

Thoughts:

• I wondered why Season Two was just one of two seasons in The Shield to receive an 18 rating in the UK. But this disc has already cleared that question up. Partners is one of the most disturbing episodes in the show alongside Cherrypoppers, but Armadio's actions in the pilot episode and the burning of his face are right up there as well. The Shield really follows the rule "less is more" with regards to the violence and horror in the show. We get to see bits, quick flashes and suggestions without seeing too much. It's highly effective (just like in Alien).

• The cops are eith screwing up a lot (Dutch fails with Marcy and get's the poor girl "tatooed" by Armadio), or getting punished for their actions (Vic being shot, Danny and the lawsuit). I thought the first season was hard, but the second season has been to some seriously dark places and it's just the first disc.

• First whiff of the money train, if Vic had called it in to Aceveda at this point things would have turned out very differently in the end.

• Still very little Ronnie at this stage. No wonder he was considered a red shirt, he's lucky if he's in the background, let alone if he gets a line. But Lem's not getting too much screen time either, which is a shame because I really like Lem.

Direct Link